无论最终结果将人类历史导向何处，
我们决定，选择希望。





祝地球好运

不要温和地走入那个良夜，怒斥，怒斥那光明的消逝

В своем предисловии я хотел бы слегка коснуться студии, что разработала данную игру. Примечательно то, что она не многочисленна, не обладает большим финансовым ресурсом, а творит не хуже разработчиков заточенных под Triple A проекты. Это важный аспект для осознания результата, ведь игра Deliver Us The Moon – это путешествие, которое останется у вас в душе на долгое время.

Созданием игры занималась «KeokeN Interactive», где в первую очередь ценят игрока и стремятся подарить ему новый опыт, особые впечатление от процесса. Так заявлено на странице в Facebook, а я лично согласен с этим устремлением, могу подтвердить – так и есть. Deliver Us The Moon: Fortuna относится к таким продуктам, где за пеленой простоты скрывается позитивная, интригующая и не лишенная глубокого смысла игра.



Относительно недалекое будущее. Человечество стоит на пороге коллапса, когда источники энергии на Земле истощены, сама «Матушка Земля» выглядит, как выжженное поле: всюду песчаные/пыльные бури, население резко сократилось, уровень воды в океанах поднялся. Если кратко, то произошло все, о чем нас пугают ученые в рамках ограниченных ресурсов и глобального потепления.

Спасительным «маяком» для людей стала Луна. На ней открыли источник гелия, который там же стали перерабатывать в энергию и пересылать по трансляторам на Землю. Такая идиллия продолжается недолго и в один прекрасный момент связь с учеными на Луне прерывается. Обслуживающий персонал, пребывающий на окололунной орбите, отправляется на поверхность, чтобы выяснить причины «блэкаута», но также бесследно исчезает.

Спустя несколько лет в полном неведении, без благ цивилизаций, горстка ученых с Земли снаряжает последнюю экспедицию на Луну для выяснения причин случившегося. С этого момента начинается наше приключение… Оно будет масштабным: вы побываете на стартовой площадке, на орбитальной станции, в открытом космосе. Будете исследовать причины произошедшего, поймете суть исчезновения людей.


Обсудив сюжет, очертив его рамки, я думаю целесообразно коснуться геймплея. Не ждите от игры horror или лютой фантастики с пришельцами, т.к. игровая база строится иначе. В первую очередь это приключение в рамках стесненных обстоятельств. Вам предстоит работать ножками, ручками, головой. В игре вы не встретите противника, как субъекта, но препятствия имеются.

Надо понимать, что вы идете по следам первопроходцев, которые покинули посещаемые вами места довольно давно. В условиях агрессивной среды все предметы подверглись большому износу. Это станет следствием частых поломок, требующих от вас починки. Многие события по устранению неисправностей основаны на принципах головоломки: «найти предметы и установить их в нужном месте», «соединить по размерам», «проникнуть в недоступное место» и т.д. К примеру, остался в памяти запуск ракетоносителя, когда отправляешь на околоземную орбиту. Предстояло инициализировать систему в ручном режиме, клацая по тумблерам, увеличивая тягу – это было очень интерактивное занятие.

В игре понравилась возможность кардинально сменить место пребывания. Вот я на Земле, занимаюсь подготовкой к запуску, через пару мгновений я на орбите и изучаю станцию, затем на Луне и увлеченно путешествую по локациям, пробираясь через проблемы, тяготы, красоты. Насчет красот – это отдельная тема, т.к. графическая составляющая в игре очень богата.

И да! Я чуть не забыл. В середине игры мы встречаем дройда, которого предстоит починить, но в дальнейшем, с его помощью мы будет проникать в удаленные участки лунной станции и получать необходимые сведения. Процесс управления осуществляется с вашего коммуникатора на руке. Коммуникатор же станет для вас средством постижения мира. В нем будет описание встреченных вами устройств, записи других людей, собранные материалы для анализа произошедшей ситуации.


Основополагающим моментов графической составляющей является космос и все сопряженное с ним. Будучи в невесомости вам дается возможность насладиться каждым мгновением. Разработчик вас не ограничивает четкостью выполнения заданий или временем прохождения. Я то и дело останавливался, любовался по сторонам, делал скриншоты, которые бесподобны, но более бесподобна работа аниматора и художника.

На протяжении всего вашего путешествия вы будете встречать интерактивные голограммы, раскрывающие подробности сюжетных линий. Это своего рода кат-сцены, только имеющие цифровую форму. На мой скромный взгляд, хороший подход к делу с ограниченными ресурсами. Во-первых, такой концепт вписывается, как нельзя лучше, в атмосферу игры, ее антураж, а во-вторых, сам привносит определенный элемент диковины.

Из-за первостепенности космоса вытекают небольшие погрешности в других местах. Например, при перемещении вашего персонажа. Если честно оно выглядит слегка топорно и движения неестественны. Стоит признать, что помещения в локациях также сделаны простовато в плане наполнения. Кругом чувствуется минимализм, но при этом, отдам должное за детали. Где бы вы не находились, вы сможете найти немало интересного. Везде разбросаны журналы, записки, на стенах висят детские рисунки, которые, к слову, несут не просто декоративный смысл, но и инкрустированы в сюжетную линию. Изучая особенности созданного мира, вы глубже поймете происходящее, у вас появятся чувства симпатии и антипатии.

Коллаж из скриншотов Deliver Us The Moon: Fortuna #1 

Création de la communauté pour Steam Artwork

Par : YroMIR

Обозначения: Рис.1 - Иллюстрация с детскими рисунками. Рис.2 - Приветствие от разработчика. Рис.3 - Вид из иллюминатора на Землю. Орбитальная станция. Рис.4 - Приветствие вашего спутника.

Резюмируя вышесказанное по графике, могу сказать с уверенностью, что равнодушным остаться не получится. «Полное погружение» в игре обеспечено. Жаль только, что космоса маловато, а хотелось бы больше. Именно космоса, выхода за габарит помещений, как в фильме «Гравитация». Ниже на скриншотах я попытался подобрать немного космоса для вас.

Коллаж из скриншотов Deliver Us The Moon: Fortuna #2 

Création de la communauté pour Steam Artwork

Par : YroMIR

Обозначения: Рис.5 - Разрушенная орбитальная станция. Вид из космоса. Рис.6 - Путешествие на луноходе. Рис.7 - Путешествие на монорельсе. Рис.8 - Лунное селфи.

OST в игре заслуживает отдельного слова, потому что это крайне профессиональная работа. Если сложить все композиции, то получится почти 3 часа «меланхолии, утопии, счастья, радости». В игре заложено 50 треков от Sander van Zanten’а. Композиции чем-то напоминают труд Ханса Циммера в «Интерстеллар». Всем любителям жанра посвящается.
Звуковое сопровождение на уровне и большинство вашей деятельности будет сопряжено с качественной обратной связью в виде звуков. В целом добротная работа для небольшой студии разработчика.


В послесловии хочется откинуть формальность и по-человечески сказать, что в этой игре я нашел то, что так долго искал. Deliver Us The Moon: Fortuna смогла подарить ощущение "моего" пребывания в космосе, заинтриговать меня и удерживать у экрана на протяжении 8 часов. Смогла синтезировать чувство одиночества, растерянности и поиска в нечто большее, а если быть точным - в гармонию с самим собой. В этой игре вы не встретите лично живое существо, но на душе нет тягости от этого и это подкупает, восхищает.

Если вам близки мои мысли и анализ, то смело приобретайте игру. Тем более, что разработчик не умыл руки от своего детища, а полгода после релиза работал над дополнительным финалом игры. Данная работа будет доступна всем без исключения на бесплатной основе, кто приобрел игру, в качестве бонуса.

Карточка оценки Куратора. Deliver Us The Moon: Fortuna 

Création de la communauté pour Steam Artwork

Par : YroMIR

정말 제대로 된 한글화, 그래픽, 배경음, 영화 한편 보는 느낌으로 플레이 했습니다. 추천

当看到"生命体征稳定"的时候我真的快哭了

hacia tiempo que no disfrutaba tanto de un juego ♥♥♥ una historia fascinante y envolvente, la atmosfera que este titulo puede generar en hermosa, la historia simplemente genial, las actuaciones de voces es increible, los graficos ni se diga, es hermoso por donde lo veas o escuches, no encontre ni un solo bug, mi experiencia en este titulo fue de las mejores que he tenido en cuanto a historia; en una actualidad llena de juegos enfocados al multijugador deliver us the moon llega ♥♥♥ algo tan refrescante como agua dulce en un mar tan salado por compañias que solo ven en nosotros los consumidores como generadores de dinero, sin dudarlo compraria una segunda parte que espero y este en los planes de la desarrolladora, FELICIDADES.

This game is very immersive and haunting. I really enjoyed the story and it was reasonably challenging though it's obviously very much about the story and the mystery behind it. If you're reading reviews where people complain about this game being too short keep in mind that's from an early release version that came out a year ago and was incomplete. This version took me almost 8 hrs to finish in one sitting and while I did try to pickup and read/watch everything I could in the game I didn't fiddle around at all. Two things worth knowing:

1) You need to watch through the first part of the credits (where they are showing screenshots/pictures) to see one final wrap up scene in the game.

2) One mystery will not really be answered in the game and it certainly left me wanting for a sequel to this game so I can find out where they went (I'm being vague here as to not give away plot).

달에 있는 옥천허브에 택배를 찾으러 가는 게임

Atmospheric, riveting, immersive and remarkable. Those are a few words I would use to describe Deliver Us The Moon. An engrossing narrative, combined with polished gameplay mechanics and a high attention to detail, make this a must have for sci-fi fans, as well as those simply looking for a good story.

The only major caveat is the steep price tag. It’s too much for the relatively short experience that comes with it. If, however, you’re willing to make the investment, you’ll be in for a ride that will stick with you after its conclusion.



Deliver Us The Moon is a cinematic, sci-fi epic that takes place in the late 2050s. The world has been brought to its knees. Climate change, combined with the depletion of the planet’s resources, has seen humanity reach out to the moon after the discovery of a new energy source.

Exploitation of this discovery began with the construction of a unique facility that’s capable of transmitting this energy back to Earth through a machine known as the MPT. The operation was a success and gave the planet a lifeline.

Then, one day, the power went out. Connection to the MPT was lost, and with no way of sending a team to investigate, nothing could be done. However, a small group of people chose not to give up, and after a few years, they were able to act. You play as one of those people: a lone astronaut whose task is to travel to the moon, fix the MPT, and find out what happened all those years ago.

Deliver Us The Moon has a very strong introduction that showcases how things can go wrong at any moment. You are almost immediately thrown into an intense, dangerous situation as you desperately launch yourself off the Earth’s surface before an incoming sandstorm rips everything to shreds.

The opening chapter has you go through every step of launching your rocket off the planet. A pretty intense introduction. 

Une capture d'écran de Deliver Us The Moon

Par : Narukoopa

Thanks to this strong pacing, the narrative had me invested from start to finish. There was a perfect balance between the mild, almost peaceful moments and the high-stakes scenarios that have you fight for your life. It never got stale, as each location I travelled to untangled a thread in the mystery. All of this led to a satisfying conclusion that wrapped things up nicely.


While you spend most of your time on the moon, the early portions of the game take place elsewhere. As mentioned before, you start on Earth; however, you quickly leave and travel to a space station orbiting the moon. It’s here where you get to experience playing with no gravity, relying on jet boosters. I loved this part because of how uniquely challenging it was to be weightless and navigate without a proper sense of up or down.

Not long after, you make it to the moon. Despite being abandoned, the base is filled to the brim with detail that helps emit a haunting atmosphere. You are a lone explorer in this mission, so seeing empty crew quarters that still contain belongings, workshops that are still filled with tools, or offices housing various blueprints and plans gives you a sense of unease, whilst also telling the story of what happened before everything went wrong.

The base is filled with rooms like this. You can tell something serious happened before you arrived. The question is, what happened? 

Une capture d'écran de Deliver Us The Moon

Par : Narukoopa

It’s worth noting that the game is gorgeous to look at. Support for ray-tracing is available, something that I don’t have the hardware to use, but even without it, the visuals are impressive. There are plenty of opportunities to take photos here. It’s a shame there isn’t a photo mode.

Another area that deserves special praise is the sound design that adds to the immersion. Even the little details, such as audio becoming muffled in depressurised environments, or the only source of sound originating from vibrations, can make the experience feel as authentic as it is captivating. The music does a good job too, setting the right tone for each encounter.


Since you’re on your own, there isn’t much in the way of action. This isn’t the kind of game where you go in guns blazing and solve problems through brute force. You have to investigate, observe your surroundings, and make your own assessments.

The gameplay as a whole has a simple yet effective quality to it. It does this whilst avoiding the risk of repetition. Each section introduces something new, whether it’s through a change of camera perspective, a laser tool that can create new pathways, a vehicle that allows you to drive on the moon’s surface or a robot companion that can be remote-controlled.

This is ASE. This little guy will keep you company, and will also help you access areas that you can't get to. Very handy. 

Une capture d'écran de Deliver Us The Moon

Par : Narukoopa

On top of this, depending on how engrossed you are in the world building, each level contains points of interest that’ll give you further insight into what happened before you arrived. This information is presented to you in three ways: scannable objects, audio logs, and holographic recordings. Building up this codex is completely optional, but for me, it added an extra layer to both the gameplay and the narrative.

If I had to nitpick, I’d say that a few of the animations look a bit stiff, especially movement related ones, but it didn’t detract too much for me, as they aren’t massively noticeable anyway.

Is this a walking simulator? Sort of, but thanks to the way it varies things up, it never felt mundane. The only significant complaint I have is the game’s length, in correlation to the price tag. I’m happy with the way it concluded: it didn’t go on for too long, and it wasn’t too short. The price, however, isn’t justified. It may be an exceptional product, but the cost is simply asking too much.

Update Nov. 10th, 2019
So, here is the thing. If you waited for the complete game to be released, now would be the right time to buy it. But you maybe still shouldn't for the full price and rather wait for a (small) sale.

The game now overall delivers (haha) a very atmospheric experience including a – now – acceptable ending. I especially liked the dark and abandoned stations and places, it has a compelling story and - surprisingly – is even able to get you emotionally invested in the fate of one of the characters.

It is however still rather short even though I took my time to look around and absorb the surroundings. The story has also some major holes and logic flaws and leaves you with a lot of unanswered questions.

Still, it left a rather positive impression, as soon as it is part of a sale give it a try!


Original review:

Let's just get over with the obvious elephant in the room: As of September 29th 2018 this game is short. Depending on how much time you invest in roaming around, looking for parts of the story and documents to read you might get something about 3-5 hours max of gameplay and that is it. So, if you look for endless hours of open (moon) world gameplay, just don't bother. Do not buy it, do not get disappointed, just move along.

That said you might wan't to take a look at what you actually get: Looking at the fact that the game was created by a small independent game company, initially financed via Kickstarter and supported for a while by a publisher (the partnership eventually broke because of 'creative differences', so here is your answer why the game finishes mid story) you get quite a decent game. Certainly no tripple A game, but they did an 'okay' job.

There are with no doubt still rough edges, like quick action sequences that start completely from the beginning when you fail, including a much too long 'cinematic' introduction to it; the controls feel a bit wonky sometimes, your companion does not really do much, and - of course - the completely unfinishes story.

But the graphics are great, they did have some creative ideas for the story, the gamesound is great and I did quite enjoy the music and overall 'feeling' of being alone on moon. It is a likeable game.

You do not like to pay 20 € for it? I get that, maybe if there is a special offer you might still give it a try. Just, don't expect too much and you won't be disappointed.

I got this game as FREE Deliver Us The Moon with Purchase of a Qualifying EVGA GeForce RTX™ 20 series Graphics card!

<Review>

pros: This game looks awesome if you have the right hardware, there is a very interesting story. the puzzles are challenging but are very doable, even with brain damage I didn't need a guide for any puzzles in the game. the game spoon feeds you its mechanics and common sense will guide you through it.

♥♥♥♥: the game is very short like the length of an old ps2 game. less then 13 hours for anyone id figure.
I got the game and beat it in under 8 hours without any guides or walk through. 22 of 32 steam achievements just from messing up on the way i even explored as much as the game would let me.
*edit* there is a dlc now but its an extra $9.99 and I'm not planning on buying it, its a good game for free or cheap but not worth the money to me.

I only have 1 working arm so I try to give good reviews on games that are made more assessable then they know.


I've now went back in and got the few achievements that I missed. 32 of 32 steam achievements and I have 9 hours of game played. This was a great game I only had issues playing it twice.

1st. The first time you need to cut power with your plasma cutter it takes longer for the beam to start and you have to be in a certain spot to use it. it took a few to figure it out but its not too bad.

2nd. The very last part of the game you have to be on point with moving the mouse to keep the camera centered. Even rushing to the chair you only get 1.45 to line up the dish, it takes a full minute to charge it up once inside of the circle. while you're trying to line up the dish you keep trying to fall asleep and you'll blank out and fall out of the circle. I have to use my thumb to hit 4 buttons on my Razer Naga Trinity mouse. This controls my arrow keys (buttons 1,2,3,5) you cant just set the camera in the middle then use the controls. like when lining up the other power dishes. it took me no less then 10 times to do this the first time and I only got it done with 13 seconds to spare for my best time.

Deliver Us The Moon
Достаточно неоднозначный для меня оказался проект. Смотря на очень положительные отзывы и довольно таки интересные скриншоты, описание, я надеялся получить игру, ну чуть более чем среднюю. Получил ли я такую? Нет.
К сожалению я слишком завысил наверное свои ожидания от игры и да, вроде бы описание не врет, но реализация могла бы быть и получше. Не спорю, создавать игры стоит большого труда, но проблема больше в решениях тех или иных аспектов в игре.
Самое банальное, что меня основное время раздражало - так это вид от третьего лица. Я может неосознанно так воспринял это, но анимации, само поведение персонажа меня почему то раздражало. Вроде движения плавные, но все равно местами крайне не реалистичные. Какие-то рывки, прыжки и да, я понимаю, лунная гравитация она отличается, но черт возьми почему в помещение со стабильной гравитацией он прыгает как ужаленный? Ладно, такие придирки идут исключительно из-за серьезности проекта, когда ты включаешь его, начинаешь от первого лица и ты такой, вау, это выглядит как минимум достойно, но после именно вид от третьего лица все портит.
Но давайте забудь про это и пройдемся дальше.
Музыкальное сопровождение тут гармоничное, приятное и правда погружает, сделали хорошую работу.
Сюжет, те темы которые затрагивает и казалось бы, вроде кризис на земле, появилась нехватка ресурсов, пустыня, но почему то бегая по лунной базе ты не веришь в это. Да есть заметки, да тебе дали задачу, но раз на земле так мало воды, почему на лунной базе везде газировка и тд? Почему на луне дефицита нету, а на земле есть? Да, глупая придирка, но я думаю именно из-за таких нюансов ты и начинаешь либо верить, либо нет этой вселенной.
Но все таки из-за всего выше сказанного я не могу поставить отрицательный отзыв. Хотя бы из-за того, что местами игра играет на эмоциях, особенно в самом конце. В игре проявляются те или иные человеческие черты, не персонажа, но тех кто был до него.
В общем, если подвести итоги, то проект средний, но достойный внимания, но пожалуй многие все равно в него не сыграют, ну или максимум на пару часиков, уж больно игра специфична и пометку экшен нужно убрать. Да тут есть головоломки, да тут есть моменты с экшеном, но это не экшен.
По итогу. Советую игру тем, кто любит побродить, исследовать локации (а именно читать все заметки и вникать в лор игры), тем кто любит хорошие истории (но тут более средний, но все таки интересный). Другие же, кто думает, что тут будет что-то прям вау, я вас огорчу, лучше проходите сразу мимо.
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Спасибо всем тем, кто прочел обзор и в особенности тем, кто комментирует и оценивает.
Неважно, в плохом ключе или хорошем, главное, что не прошли мимо, спасибо вам большое.

This is a gorgeous game about space that has laughably, absurdly bad science and story. Some of the problems can be explained by "so the game can happen", but far from all of them. Despite this, it is still an enjoyable gaming experience if you can force yourself to ignore tons of logical problems, which are:

HEAVY SPOILERS FOR THE ENTIRE GAME BELOW, DO NOT READ IF YOU PREFER TO STAY IN THE DARK, this is essentially a rant of all the issues that bothered me.

The science:

1) Apparently gravity = oxygen, as the moment you step into a pressurized breathable environment you stop "moonwalking" and just start walking normally. And there's fall damage. On the moon. From a distance that wouldn't be a problem if you dropped down it on Earth. Did the humanity quietly invent gravity field technology that is never once mentioned in the game?
2) The super advanced space suit from 2050 has 3 minutes of breathable oxygen in reserves and then you suffocate. People can hold their breath for longer.
3) A canister of presumably pressurized oxygen that is locked in 'use in case of emergency' boxes is only good for THIRTY SECONDS of breathing? Is it filled at like 2 atmospheres and it's filled with ambient Earth air for some absurd reason? Because that would be the only thing that could possibly explain it.
4) The locks and infrastructure system make no sense. You're telling me that every time they had to open that door they HAD to weigh a platform with multiple tons of a specific vehicle, that isn't even relevant to the purpose of the station behind the lock? Imagine locking your electrical switchboard behind a lock that requires you park a 2002 Ford Fiesta in a specific spot outside your house. It's not even the only vehicle the colony uses!
5) It's all well and good to use some imagined new technology to transfer power from the Moon to Earth, but why on Earth (heh) would you use it on the Moon to transfer it over 200m within eyesight and no obstacles inbetween? You're telling me it was easier to build an entire dish array that probably requires super specific materials than to just use a copper cable? Okay, you can explain the big major ones that connect the reactor to the transmitter as "this is the only thing that can handle it", but why would you use the same technology to power small substations on the surface that could probably be sufficiently powered by a solar panel or two?
6) It only takes like 15 seconds after "turning off" life support system to COMPLETELY DRAIN the entirety of a space station of breathable atmosphere? Are they specifically opening up holes to suck the air out for some reason? It would take hours for the air quality to deteriorate.
7) The safety precaution equipment (in case of X) is locked behind metallic locks that have to be lasered off? Imagine if fire exits and alarms were locked behind a sudoku puzzle, it would make about as much sense.
8) Why are they bottling up Helium-3 in canisters? Assuming they only ever use it to power the energy beam for the planet, it would be insanely more efficient and easier to just build a simple pipe, now you don't have to build a pressurizing facility, you don't have to transport hundreds of heavy canisters to the Moon and you don't have to constantly lug canisters around the Moon's surface. You're telling me they were transporting Helium-3 in bulky canisters by monorail by hand to sustain their reactor? Did nobody really stop and think for five seconds "maybe there's a better way to do this routine monotonous operation"?
9) Did they somehow manage to intentionally or accidentally tidal lock the Earth? Otherwise the whole transmission of energy from Moon to Earth makes no sense, the Earth terminal would just spin behind the Earth's surface, and the sender and the receiver terminals are stationary surface stations. Is there a series of receiver terminals all along the Earth's surface (sure let's just build this enormous worldwide installation instead of, oh, I don't know, power stations for any of the myriads alternative sources) and the Moon station recalibrates the aiming point as the Earth rotates? This is never mentioned in the game.


The story:

1) The most absurd element of the story is making you feel like the entirety of the human race is like, 50 people total. You're telling me that only like 5 people worked to build a rocket to restore access to FREE UNLIMITED* ENERGY FOR THE ENTIRE PLANET??? This is insane. And the colony leader's motivations to save like 30 people over billions on Earth are just idiotic. "The only chance for humanity's survival is not sustaining the billions of people on Earth, but randomly launching 30 people ♥♥♥♥ knows where, in the process dooming the billions." Good plan, mate. How are you going to grow human population from 30 people on a random planet with no human infrastructure? It's just impossible.
2) The first expedition to 'check up on' the lunar colony sent TWO people, and they only had FORTY MINUTES to investigate it before being FORCED (?) to go back to Earth? What an insanely idiotic plan. In real life, the disembarkation alone would probably take at least half an hour.
3) You're telling me the majority of the lunar colony went 'nah we just don't feel like sending FREE UNLIMITED* ENERGY FOR THE ENTIRE PLANET anymore' and just... stopped doing it? Is this some sort of a joke? Why wasn't there a massive military response? If we can build massive colonies on the Moon, it stands to reason that we have a massive spacefaring fleet available to service it (as indicated by the immense amount of raw material that had to be shipped from Earth to build everything, and tons of Earth-made things like big heavy luxury soft chairs), why wasn't it used? Did the entire planet just went "oh well I guess we'll die now"? An energy source that is crucial for the SURVIVAL OF THE PLANET would be the most guarded and most scrutinized thing ever built, and just... nobody cared?
4) Did the people forget that Nuclear, Wind and Solar power exist? You're telling me that everybody just went "oh now that we have this ONE crucial for survival of the entire planet source of electricity, we should dismantle everything we have built for energy before that"? Geothermal? Blow it up. Hydro energy? Why bother.
*) Apparently, the energy isn't "unlimited" and there's a finite amount of Helium-3 in the moonrock. Which is funny, as that would assume either of the two things - ALL the Helium-3 is for some reason situated in a single spot on the Moon's surface which they're mining, or there's a GIGANTIC ENORMOUS MINING OPERATION ENCOMPASSING THE ENTIRETY OF THE MOON'S SURFACE and we just... never see any of it. Not to mention it would require thousands of people to operate. Another ridiculous thing is that either their fusion reactor is insanely inefficient and guzzles Helium-3 like it's water or they somehow managed to consume entire Moon's surface worth of moonrock in what... 20 years? Ha. And ALL OF IT WAS TRANSPORTED BY HUMAN HAND IN METALLIC CANISTERS ON A MONORAIL. Imagine the logistics on this operation, it is staggeringly absurd. And this apparently gigantic demand in power suggests that there are still billions of people living on Earth consuming that power, otherwise, why would it be so 'limited'?

So yeah, these are just some immediate logical issues that came to mind while playing the game. Even accounting for the fact that this is a videogame and they had to include some of those so the game had gameplay, they still could have done a better job explaining all the inconsitencies. Still an okay game though.

Fortuna est le premier épisode du jeu Deliver Us The Moon (DUTM). Au départ, 5 missions (ou épisodes) ont été annoncées lors de la campagne sur Kickstarter. Le développement a pris du temps (par rapport à l'annonce initiale d'un épisode 1 en août 2016), mais je pardonne ça aux développeurs qui ont été très transparents sur leur développement et qui, après 4 ans, livrent un premier épisode très agréable, très beau et techniquement excellent.

Je commence par les doutes : DUTM est censé comprendre 5 missions à la fin de son développement. Les 5 missions seront accessibles à ceux qui ont acheté le jeu "au début". Je comprends les contraintes de développement (notamment le portage Xbox et PS4 il me semble, et c'est le flou de ce côté-ci), mais j'aimerais être rassuré sur le nombre de "suites". Les commentaires négatifs sur le jeu reflètent, il me semble, plutôt une incompréhension, un doute sur ce point précis. Dans tous les cas, le studio a prouvé qu'il était capable de développer un jeu (c'est son premier jeu) en assurant la communication et une interaction avec sa communauté que je n'ai personnellement jamais vu ailleurs. Les directs sur Twitch avec l'équipe sont vraiment top à suivre !

Ensuite, les points négatifs : DUTM Fortuna offre une mission de 4 heures de jeu. C'est court. Côté gameplay, on ne révolutionne rien et certaines phases de "puzzles" (il y a quelques énigmes à résoudre, mais qui sont intégrées de façon assez naturelle au jeu) se répètent, ce qui est dommage. Même si ce n'est pas négatif pour moi, il faut signaler que le jeu est uniquement en anglais pour l'instant. Puisque c'est avant tout un jeu narratif, j'aurais aimé être plus saisi par l'histoire. J'ai suivi l'aventure pour son ambiance et aussi pour l'histoire, mais sans être aussi capté que dans What Remains of Edith Finch (par exemple).

Les points positifs : l'ambiance est sans doute la plus grande réussite. On a l'impression de vivre une véritable aventure spatiale. Que ce soit le début sur Terre, la phase dans l'espace/station spatiale ou sur la Lune, c'est beau, vraiment très beau. Autre réussite, la musique : plannante. Posez-vous deux secondes quelque part, écoutez, regardez, on se croirait dans Interstellar et c'est ce que j'attendais de DUTM. Il faut aussi félliciter les développeurs pour l'aspect technique : je n'ai rencontré aucun bug lors de mes deux aventures dans DUTM. C'est bien animé, tout se déroule bien, de façon assez fluide et quelques scènes (à mes yeux surtout une) sont suffisamment incroyables (mise en scène, graphisme, musique...) pour que DUTM imprime de beaux souvenirs de jeu dans la mémoire d'un joueur. Enfin, l'histoire : même si Fortuna 1 ne dit pas tout, et que l'histoire ne semble pas méga originale, la narration environnementale fait très bien le travail. Il y a aussi beaucoup d'éléments à lire, regarder, écouter pour découvrir tout l'univers proposé. C'est bien écrit, bien réalisé et ça m'a donné envie de continuer l'aventure pour en savoir plus !

Conclusion : je recommande ce jeu à qui apprécie les jeux d'aventure, à ambiance. Si vous avez la fibre pour Interstellar, une science-fiction crédible, cohérente, réaliste, vous avez des chances de surkiffer DUTM et de lui pardonner son manque d'originalité dans certaines phases. Je n'ai rien à reprocher au jeu, j'attends juste la suite avec impatience.

But why, some say, the moon?
Why choose this as our goal?
And they may well ask why climb the highest mountain?
Why, 35 years ago, fly the Atlantic?
Why does Rice play Texas?
We choose to go to the moon.
We choose to go to the moon.
We choose to go to the moon in this decade and do the other things, not because they are easy, but because they are hard, because that goal will serve to organize and measure the best of our energies and skills, because that challenge is one that we are willing to accept, one we are unwilling to postpone, and one which we intend to win, and the others, too.

宇宙飛行士である主人公が地球の危機を救うために月に飛び立ち、過去の謎を解き明かしミッションを果たしていく映画のような小説のようなストーリー追体験型のアクションアドベンチャーゲーム
FP/TP視点が場所によって切り替わるので苦手な人は注意
日本語に対応しているが一部読みづらい箇所あり
　
+グラフィックがめちゃくちゃキレイ
+宇宙の綺麗さ怖さ孤独さを体験できる
+相棒（ASE）の存在とカスタマイズが可能
+自動セーブがこまめにされているのでリトライが気軽
+エリアごとにチャプターが別れているので実績回収がしやすい
+ゲーム下手な自分でもなんとか次に進めることができる難易度
+ストーリーがとてもよくできており、途中でとあること(自分が誰なのか)に気付いた時に震えた
　
-音声字幕の人名とセリフの境界がなくて読みづらい
-FP視点時のキーボード操作がしずらい
-もっともっと月を堪能したかった（移動できる場所が少ない）
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Review After 100%

I wanted to play through this game before Deliver Us Mars comes out in a few days, and all I can say is…. wow. I kind of knew going into this game that I would enjoy it because of the sci-fi single player setting, but I did not expect to get captured by the story as much as I did. By the end of the game, I felt like I was ready to keep going and see what’s next. Thankfully, the next game comes out really soon so I don’t have to wait long. Really enjoyed the puzzles, mini-games, and all the fun achievements. I picked up Deliver Us The Moon on this past steam winter sale, but I’ll be buying Deliver Us Mars on day one. Great game and great soundtrack.

貌似没有发现有中文评测，但是本人非常喜欢这个游戏， 所有写一些自己的感触和体验。
这个游戏肯定有它的局限性，最大的问题就是太短了，大概6个小时就可以通关，其实完全可以让游戏变得更长一些。
总体来说这是个非常棒的游戏，操作非常之简单，关卡的提示也很明显，不需要花费太多的脑力，完全是手残党的福音，游戏的画面以及背景音乐非常的棒，对于在地球和月球不同重力的体验，在person space station的无重力体验都很有趣。
整体故事的剧情也在线，在我心中是可以当作电影来看的一部游戏，听说会有免费的DLC，期待免费的DLC问世，如果你喜欢在太空冒险，这款游戏可以买来体验一下。

critique garantie sans spoil

Je viens de finir le jeu, et voici ce que j'en retient.

Tout d'abord, même si on a 1 passage que l'on pourrait qualifier d'infiltration et 1 passage de plate-forme, il s'agit avant tout d'un film intéractif/ jeu d'exploration/ thriller. Si vous cherchez du défouraillage à tout va, ce jeu n'est pas pour vous. On y joue tranquillement, comme on regarde un bon film.

Je vais commencer par 2 points négatifs qui, selon les dire des développeurs, devraient être reglés avec un patch :

- il est pour l'instant impossible de rebind les touches. Et, les touches par défaut sont en QWERTY. On peut facilement changer la langue de son clavier sous Windows, mais quand même, en 2020 je trouve ça intolérable.

- il est impossible de changer la résolution via les menus du jeu (l'option est là mais ne marche pas). Pour un jeu qui fait partit des démo techniques du mode RTX, je trouve ça vraiment dommage, d'autant qu'une simple modification de 2 variables dans un .ini suffisent. On se demande du coup comment et pourquoi ce ne marche pas en jeu. Cela dit, ce n'est qu'un problème si comme moi vous avez plusieurs écrans et/ou un écran 4K. Pas de soucis si vous n'avez qu'un seul écran full HD.

En ce qui concerne les performances techniques (j'en parle tout de suite, comme ça c'est fait), le jeu vous propose, au lancement, 3 types différents : DirectX11 sans RTX, DirectX12 sans RTX et DirectX12 avec RTX. J'ai un core i5 9600, 16Go DDR4 et un 1080GTX, et le DX12 avec RTX en 1080p rame trop, je suis à moins de 20 fps. Par contre, le jeu tourne à la perfection en DX12 sans RTX. Auncun ralentissement ou baisse de framerate.


Voilà, maintenant que les choses rébarbatives sont exposées, passons à ce qui m'a plut.

- le français est dispo ! Que se soit les sous-titres, les voix, mais aussi tout ce qui est affichées ingame : écrans d'ordinateurs, tableau blanc, panneau d'affichages...Pleins de jeux AAA récents ne font pas aussi bien ! C'est suffisamment rare pour être signalé.

- le jeu est plutôt beau. Si certains passage sont "bof sans plus mais plaisant" pour les standards de 2020, d'autres sont tout bonnement magnifique, comme la surface de la lune particulièrement bien faite, ou encore la partie du réacteur vers la fin du jeu plein d'effets.

- le gamplay et la prise en main sont bonnes. Bien sûr, il s'agit d'un jeu à histoire, alors rien de révolutionnaire, mais on le prend vite en main et on ne galère jamais à cause de contrôles ingérables ou mal pensés. Même les passages en véhicules sont plaisants.

- la direction artistique est très bonne. C'est de la science-fiction (voir de l'anticipation), et c'est crédible. Point d'aimant-laser ou autre Force mystique qui rendent plein de truc magiques. C'est très terre à terre, si je puis dire.

- la bande son est absolument exceptionnelle. J'insiste sur ce point, j'ai rarement entendu aussi bien, que se soit en jeu vidéo ou au cinéma. On navigue entre du Interstellar et du 2001 : Space Odissey. Amoureux des grands thèmes à base d'orgue, vous allez être servis !

- l'histoire est passionnante. Bien sûr, c'est subjectif mais il y a, pour moi, de quoi faire un TRES bon film. Le scénarion est intrigant, on se demande sans arrêt ce qu'il se passe, le suspens est bien maintenu et le ton monte crescendo pour un final en apothéose et en émotion.


Alors bien sûr, comme le dise les autres commentaires, le jeu est court. Je l'ai commencé un dimanche vers 14h et fini à 21h, temps pour le repas compris. Je n'ai pas déverouillé tous les succès mais ai pris le temps de lire tout ce que je trouvais. Je pense qu'on peut tabler sur une dizaine d'heures pour le poncer à 100%. Mais franchement, je préfère une petite dizaine d'heures passionantes plutôt que 30 où on s'ennuit. Si les 25€ vous font peur, je l'ai trouvé pour moins de 10€ sur dlcompare. Et puis franchement, entre nous; une place de cinéma c'est 12 balles et une BD plus de 20€. Vu comme ça, c'est pas si cher.

Messieurs dames les developpeurs, des jeux comme ça, j'en prend autant que vous serez capable d'en faire ! :)

Amis amoureux de la SF, foncez !

So you pay about 20 quid for a cinema ticket, for a few hours of entertainment in the form someone tells you their story in an artfully crafted way. This game is exactly that. A few hours of interactive entertainment, I personally feel, well worth the price. (had to return PC version and purchase on PS4, tho, since the performance was not good enough on my laptop)

There must be some area between “Walking Simulators” and the rest of the gaming universe. Whatever that might be, that’s where Deliver Us The Moon resides. The game wants to tell you a story more than anything else, but it slips in just enough puzzles and mild action to make sure you don’t fall asleep in the process. However, some of these areas of ‘engagement’ aren’t quite up to par mechanically.

Abbreviated Review:

The story of Deliver Us The Moon is the real drawing point. The overall premise is a tiny bit shaky, but the delivery once everything gets in motion is great. The quality of the writing and the voice actors are exceptional for a moderately priced game. While these elements are important given the nature of the gameplay, it’s great they managed to deliver on those aspects.

It felt like the idea of a moon base powering Earth via a Helium 3 fusion reactor (a real concept in generating energy) going dark without any warning was great on its own. The strange part was adding in the whole “Earth is dying” concept behind it. It plays more into the story later on, but I kept thinking to myself, “what is electricity going to afford a planet dying to global warming?” It was glossed over a bit in the narrative, but it never detracted from the flow of an otherwise enjoyable story.

The bulk of the gameplay splits into two areas: 1) solving puzzles involving power, unlocking doors, and starting things up, and 2) watching cutscenes or listening to audio events. The former is pretty typical of just about any puzzle platformer. The latter however distinctly reminds me of The Division. There’s a system in the game where you watch events generated from the past with these human-shaped polygonal figures with minimal detail. They pantomime the events shifting a frame every few seconds and speaking their dialogue. It works pretty well, but at times can be a tiny bit disorienting.

The puzzles aren’t too bad, but they tend to become very familiar as the game wears on. At times they can be a little misleading and it ends up being frustrating more often than challenging when that happens. However, most of the time I found myself thinking through and solving them without too much holding me up. The strange thing is that, with the “expansion” they added after the initial release, there was a distinct change in how the puzzles and gameplay overall felt.

At some point, before I got the game, Deliver Us The Moon apparently ended abruptly about two-thirds of the way through the current run time. You may even have seen reviews talking about the “abrupt ending.” I could tell at that particular point that something strange had happened with the design of a cutscene about two-thirds of the way through. Also, the gameplay that followed that felt very different from what preceded it.

Previously, puzzles were somewhat laid back and, aside from a few awkwardly placed quick-time events, had you think before acting. They also featured areas that were mostly linear in the way you solved the puzzles. You solve one, move on to the other, progressing through this moon base the whole way. The newer content has you in much more open areas and doing some backtracking almost immediately. It wasn’t… bad… but it was jarring in the changeup. Then on top of that, they added several platforming sections that and a god-awful stealth portion that felt wildly out of place.

Deliver Us The Moon is certainly worth checking out if you can tolerate somewhat slow games. The story alone is worth that. It’s also visually as good as I could expect from a budget game and has a de-cent soundtrack to boot. I’m not sure if I would put it on a ‘must-play’ list for anyone, though. Especially not at the $25 base price. I think for a game you could knock out in four hours, maybe six if you read everything and explore, it’s worth picking up at the right price. Science fiction fans like me will probably get more out of it than most as well. Just don’t go into it thinking it’s going to be action-packed. It’s more… action slacked.

If you'd like to see more of my reviews, check out my curator page here: Endyo Gaming and online at BagoGames

通关了.
游戏很棒.
我喜欢太空.
没了.

游戏是好游戏，我就想问，一个只有三分钟氧气含量，也就比憋气时间长一点的的航天服有什么实际意义吗

Deliver us to the moon is a walking simulator that takes us on a jorney to know what happend in the moon base five years prior to our arrivel in order to save humanity from extinction , this Sci-Fi thriller it has a good story and ambient music to go with it i did enjoy this one more then the Close to the Sun .

I recommend this game with a small caveat.

Overall, it is a beautifully done adventure... a standard space story of an off-earth facility gone dark and you are sent to figure out what happened and do repairs. If you liked games like Tacoma and The Station, this is even better. There is a lot of diversity in the game... time on earth, time in zero-gravity space (in and out of a spaceship), time on the moon (with reduced gravity). Plus, you drive moon vehicles, ride a monorail, climb towers, restore systems, and use a laser cutter and an AI companion to assist you in your travels. There are timed sequences and areas where you have to think fast to avoid being killed by machinery, electricity, and radiation pulses. Take all this and add in an interesting story (told through holograph recordings, audio recordings, and various mementos) and you have a very cool experience.

The voice acting is well done, the sound track is impressive, and the visuals of the moon are outstanding. There are achievements for collectibles, achievements for making it through areas unscathed, and some achievements just for fun. The game is very generous with auto save points and oxygen bottles so I played through with maximum enjoyment and not too much stress.

However, the game went south for me in the last fifteen minutes with a final puzzle that actively sets the player up for failure. You have just over 2 minutes to move to a terminal (slow walk only) and align two points on a screen. Sounds easy except that the game is programmed to sabotage your progress every few seconds. Your character fades in and out of consciousness so your alignment is compromised and your progress undone with each 'involuntary' move. After countless attempts with a controller joy stick, I returned to the directional arrows on my keyboard and was FINALLY able to succeed. In the meantime, I had uninstalled and reinstalled the game which may or may not have improved things.

Perhaps the idea was to make the player really work to deliver the Moon. If so, this objective was achieved.

With the exception of this puzzle, Deliver Us the Moon has been an absolutely outstanding experience. I played an early demo a number of years back and it is very cool to see the game come to fruition at this level of excellence.

Примерно таким вопросом я задавался, когда смотрел трейлер игры. Вроде понятно: луна, космос, тайна и RTX. Но чёрт! Непонятно. Именно поэтому я купил игру. Из интереса, а заодно ради теста RTX.


Трассировка лучей... Она здесь действительно есть, она работает, но если посмотреть на другие игры, то понимаешь, что RTX работает не на полную мощность. Впрочем, это и не такая сильная проблема.
Был момент, когда из-за RTX я подумал, что за стеклом находится какой-то объект. И это было классно! Действительно создаётся интересный эффект, который делает и так большие помещения ещё больше. По личным впечатлениям, RTX много играет в начале игры, а ближе к концу уже всё меньше замечаешь этих эффектов.
Нагружает ли RTX? Вроде как нет. Но если честно, меня больше интересует немного другое, а не то, идёт ли игра в стабильные 60 FPS. Поэтому, мы идём дальше.


Yep. Спасаем землю. Опять.

И данная проблема перекрывается исследованием окружения. Мне было в кайф изучать лунную станцию, складывая мозаику, которая ответит на вопрос: "А что тут вообще случилось?". Но с*ка! В итоге всё становится очевидным уже ближе к концу игры. Единственное, что удержало меня до самого конца это одна сюжетная арка, о которой я не стану что-либо говорить, кроме того, что именно на ней заканчивается игра, и именно на такой концовке мне стало чертовски грустно. Да, игра вызвала какие-либо эмоции только на концовке.

Сюжет очень спорный и только на любителя.


Нам даётся возможность попробовать ряд простеньких механик и загадок, которые откровенно говоря не тянут на полноценную игру. Это действительно симулятор ходьбы. Здесь нет сложностей или прочих преград. Геймплей очень вяло развивается, а после совсем повторяется. И также есть некоторые элементы, которые лишь мешают наслаждаться игрой. Например платформинг. Ненавижу платформинг.

Тоже на любителя.


Офигенный звук. Боже, если я когда-нибудь стану обладателем аудио-системы на кучу каналов, я обязательно переиграю в эту игру. Только ради звука. Он здесь великолепен и очень придаёт атмосферы.

О переводе ничего не могу сказать. Единственное, шрифты немного цепляют глаз, но может кому понравится.

Некоторые локации откровенно-говоря можно было сделать лучше, но на них особо не зацикливаешься.

Игра короткая. 4-6 часов.


Наверное, потому что мне игра всё же понравилась больше, чем нет. А также потому, что тут нет "спорной" оценки, где нельзя сказать что игра крутая или откровенный ширпотреб, на которой и время тратить не надо.

Это очень атмосферный проект, у которого есть проблемы, из-за которых многие явно не стану её покупать. Но игра меня взяла своей атмосферой, этим чувством одиночества и тем, что чёрт, ты на луне, за стеклом космос, а ты пытаешься сделать что-то невозможное. Как-то так.

Рекомендую очень хорошо подумайте перед покупкой. Но если купите, желаю вам хорошей стыковки! :)

Спасибо что прочитали этот обзор до конца. Буду рад комментариям и лайкам.

Удачи!

I wasn't sure what I was expecting going in as I only found out about this game through its upcoming sequel "Deliver Us Mars" but getting it on sale was a great incentive. After playing this game for a few minutes I was already hooked! The entire game is captivating and the creators of this game have really built an amazing story. If you're on the fence about the purchase of this game - get it!! While the game play is a little short, I found this much more entertaining than much of the sci-fi movies being released these days. The only part that was disappointing was that I couldn't play at my full screen resolution of 5120x1440 and was limited to playing at windowed 2560x1440 due to FOV limitations with ultra-wide monitors. Initially thought this was going to be a deal breaker but the story redeemed the game for me. Looking forward to the release of "Deliver Us Mars" now! :)

I dont often review the games i play. Obviously im making an exception here. I just got a new computer that better supports Ray tracing, and when i googled Ray Tracing supported games i found a list with this game in it.

For this review, i want to convey a feeling, inspiration. My preference to a good game has mainly been story. But some games i would describe as Art. For me, whenever a game is so good that i would describe it as Art, it's not about good graphics or just a good story.. It is when level design, music, story, "gameflow" and all that is combined to become something greater than the sum of its parts. Whenever this happens, that's when I feel inspired to be something more (you know, in real life). It may sound a bit cheesy, but I am in a inspired mode and i want to convey the feeling to my fellow human beings out there. The inspiration this game has given me is the same inspiration that i get from watching Star Trek, or playing Mass Effect, or watching a really good sci fi movie.

Perhaps not the most informative review, but i hope that i conveyed a feeling to make you want to play this game :). A thank you to the game developers, you have created Art!

PS. I found the ray tracing to be fully acceptable :)

Years ago, I craved for as much content and competitiveness as possible.
Nowadays, games that need tens or hundreds of hours to get into are not interesting to me anymore.
I enjoy story and atmosphere a lot more than large amounts of content.

This game was very well done. It is more of a 'figure out how to do stuff' game,
but it does things in a way that you always know what your goal is and what you are looking for.
The level design was very cool in my opinion, and it intuitively lead me to the right paths most of the time.

Uncovering the story was interesting.
The pictures and athmosphere were awesome.
I played through this game in one go and was never bored.

25 bucks may be a bit much, simply because of the rather short play time.
But I got it at a reduced price of 10, which I think it's totally worth!

Welch eine Perle da beinahe an mir vorüber gegangen wäre!

Super Story, gute Steuerung, stimmige Musik, tolle Sprecher [DE], ...
Ein rundum gutes Paket - und leider [zu] kurz ...

Passiert in letzter Zeit selten, dass ich mich an an Game setze und es in einer Tour durchspiele.
Hier war dem aber so - ich wollte wissen: was, warum, wieso, wer ... orrrrrrrrrrr

Hier und da n Rätselchen - da wollte ich ja zuerst nicht mehr, sind nicht so mein Fall.
Sind aber alle nach den zweiten mal "schauen" mit dem Hausverstand lösbar, haben also keinesfalls den Spielfluss gehemmt und eher der [etwas] spielverlängernden Unterhaltung gedient, waren okay.

Von mir bekommt das Game solide 8.5/10

So 11 hours was a single play through, which about matched my expectations for duration. I came for the story, and it satisfied that itch. It was engaging and kept me interested, and had me wanting to pursue to the end. There were definitely a few bits were I was pretty emotionally involved for the characters. Characters felt a little bit wooden, but were mostly fleshed out well. Having the ASE "videos" giving you some of the characters interactions was a great technique. Principle characters were great.

Gameplay and mechanics were reasonable. I never felt like the controls or game mechanics were confusing or hard to manage. I'm usually not a fan of games that just have you look around in the game to find things to interact with, but in this game, it made sense, and I never really felt like I couldn't find things I needed after a bit of looking around. There were, in fairness, a whole mess of things that I stared at thinking that they would be useful for something later, and then never got back to it. I don't know if that means there were other things in the game that they locked down as incomplete, or maybe I didn't explore something I could have. I think the mechanic of repairing things could have been used more often.

There were only one or two points in the game where I ended up dying due to game mechanics (not finding oxygen, for example). But the resets in those cases back to previous saves pushed me to explore different things and I found my way through after a try or two in all cases. That said, I'm also not a fan of games where you basically have to die to push you to explore the "right" places. But it sure is effective.

I liked the "Companion Cube" style narrative driver. The ASE was great at both driving the story as well as allowing for exploration in tight spaces. Well done, that.

Would have liked a longer story, perhaps. A bit more color to some of the supporting cast would have been nice. More puzzles, more things to repair. Overall, would recommend.

DIFFICULTY -

🔲 Just press a bunch of buttons
🔲 Easy
✅ Significant brain usage
🔲 Easy to learn / Hard to master
🔲 Difficult
🔲 Dark Souls

GRAPHICS -

🔲 Awful
🔲 Poor
🔲 Acceptable
🔲 Good (nothing special)
✅ Beautiful
🔲 Masterpiece

AUDIO -

🔲 Bad
🔲 Not too bad
🔲 Decent
🔲 Good
🔲 Beautiful
✅ Masterpiece

GAMEPLAY -

🔲 Bad
🔲 Okay
🔲 Nothing special
🔲 Good
✅ Very good
🔲 Try not to get addicted

AUDIENCE -

🔲 Kids
✅ Teens
✅ Adults
🔲 Everyone

STORY -

🔲 None
🔲 Bad
🔲 Average
🔲 Good
✅ Lovely
🔲 One of the best I've had the pleasure of playing

PRICE -

🔲 Free
🔲 Cheap
🔲 Under priced
✅ Acceptable price
🔲 Overpriced
🔲 Complete waste of money

LENGTH -

✅ Very Short (0 - 4 hours)
✅ Short (4 - 10 hours)
🔲Average (10-30 hours)
🔲 Long (30-50 hours) (if you go for everything in the game)
🔲 Extremely long (50-100+ hours)
🔲 No ending

FUN -

🔲 I'd rather watch paint dry
🔲 Hard to enjoy
✅ Repetitive
✅ Actually pretty amusing
🔲 The kind of fun you'll remember
🔲 Ride of your life

REPLAYABILITY -

🔲 It's a one-time experience
✅ Only for achievements
✅ If you wait a few months/years
🔲 Tens of times
🔲 Definitely
🔲 Infinitely repayable

PC REQUIREMENTS -

🔲 Check if you can run paint
🔲 Potato
🔲 Decent
✅ Fast
🔲 Rich boi
🔲 Ask NASA if they have a spare computer

BUGS -

✅ Never heard of
🔲 Minor bugs
🔲 Can get annoying
🔲 Bugs-galore avoid at all costs

WORTH BUYING? -

🔲 No
🔲 Wait for sale
✅ Yes

Great atmosphere, somewhat unspired voice acting, light puzzle elements. With RTX it looks great. Big plus for me personally is the lack of horror elements, cheap jump scares and the like.

Em 1969, o Homem pisou pela primeira vez na superfície da Lua. Uma de minhas grandes frustrações foi ter nascido tarde demais para ver esse momento histórico. E, hoje em dia, deixamos a Lua para lá.

Cinquenta anos depois desse grande passo para a Humanidade, Deliver Us the Moon cumpre o que promete em seu título e entrega a Lua para a gente, ainda que na imaginação. O resultado é uma aventura inesquecível por um futuro de cair o queixo, conduzida por um mistério que dá gosto desvendar e uma jogabilidade que não frustra, mas tampouco nos adula.


Em Deliver Us the Moon, uma crise global de energia atingiu a Terra. A Humanidade exigiu demais de seu planeta e agora está acuada em um canto. Felizmente, cientistas descobriram uma forma de extrair energia em estado puro da Lua e transmiti-la para a Terra. Para explorar essa alternativa, foi formado um esforço coletivo, uma World Space Agency para colonizar e minerar nosso satélite natural.

Uma rede de energia conhecida como WPT pega a energia de um reator de Hélio-3 instalado na Lua e repassa para a Terra. Tudo parecia resolvido, exceto que as condições ambientais na Terra continuavam deteriorando: tempestades colossais de areia, escassez dos recursos hídricos, clima imprevisível. E, então, sem aviso prévio, a Lua apagou. O sistema WPT parou de funcionar e ninguém na colônia lunar respondia aos chamados do planeta natal.

Cinco anos se passaram até que uma missão espacial foi organizada de forma improvisada para enviar uma pessoa, um único astronauta, de volta para a Lua. Sua missão: descobrir o que aconteceu com a colônia, reativar o WPT, salvar a Terra. Essa é a missão do jogador.

De imediato, já no texto de abertura, Deliver Us the Moon nos revela uma de suas poucas falhas: a premissa é extremamente questionável do ponto de vista científico. É necessário acreditar que uma única usina, na Lua, não só é capaz de suprir as necessidades energéticas de uma civilização inteira como também é capaz de enviar essa energia em estado bruto através do espaço, sem fio, continuamente. E mais: essa energia é essencial para que a Humanidade tenha alguma chance de reverter o cataclismo climático, que me parece irreversível na forma como é apresentado.

Porém, se entregando à suspensão da descrença, o que temos aqui é uma obra que mistura com maestria o clima de desespero (e exagero pouco científico) de um "Sunshine – Ameaça Solar", com o sistema de investigação de Tacoma, puzzles que remetem a Portal e paisagens e cenas de tirar o fôlego.


O foco de Deliver Us the Moon, felizmente, não está nos meandros técnicos de seu universo. Sabemos apenas o necessário para operar dentro dele. Essa fusão entre contexto e mecânicas é brilhantemente executada em seus desafios: em nenhum momento, os puzzles quebram a lógica do jogo ou exigem uma extrapolação ousada do ambiente. Cada etapa flui de forma bastante orgânica, até mesmo em enigmas que exigem diversas etapas para serem superados.

Esse cuidado em não atrapalhar a imersão, em não exigir do jogador um raciocínio bizarro tão comum em adventures, se reflete também no layout dos mapas. O que temos aqui são ambientes que visivelmente foram feitos para uma função: abrigar colonos, administrar serviços, não labirintos forjados para um jogo. Com dicas sutis de luz e câmera, a desenvolvedora KeokeN Interactive nos mostra para onde ir, sem pegar em nossa mão ou colocar setas no mapa. É um talento que me remeteu aos bons tempos da Valve e a forma como a gente navegava nos níveis de Portal, Half-Life ou mesmo Left 4 Dead, sem se sentir perdido.

Em nossa jornada, cuidaremos do lançamento do foguete, visitaremos uma estação espacial em órbita da lua, exploraremos cada um dos complexos lunares em solo. O passeio é linear, mas entremeado de mudanças de jogabilidade que não deixam o ritmo cair. Ora pilotamos um veículo sobre rodas, ora estamos em um monotrilho, caminhando em baixa gravidade, controlando um drone para resolver desafios, saltando plataformas, escapando de forma sorrateira de ameaças. Deliver Us the Moon foge do infeliz estigma dos walking simulator e adiciona muitas mecânicas, todas bastante satisfatórias.

O fruto desse cuidado é uma jogabilidade que não entra em conflito com a história, mas que se casa com ela e nos ajuda na imersão: não era raro me ver jogando por mais de uma hora sem ter qualquer noção do tempo que passou, sentindo a palpabilidade dessa grande jornada humana de estar na Lua.

O impacto de "estar presente" nesse futuro imaginário é facilitado por gráficos fantásticos, que trazem à vida os mais ricos sonhos de exploração lunar. A trilha sonora também dá sua contribuição, com temas eletrônicos que remetem ao cinema de ficção-científica dos anos 70 e colocariam um sorriso no rosto de Stanley Kubrick.


Como toda boa história de ficção-científica, Deliver Us the Moon é sobre pessoas, pessoas em condições extremas tomando decisões que ninguém nunca teve que tomar antes. A KeokeN Interactive entende do riscado e utiliza recursos narrativos que remetem a Tacoma: você reconstrói os eventos que provocaram o apagão na Lua a partir de pistas nos cenários e, principalmente, registros visuais e sonoros deixados no mapa. Porém, com todo um arsenal de jogabilidade na sua manga, eles não se aprofundam nessas ferramentas em específico e não há nada errado nisso.

O enredo do que aconteceu cinco anos no passado vai angustiando o jogador e dando um ar de urgência à aventura. A partir de determinado ponto, eu já não me importava tanto com a Terra, mas sim com os habitantes da Lua, aquele punhado de pioneiros que estabeleceu um lar no pior ambiente possível e foi forçado a reagir a condições fora do normal. Uma reviravolta na trama torna a jornada do protagonista ainda mais pessoal e a trama do WPT, a falha trama do WPT, cede lugar a um forte elemento humano.

Cabe aqui um parêntese: esse ápice da narrativa marcava o "final" do jogo em seu lançamento inicial em setembro de 2018. A KeokeN Interactive cometeu um erro grave, liberando Deliver Us the Moon para a venda sem uma conclusão, com um encerramento abrupto e sem avisar seus compradores. O que era uma aventura fantástica, para muitos se tornou uma decepção. Sem financiamento para completar a história que pretendia contar, a desenvolvedora optou por terminar o enredo em um DLC posterior, se fosse possível. Um aporte da produtora Wired Productions salvou o jogo e a versão que existe hoje para venda é a versão completa, com o final que o jogo merecia.

Essa pausa involuntária de mais de um ano valeu a pena: a arrancada final de Deliver Us the Moon não apenas traz dois dos melhores puzzles do jogo inteiro como também adiciona uma sequência de ação eletrizante e uma conclusão de arrepiar. É impossível permanecer intocado pela forma como essa jornada finalmente termina.

No fundo, não era sobre a Lua, não era sobre bizarras formas de energia, não era sobre o espaço e seus desafios, mas um jogo sobre pessoas no seu limite, fazendo o que acreditam ser o certo, não importando o preço.

Publicado originalmente em: https://www.gamerview.com.br/reviews/deliver-us-the-moon

게임 실행시, 폰트가 깨져서 보이지 않는 문제가 있습니다. ('19.10.17 기준)

메인 메뉴에 5개 버튼이 있을텐데, 아래에서 2번째가 '설정' 버튼입니다.
설정 메뉴에 들어오면, 왼쪽에 6개의 버튼과 오른쪽에 3개의 슬라이드가 나타납니다.
왼쪽의 버튼은 누르지 말고, 가장 위쪽의 슬라이드를 화살표를 눌러 변경하면,
그 때부터 텍스트가 출력되기 시작합니다.
한국어로 맞추고 게임을 즐기시면 됩니다.

=====================================================

"뒷 이야기를 계속해서 궁금하게 하는 작품"
"A game that keeps you wondering the next"

게임의 배경은 가까운 미래입니다.
우리가 직면하게 될 수도 있는 상황을 가정하여, 이야기를 흥미롭게 풀어냈습니다.
자원의 위기 앞에 선 인류가 선택한 길, 그 길을 따라 여행하며 우주를 경험해보세요.
그리고 희망의 불씨가 어떻게 틔워지는 지도..

개인적으로
스토리텔링 방법, SF적 요소, 성우들의 열연, 사운드, 연출, 게임적인 요소가
돋보이는 작품이라 생각합니다.
적절하면서도 어울릴 수 있게 잘 녹아들어 있습니다.

The background of the game is the near future.
This game provides an interesting story, assuming a situation we may face.
The Way chosen by mankind facing the crisis of resources, Travel along the Way and experience the universe.
And see how hope grows up..

I think this game stands out in the following:
storytelling, SF elements, voice actor, sound, presentation, game expression.
These are well melted together in the story.

헬륨에 대해 알고 플레이하면 더 재밌습니다.
우주에는 흔하지만 지구에는 희귀한 헬륨. 발견한지는 꽤 됐지만,
연료가 될 수 있는 물질인 것을 몰랐기 때문에 최근까지 낭비됐던 자원입니다.
헬륨의 동위원소인 헬륨3은 핵융합 연료로 이상적인 자원이라고 알려져 있습니다.
지구에서는 만들기 어려운 헬륨3이 달에는 풍부합니다.
deliver (helium to) us (from) the moon..
게임을 더 재밌게 즐기기 위한 토막 지식이었습니다.
헬륨에 대한 더 자세한 정보는 위키를 참고하세요.

For 20$ I expected a little more than 2 hours of gameplay. What I saw was immersive and fun, and the story was just getting good. Then I get kicked in the balls and credits. No where does it say on the store page that it is episodic, or relying on (free or otherwise) DLC to complete the full game. If this was listed as episodic I would have waited for all the parts to come out.

As it stands 10/5/18 not worth a buy, and honestly for the lack of information given on the Steam page, I'd request a refund. But the game took exactly long enough to complete to put you out of eligibility for a refund

8/10 game, a few frame issues, and odd stuttering. Good story, excelent 0G mechanics
0/10 for no information upfront about it being episodic.

What's there is fun, beautiful (in art and design) and very engaging. Love the story, love the setting and I absolutely love the atmosphere of desolation.

however let's not sugarcoat it: there's not much of it for the 20 euro pricetag. A playthrough takes about 3 hours so from a "bang for buck" perspective this isn't the greatest of choices and since this is a story driven puzzle game there's pretty much 0 replayability.
Even worse is that you're basically buying an incomplete game that cuts out at the halfway point with a vague promise of more to come in some DLC some unknown time into the future.
I don't think they've could chosen a worse point to "end" the game, just as you're starting to unravel the misteries and you're starting to understand what's going on this game gives you the middle finger and rolls the credits.

i guess it's my own fault for not reading the reviews before jumping in.

So my recommendation is to wait for the DLC (read: rest of the game) to release before playing.

Really got me crying when launching the rocket and walking on moon surface, the art and texture are too good that it feels so real. I've always wanted to be an astronaut but due to many reasons I know for a fact that it will never happen, this game made that dream came true in another form. Thank you so much for creating this game.

+ Story
+ Views
+ Soundtrack

- There was one bug after which I needed to restart the level (it was not a big deal because it was on the beginning of the level but it took me about 10mins to figure this out)

But of course I recommend this game :)

So i've been playing this game for less than three hours. The story had just taken a very interesting twist, I was really starting to get into it, then suddenly the game ended. If this game had a few more hours of game play and finished the story it was trying to tell I would of recommended it, but i'm just feeling ripped off instead.

Deliver Us The Moon is a game which every space-enthusiast must play. Even the first chapter on Earth is captivating in its atmosphere, the chapters first taking place in the Moon station, then the surface of the Moon really reflect the atmosphere very well. You may feel down when you experience the state of the Earth in the game and worst of all, the depiction of our planet here is not something impossible and we are well on our way there to transform our beautiful blue pearl into a barren wasteland.

You do not encounter any other humans due to low budget of this game, your own character’s face is obscured anyway. Game tells its story via audio logs and holograms all around, so no detailed human faces are there either. This is design preference is a simple cost-effective method but it results a feeling of utmost abandonment throughout the game.

Puzzle parts are easy, you may be confused for a brief moment but none of them require more than 1 minute to figure out the solution.

Graphics are top notch, RTX support is evident but performance issues plague the game from time to time. I played this game both on PC and Xbox and both had momentary pauses and tearing, so it seems the game itself has a problem on this matter rather than the hardware.

Sounds are quite nice, we should really stop saying things like “there is no sound in vacuum”, since none of us will be overjoyed to play an entire game without any sound.

Ending was not satisfactory for me, it could have ended in so many other possible ways but I respect the developers’ decision to end it like this. Still there are many loose ends in the ending.

This game was present in Game Pass for a while and I had just discovered it hours before it was leaving the service and couldn’t finish it. It was recently discounted by 50% in both Steam and Xbox, so I had the chance to play it on both platforms without actually worrying about the time constraints.

To summarize, Deliver Us The Moon is a must-play for everyone who loves space. Its 4-hour long single player scenario is quite short and leaves you longing for more but I guess the story's conclusion will be lost in the dark forever since no announcement was made for any sequels.

クリアしたのでレビュー
FPS/TPS視点のアクション・アドベンチャーゲーム
月から来るはずの電力が一向に来ないのでその謎を解き明かすというストーリー

愚かな地球人が見れて面白いぞい

달 기지와 지구의 끊어진 통신을 복구하기 위해 떠나는 마지막 우주 비행사.

어렵지 않은 퍼즐, 신경을 많이 쓴 디테일, 가슴이 뛰는 배경음악,
미려한 그래픽, 낭만이 흐르는 달과 달 기지의 모습.
그리고 너무나 완벽한 한글 지원.

As I sit here watching the credits roll. I reflect on the beginning of the game, at the time I thought the game would be as other Space Games Are. But 'Deliver Us The Moon', breaks that. This incredible story line, the characters. This is one of the best games I've played in a while. It's also so good I'm writing a review for it. You'll get lost, there will be points in the game where it seems that you have no idea what you're doing or supposed to do. There is a way to get through it. I wish anyone luck who gets this game.


This game is sad and deep.

I have on my steam account almost 700 games purchased along the years, always have installed probably 40 games at once as i have trouble finding something to get hooked on and must say i haven't found for a very long time a game that compels me to finish it. A game with a very well written story, natural game-play which really puts you in the character's shoes. I wish more games like this one are made and would definitely buy other games from this team.

"我答应了一只鸭子帮它找弟弟,结果过于沉迷剧情我给忘了"

流程不长，适合我这种不喜欢在同一个剧本里逗留太久的人。
题材大致关于末世、人类与环境和能源的关系的思考。
是一部充满哲学意味的太空游戏，玩法其实很类似半条命又有点步行模拟器的意思。
游玩游戏打开的时候记得选择DX12+RTX ON 视频设置打开DLSS，你会有很大的惊喜，不然游戏画质会显得很一般。

此游戏我给9分。爱了的作品。

中文互联网的“飞向月球”译名我不太能赞同，
个人献丑“望月明” 此“望”表双关“看向”和“希望”能照应开头CG地球人类的请求语气。

Не знаю, почему, но как только вижу игру про космос, сразу покупаю. Так было и с Deliver Us the Moon – увидел в Steаm, посмотрел тизер и купил. В обзоре я буду ругать игру, но поставил палец вверх только за космос :) , приятное барахтание в невесомости и отличное музыкальное сопровождение (финальный трек можно и плей-лист закинуть).

Предыстория небезынтересная, однако авторы решили торопливо пересказать ее закадровым голосом в заставочном ролике. К 2030 году Земля стала малопригодной для жизни: запасы полезных ископаемых иссякли, пустыни занимают более 30% земного шара, и продолжают поглощать все большие территории и приносят разрушительные песчаные бури. Поиски нового топлива заставили человечество проникнуть в недра Луны, где был обнаружен минерал гелий-3. Его начали добывать и преобразовывать в энергию, которую затем отправляли на планету посредством гигантских установок. Вместо того чтобы применить эту замечательную технологию для передачи солнечного излучения, глупое человечество вновь положилось на исчерпаемые запасы полезных ископаемых, что закономерно привело к катастрофе в 2054, когда лунные станции внезапно прекратили работу и в прямом смысле погасли. В течение 5 лет группа энтузиастов (всему остальному человечеству видимо совсем п0хỷй на своё будущее) готовила проект «Фортуна», планируя вернуться на Луну и исправить последствия катастрофы.

Ужасы истерзанной катаклизмами планеты своими глазами мы не увидим. Иной мотивации спасать ее, кроме «потому что надо», не предлагают ни пролог, ни последующие главы, из-за чего трудно не испытывать равнодушие к успеху «Фортуны», судьбам ее участников и главного героя. Он всегда облачен в скафандр со светонепроницаемым шлемом, за который мы никогда не заглянем, его биография состоит из пары строк, а имя впервые прозвучит перед заключительной миссией. Вряд ли кто-то будет сопереживать безликому малознакомому человеку, неотличимому от робота, и тем более отождествлять себя с ним.

Невыразительность героя оттеняется невыразительным повествованием, страдающим от странной привязанности к интерфейсу. Мы вынуждены постоянно включать окно меню, в котором ключевые события прошлого разделены на секции. Для их восстановления нужно, например, сканировать разбросанные по станциям активные объекты. Каким-то загадочным образом в них заключена историческая сводка, попадающая в наш компьютер в виде сухого официального текста. Еще восстанавливать хронологию произошедшего помогают аудиодневники и видеозаписи, чье краткое содержание также сохраняется на компьютере. Так разработчики разрешают нам не вникать в смысл диалогов и никак не сопоставлять их с сюжетом. Без расшифровок зачастую непонятно, кто и почему разговаривает, и это могло добавить сценарию глубины и насытить его дополнительными тайнами, однако авторы предпочитают разжевывать для нас всё, отбивая желание исследовать комнаты и коридоры космических баз, хотя в них немало заметок и планшетов с переписками. Но к чему они, когда необходимая информация уже написана и бережно рассортирована? Deliver Us the Moon напоминает копание в архиве, а видеозаписи превращают это действо в скучный радиоспектакль, ведь вместо людей в нем изображены цветные голограммы, резко двигающиеся и нелепо жестикулирующие. Их фальшивая эмоциональность не выдерживает никакого сравнения с непринужденностью персонажей Tacoma, где в точности такая же дополненная реальность была убедительнее.

Больше всего внимания уделено насквозь шаблонному злодею Маккларку, чей коварный замысел сводится к банальному заговору и поражает своей предсказуемостью. Ему чужды нравственные метания, мыслит он рационально, а отличительных черт характера у него нет вовсе. Достойна внимания только история доктора Айзека, который взял с собой на Луну младшую дочь, чтобы спасти ее от губительной земной экологии. К сожалению, его сюжетная линия грубо вплетена в общую канву и ведет к финалу, готовому лопнуть от пафоса. Любые потуги на психологизм в этом голографическо-текстовом театре заставляют неловко пожимать плечами. Понятно, какие чувства хотят вызвать сценаристы, но испытать их не получается, потому что игре не хватает осязаемых взаимоотношений живых людей и свободного погружения в повествование.

Чрезмерная линейность – подлинный бич Deliver Us the Moon. Все шесть глав герой проводит в лабиринтах, следуя из комнаты в комнату и чиня различные неполадки. Очень часто он таскает огромные батарейки между генераторами, открывает заблокированные двери, ремонтирует лифты и воздушные шлюзы. Не всегда ясно, куда идти дальше, потому что инструкции сформулированы так, будто у нас есть карта. Заплутать, впрочем, сложно: если брести вперед, то рано или поздно попадешь в пункт назначения — посредством терминалов с панелями управления, монорельса и вылазок на поверхность без кислорода.

Конечно, разработчики пытались разнообразить монотонное блуждание по темным коридорам, но тщетно. Радиоуправляемый дрон проникает в специальные узкие шахты и взламывает строго определенные компьютеры. Лазер разрезает особые желтые заклепки, припаянные исключительно в важных местах. В эпизодах в невесомости мы просто ходим медленнее и прыгаем выше обычного. Использовать нулевую гравитацию для физических «пазлов» дизайнеры не стали. Их фантазия иссякла уже после пары головоломок.

Лишь в последней миссии нам дают чуточку самостоятельности и позволяют размять мозги: внимательно изучить и проанализировать окружение, прикинуть, а затем опробовать и проделать цепочку действий. Несколько минут увлекательной и изобретательной, пусть и вторичной, игры быстро истекают, подчеркивая унылость предыдущих пяти часов.

Скуку и безыдейность вытесняет недоумение от знакомства с «платформингом». Наш человечек в скафандре неповоротливо скачет с одного уступа на другой, плавно перелетает через обломки стен и тягает здоровенные тачки, которыми таранит завалы, преграждающие путь. Самым безвкусным нагромождением препятствий стал финальный «забег», напичканный всеми мыслимыми клише из экшен-адвенчур: смертоносные вращающиеся лопасти, оголенные провода, выдвигающиеся уступы и обжигающие клубы пара. Выглядит это скопление ловушек до того искусственно, что вызывает ухмылку, хотя по сюжету мы стоим в шаге от спасения человечества.

Столь же вторичны QTE-вставки и задания на время. В последних предстоит собирать кислородные баллоны на поверхности Луны или в разгерметизированных помещениях, чтобы успеть дойти до воздушного шлюза. Эти испытания должны быть динамичными и напряженными, но чересчур просты, коротки и лишены опасных или волнующих моментов. По-настоящему впечатляет разве что сцена в открытом космосе — маневрирование между обломками мусора. Глупые скрипты и нарочитая аркадность не мешают восхищаться шикарными панорамами.

Ради эффектных видов придумали и заезды на роверах по лунной поверхности. Мы садимся в кабину машины и спокойно едем по направлению к синему значку в дали. Красоты прекрасно демонстрируют рэйтрейсинг, но не поражают воображение. Ничего, что захватывало бы дух, в Deliver Us the Moon нет и близко при всей ее показной технологичности, которая, очевидно, гораздо важнее для независимой адвенчуры, чем изобретательный дизайн.

Архаичная и примитивная, Deliver Us the Moon едва способна хоть однажды удивить, что равносильно приговору для любого научно-фантастического приключения.

To wyjątkowo klimatyczna, acz krótka przeprawa w przestrzeni kosmicznej.

- Piękne widoki kosmosu;
- Świetna oprawa audio i muzyka (momentami jednak nie w klimacie kosmicznego spacerowicza);
- Wciągająca jak odkurzacz historia...

- ...Która jest cholernie krótka;
- Nieadekwatna ilość contentu do ceny;
- Momentami bardzo ograniczona mechanicznie i liniowa;
- Mało interakcji z otoczeniem (Obcy: Izolacja robił to świetnie, tu zbrakło finezji).

Reasumując, to ciekawa opowiastka w kosmosie. Niestety do obadania dopiero, gdy trafi na wyprzedaż.

I'm conflicted about this game.

On the one hand:
* it is very beautiful and nicely detailed
* the backstory is good and well presented
* at times, it really feels like you're "in" the adventure

On the other hand:
* the gameplay, just movement and puzzles, is very simplistic - if this was an old-style text adventure, it would only be a couple of pages long. Switches can only be used once, there are no branching paths, etc. Very, very simple.
* many locations are only visited once, so all that beautiful detail seems wasted
* there are really jarring arcade elements intended to artificially time-limit and resource-limit the play - a spacesuit that can only hold 3 minutes of oxygen, oxygen cylinders that only offer 30 seconds of oxygen, cannot be carried and disappear when used - these really break the game for me. Makes no sense. One moment, I'm in the willing suspension of disbelief, almost a simulation, feeling like I'm really there, floating in space, trying to solve problems. The next, I feel like I'm in some moronic Mario Bros. game, frantically trying to gather glowies and hit things in a time limit like I'm 10 years old. It's really disappointing.

On the balance, I'm sorry I bought this game. After 2 hours I'm ready to give up on the silliness and play something that requires a brain. Disappointing.

Ich habe dieses Spiel damals bei Kickstarter unterstützt, weil ich die Art von Spiel durchaus gern mag und bereue dies auch nicht. Jedoch muss ich von einem Kauf abraten, da es für knapp 20 Euro einfach viel zu wenig Spielzeit bietet und ich ehrlich gesagt selbst in meiner kurzen Spielzeit das Gefühl hatte, dass sich im Gameplay einfach viel zu viel wiederholt. Die Story an sich ist durchaus spannend und man will wissen, wie es ausgeht ... jedoch brauchte ich in manchen Teilen diese Motivation auch, um es weiterzuspielen. Der Größte Knackpunkt ist hier jedoch, dass die Story hier nicht zuende Geführt wird und man am Ende erfährt, dass es in einem DLC weitergehen wird. Diese Praxis ist einfach nicht akzeptabel. Ein DLC ist normalerweise schlichtweg Optional und kein Muss, um das Ende der Haupstory zu erfahren. Ich empfehle zu warten, bis das Spiel vollständig (+DLC('s?)) erhältlich ist, wenn ihr Interesse habt.

虽然游戏流程不长且解谜较简单，但是它还是给我们讲述了一个悲壮、感人的故事。一个好的剧本在如今的很多游戏里真的是难能可贵了，何况开发商还是这么一个名不见经传的工作室，哪怕因为玩法不能吸引人玩很多遍，但是这样的小作品能带给我们感动就已经很值了。

说实话每次看到ASE我都会想起《传送门》里的wheatley 233333

看了六个小时的电影，顺便体验一下光追+DLSS，很棒。

晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！晕3D不要玩！

Deliver us the Moon is a decent game. I have done two playthroughs, the first took about 10 hours and the second took about 6 with me wanting to chase down the achievements.

The game has a pretty interesting story, but there's little in the way of mystery or big reveal. It plays out pretty linearly with little reveals throughout the game that explain the plot, it's satisfying seeing it all come together. If you think about it too much you can pick it a part a bit but it creates a nice backdrop for your adventure. You play an astronaut coming to solve problems on an abandoned moon base, with the goal of affecting repairs to safeguard Earth's future. The rest of the story is about what has happened on the station prior to your arrival.

the visuals are gorgeous with space, the moon, the base and all the interiors looking great, I had most of the graphics settings set to high and could enjoy a good amount of detail in the textures, all the models and assets in the game. The movement animations are nice and clean and there's not too much in the way of clipping, it all works very well, keeping you nicely immersed in the mostly 3rd person gameplay.

The music is definitely a highlight, there are recurrent musical cues that repeat throughout the game and other pieces that play during your adventure, it nicely adds to the atmosphere and is enjoyable to listen to without getting distracting or too loud. The sound effects are likewise well done and create an immersive experience.

The game consists of various types of puzzle that you have to figure out in order to progress, these vary from action-oriented puzzles where you have to avoid hazards to finding objects that allow you to progress to the next section and a few mini-games as well. Overall there's enough variety to keep it interesting. The game doesn't involve too much backtracking and the environments are quite varied, overall it stays quite fresh. It also isn't so complicated that you become frustrated, the routes are quite straight forward and you can't really get lost. In terms of difficulty I'd say this is quite an easy game.

It would have been nice to see a bit more world building and perhaps a bit more threat. You follow a handful of characters but only on a surface level and though you can be killed the hazards are only really mild annoyances that catch you out the first time round, different difficulty levels or types of threat would have been welcome.

In terms of replayability I would say I have enjoyed my 16 hours of playtime but probably won't play it again. It doesn't quite have the length or the expansive feel of a big-budget game, but as an Indie game it's good fun and fit with my interests, I would recommend it to my friends. I may wait for a Steam sale but I would certainly welcome a sequel and would give Koeken my money for it.

Absolutely amazing game! If you are a fan of anything space-related or of Sci-Fi then this game is for you. ı really enjoyed playing and discovering the story.

There is pain and fear, there is hope and drama, there is the strong friendship between man and machine, there is heavy questions concering us all and our world.

Do yourself a favor, play this game

Deliver Us The Moon is an immersive and gorgeous sci-fi adventure with an engaging story and excellent atmosphere. There are some challenging puzzles (you know the "solution was right before my eyes"-ones that become difficult because they're in fact easy and logical). No words are spoken from the protagonist and yet you bild an emotional bond with him as he does with his little companion. This is what's called good writing. What I also really like about this game is that it has this "soft" feeling to it, the gameplay and controls are so smooth.

Don't listen to the negative reviews about the game being short, because it's not. It almost took me 10 hours to complete it!

Deliver Us The Moon is a great indie game worth the money!

I'll admit, "Deliver Us the Moon" surprised me. I expected a game about saving Earth by powering up a power transmitter on the Moon. Instead, I got sent on a philosophical debate about when is it appropriate to run away and start over. The game deals very heavily with this subject matter, making a point about how running away can be tempting, but at the end of day, trying to start over is equivalent to being a coward. Without going into spoiler territory, the game actively makes a point about how it is best to stay and fight for what we do have, rather than leaving it behind and starting over. Because when we run, we hurt those we leave behind and sweep up unwilling participants in our journey, ultimately dooming everyone, even those who intended to run in the first place. If you're looking for a puzzler you can finish in about 6 hours, deliver us the moon is it. Enjoy the game!

Deliver Us The Moon, is science fiction, puzzle, walking sim. The graphics are real good, and the story is engaging, but very Tacoma esk. With hologram memories, and recordings telling most of the story. One of the negatives is the constant auto switching between 1st person, and 3rd person. I would have preferred having an option to change it myself rather then the game manually switching it. The game is about 6 to 8 hours long, for a price of $25.00 which is good for fans of the genre. If you still unsure about the game, but love the setting and theme. I would personally recommend purchasing it on sale. Other wise good game 8/10

A little short with a straight playthrough, but could be extended easily with more exploration of environments, which is probably well worth doing as it's a beautifully well thought out design.

Great story, great visuals, incredibly well made puzzles that aren't frustratingly difficult but also aren't simple enough to breeze past.

You'd spend $25 to go see a movie, and Deliver Us The Moon is better than most movies, plus you're probably not going to get the 'rona sitting at home alone.

※追記：1.3.1 UpdateでTombaughステージの動作の重さが改善されて最終局面の難易度も下げられたので、楽にエンディングが見られるようになりました。早めの対応で改善してくれたのはありがたい。評価をおすすめに変えておきます。欲を言えば、クリア後に酸素を気にせず気楽に重力が6分の1の月面散歩が出来るモードがあればなあと思いますね。宇宙服で月面に出ると常に急かされていて景色を眺める余裕がないという。

日本語対応はありがたいし相棒の丸い奴は可愛いし設定の宇宙感はよく出ていると思うが、ゲームの面白さよりストレスの方がやや上回る印象。録音やホログラムやメモなどで過去の断片を集めていく形だが時系列がバラバラだし人物の顔も出ないのでわかりにくい。終盤はやっとわかりやすくなるがそこまでが長い。プレイ時間の割に物語の内容が薄く感じた。最終ステージのTombaughがそれまでのステージと比べてゲーム動作が急に重くなる。一番最後の時間制限パートは動作が重いうえにタイムリミット設定があまりにシビア過ぎて自分にはとてもクリアできる気がしない。せっかく苦労して最終局面まで行ったのにラストを見れないのは残念。宇宙物や月面物の作品が好きなので予約して買ったが期待していたほどの面白さはなかった。

结局真是忍不住泪奔，听着歌看完了整个制作者名单
剧情真的不错 谜题不难也不会厌倦 真的真的是个好游戏

While I truly enjoyed the content thus far, and I do recommend the game, I cannot help but feel a little, well… incomplete at the ending?

現今帶有太空題材的遊戲中

多數都是探索、打怪、策略等類型

唯獨就是缺少這種劇情向、讓人沉浸於宇宙的作品

並且讓人體會到人類在宇宙中的渺小、孤獨

真的十分優秀~~
給讚~

------------------------------------------------------

遊戲關卡：
解謎難度隨著劇情發展而漸漸調高，但都不會到困難的地步，時間限制關卡也不會太摳門，關卡設計搭配劇情內容，那個氛圍真的優秀~~~

遊戲操作：
簡單易上手，就是WASD 跟互動按鍵 還有滑鼠

遊戲劇情：
篇幅不長，也沒有太大的驚喜意外，但不影響遊玩時的體驗，當你沉浸其世界中一心一意在救地球時，誰管你這麼多ww

遊戲畫面：
沒有到完美，但是浩瀚的星空、月球的色調，基地的科幻感，整體呈現的感覺，讓人覺得恰到好處

------------------------------------------------------
最後
這遊戲的氛圍真的棒 很棒 超棒
因為很重要所以說了三次w

拜託出個續集或DLC吧~~~~~~
這個宇宙是我目前看到最樸實無華、最棒的太空了

給你錢錢 你快出~~

Otro juego que apuesta por el ambiente espacial, y he de decir, que es una autentica joya. En este caso, nos ponemos manos a la obra a manos de un astronauta que debe de salvar lo que queda de la humanidad, viajando a la luna. Los recursos de la Tierra son casi nulos y las comunicaciones ♥♥♥ las estaciones lunares son nulas. Para saber que ha pasado en esas estaciones nos acompaña una IA llamada ASE, una esfera robotica que nos ayudara a sortear ciertos puzzles de las diferentes estaciones para poder avanzar.


Este juego se ejecuta bajo el motor grafico UNREAL ENGINE 4, una combinacion perfecta, ya que le viene anillo al dedo. Recrea a la perfeccion todo el entorno, añadiendo unas fisicas, iluminacion y movimientos realistas. Juego optimizado al 100%, un PC de gama media puede ♥♥♥ el sin mayor problema. En todo momento se ejecuta a 60Fps al maximo de calidad y configuracion grafica. Ademas un juego que implemente el RT, una opcion que si tienes una RTX puedes activar.

Deliver Us The Moon - Tombaugh. 

Une capture d'écran de Deliver Us The Moon

Par : ☢David-Com☢

Deliver Us The Moon - Una IA interesante... 

Une capture d'écran de Deliver Us The Moon

Par : ☢David-Com☢

Deliver Us The Moon - Posando para la fotito :) 

Une capture d'écran de Deliver Us The Moon

Par : ☢David-Com☢

Todo correcto en este aspecto, solamente hecho de menos que no tenga las voces en castellano, solo los subtitulos, pero bueno.


Responde realmente bien a todo lo que pedimos al mando de XBOX One, el personaje ejecuta movimientos muy realistas, El simple hecho de subir una escalera, en otros juegos hay veces que suben de dos en dos, en este juego el personaje sube de una en una en todas, cosa que se agradece ese aspecto tan realista. Otra cosa que me ha gustado ha sido la interacion ♥♥♥ los objetos, sacar un nucleo de energia de su alojamiento, por ejemplo, lo ejecuta como si fuera un personaje real. Muy pulido en todos estos aspectos que asi si gusta.


Para mi una joya que estaba escondida hasta que lo he podido jugar. Si te gusta la tematica espacial, ♥♥♥ una buena historia, unas fisicas de calidad y encima tiene RT es tu juego.

Nota: 8/10

As an early backer of this game on Kickstarter, it pains me to give it a thumbs down. It's not that it's a bad game--it's just utterly unremarkable.

The graphics are okay, even on the "Epic" setting. The interiors of stations and buildings are well-constructed if not particularly memorable, but low-res textures and pop-in do make themselves known. It runs smoothly enough, though I did run into the occasional frame-drop and visual hiccup. The story is woefully under-developed, relying on holographic flashbacks and scanned "collectibles" to enlighten you of characters and events rather than traditional storytelling. The gameplay does little to move the story forward, too, with your character traveling from one simplistic obstacle to the next. The gameplay mechanics themselves you've seen in other titles, and often integrated more successfully: drone flying, a laser-cutter straight of out Goldeneye, seemingly random QTEs, basic interaction with computer screens, and "puzzles" so easy I hesitate to call them puzzles (only one comes to mind that may make you think).

Unfortunately, much of the game feels like filler rather than fun gameplay or engaging discovery. There was a launch sequence near the start of the game that I enjoyed as it was original and engaging, but the rest of the game lacked more experiences like it. It's sad because you can tell the developers are talented and that the story has potential, and you can't shake the feeling that it should have been something more--more unique and more fleshed out. We'll see how the planned DLC turns out, but for now, I can't recommend this game.

This game is developed by KeokeN Interactive, nobody remembers them for whatever projects they might've done but This game in particular has a different feel and deserves credit where it's due. The story is truly brilliant and the game-play is very good. The idea is something that deserves good credit. I totally recommend this game and I hope the studio gets more recognition so they can improve graphics and physics to a whole another level.

游戏不错，但是我要晕吐了，可能我第一次接触这种无重力游戏。如果玩家有飞行员的体质，那强力推荐。这游戏不开DLSS的话帧数掉的有点狠，DLSS有时候会产生马赛克的现象无法避免，貌似还有镜头面对光源的时候会减弱，甚至失去原来可以渲染出来的光晕的那种特效，不是很爽。算是通过解谜来推进关卡的前进，不会太无聊，不过看太空风景真开心。
一开始一点点收集的信息最后拼凑起来，理解到底月球发生了什么事也是蛮有意思的，虽然没有战斗，但是你需要靠着月球的低重力完成很多在地球上做不到的操作，有些地方甚至会怀疑是不是真的跳过得去，即使在月球也无法避免被地球上的思维束缚。
最后，是这个游戏的吹爆点。这游戏的汉化不是一般的到位，除了杂志用的英文贴图以外能翻成中文的通通给你翻译了，而且是以贴图的形式！！！不是简单的给个提示框然后把中文打进去，墙上海报，宣传画，月球基地每个区域的名字，地图，显示器的交互界面，这些全部在贴图等级汉化了！！！按照习惯我是不喜欢听中文配音的，所以他没有配倒是无所谓

Дійшла черга і до рецензії на цю гру. Мені вона сподобалась. Так, гра має відносно короткий сюжет, але тим не менш, за ним цікаво спостерігати, цікаво досліджувати локації, вирішувати нескладні задачі та розбиратися, що ж сталося на поверхні Місяця. Також мені сподобалося те як реалізовані різні механіки, та ж невагомість. У мене справді було відчуття що я в невагомості, предмети після зіткнення з ними , відлітають у протилежному напрямку і це виглядає дуже круто та реалістично. Графіка у грі теж доволі приємна і місцями так і спонукає до створення скриншотів, особливо сподобалося те як було зображено поверхню Місяця та космос взагалі. Завдяки всім цим деталям, гра виглядає дуже атмосферно. Особисто мені гра подарувала багато приємних вражень від її проходження. Я вважаю що цей проект точно зацікавить любителів наукової фантастики.

I have a full-time job, single dad of three, and full-time grad student so I rarely get to play any type of game anymore. This game though, I turned on and didn't stop until it was over! It is beautiful and runs great! Puzzles are easy, and I usually do not like timed challenges, but this game kept them fair and I didn’t mind them. The puzzles were spaced out enough and set up it a realistic way that I truly felt like I was exploring an abandoned space facility and it did not feel like a game. The story was also fantastic, and it left you will some good questions and mystery. I really hope a sequel is on the way. I bought it on sale for $18 but it would have been worth the full price even if it is on the shorter side. The developers really put 100% into every second.

I loved this game, found it a compelling play, even though it was so (vocally) ... quiet. It's hard to justify in words why I enjoyed it as much as I did, so I'll have to keep it short ... -ish.

THE BAD: I still enjoyed the experience despite having to deal with the "screen resolution" problem. I have a 4K screen and managed the first half of DUTM in 1920x1080 ... but couldn't repeat it the next night. ... It was running in 1600x1000 for the 2nd half of the game ... windowed ... ugh.

THE GOOD: No complaints had I re the voice acting. The end credits songs were nice too. More importantly, the gameplay was enjoyable. The game mechanics are familiar from other FPSs; run, jump, push a button, flick a switch ... but no crouch! Space suit must be a bit stiff in the knees. Oxygen depletion. 8)

The puzzles mostly take the form of activating and deactivating things in correct order, or reasonable timing, or -- later in the game -- using your ASE remotely. In fact, your ASE constitutes one of the better puzzles! I hope you enjoy it.

There're a few little vehicular jaunts. There aren't any weapons. No space zombies, aliens, demons ... dragons. No strong coarse language either, I believe. What else makes it somewhat suitable for young folk (imo) is that there isn't any horror either. Actually, what few "enemies" you encounter can basically be viewed instead as "traps" ... and traps without "gibbing" at that! 8)

The finale just about sucked a tear from each of my two tear ducts, but that's because I'm a soft touch. The story wasn't mooshy, nor sickly sweet, neither tacky nor sentimental.

SUMMARY: This is a game for almost all ages. It's essentially entirely puzzle- and exploration-based but is, I felt, well paced. And it isn't a short game either! There's a lot you have to "do" ... and that's without shooting natural, nor artificial intelligences. :D Great little story framed by a compelling goal.

Oh! And the environments are gorgeous too!

My gratitude to all individuals who made this understated little gem happen.

The kickstarters who supported this work supported a fine product! ... and it was great to see them credited ... in the credits.

This is basically a puzzle game in which you discover the fate of an abandoned moon colony. The aesthetics are beautfiful, the controls are clunky at times but basically okay. It is its unique atmosphere what makes this game so special - which is hard to put into words tbh. Highly recommended!

Fosil yakıtların kökünü kazıyan insanoğlu hayatta kalabilmek için Dünya'nın enerji ihtiyacını karşılamak adına pahalı, uzun süren ancak geleceğini garantiye alacağını düşündüğü MPT sistemi yani Helyum-3'ü yakıt olarak kullanan bir nevi füzyon reaksiyonlarıyla Ay üzerinde inşa edilen MPT kulesiyle Dünya'yı besleyecekti..

Buraya kadar her şey güzel, bilimsel anlamda gelişmişlik söz konusu ve insanoğlu hayatta kalma iç güdüleriyle başarmaya oldukça yakın iken klasik insan aç gözlülüğü yüzünden yanlış kararlar silsilesiyle her şey bir anda "KARARIR". Bu "KARARMA" neticesinde Dünya'nın enerjisi biter ve bir grup bilim insanı ile olayı araştırmak, Dünya'nın yeniden "AYDINLANMASINA" yönelik Ay'a yapılacak seyahatimizle güzelim oyunumuz başlıyor, hemde ne başlama!

Aslında temelinde Kardashev Cetveline göre Tip 1 uygarlığı olan İnsanoğlu Tip 2'ye bir nevi geçiş yapmaya çalışıyor. MPT olayı Dünya dışındaki enerjiyi Ay üzerinden Dünya'ya kanalize etmek ve tek "YUVAMIZDA" hayatın devam etmesini sağlamak. Tek başımıza çıktığımız bu yolda bir süre sonra yapay zekanın katılmasıyla çeşitli bulmacalar çözüyor bölümleri geçiyor ve her geçtiğimiz bölümde olayın gerçek yüzünü daha net anlayabiliyoruz. "KARARMA" sebebini, Dünyadan Ay'a gelen kolonilerin insanlara özgü "GÜÇ SAVAŞINI" deneyimliyor ses ya da yazılı notlarla yaşananlara şahit oluyoruz. Duygusal anlamda gerçekten başarılı iş çıkaran bir yapım olmuş. Mutlaka etrafı arayın ne bulursanız okuyun dinleyin.

Oynanış olarak bulmacalar işin en büyük kısmını oluşturuyor. Vurdulu kırdılı aksiyon yok buna uzayda gerekte yok. Oynanış yağ gibi akıp gidiyor oyun zaten film tadında ilerliyor. İnterstellar ya da Gravity izleyenler aşırı keyif alacaktır izlemeyenler de listesine ekleyip izlemeli diye düşünüyorum. Müzikler atmosferi gayet iyi tamamlıyor yalnızlık hissi, keşfetme, sonsuza yakın uzay boşluğunun sizi ne kadar önemsiz, zerre dahi olmayacak küçüklüğünüz de boğduğunu çok iyi yaşatıyor kesin bilgi yayalım dostlar.

Özellikle Marsta geçecek oyunda duyurulmuşken ve Türkçe yaması da mevcut iken mutlaka bu oyuna şans verin ve tek yuvamız olan Dünya'nın insanoğlunun tercihleriyle ne hale gelebileceğini de unutmayın! Carl Sagan'ın "MAVİ SOLUK NOKTA" videosunu ve oyunun güzel soundtrackini bırakıyorum. İyi oyunlar dilerim!

Overall, excellent game for those who love sci-fi genre and/or puzzles.

Plus:
+Not too difficult to play (could be a minus for some)
+Puzzles are mostly different so you do not get bored doing same thing over and over
+Graphics are quite beautiful and the immersion is very high
+Beautiful soundtrack
+Voice acting is not too bad.
+Like the attention given to realistic physics and scientific realism (zero and low-gravity mechanics). I wonder whether it could have been nice to have moon gravity while at the bases as opposed to at moon surface, but it was perhaps better this way.

Minus:
-Some bugs and optimisation problems with ray tracing. Mine crashed a few times so I had to disable ray tracing in some cases.
-The story is good, but not too original and deep. Without getting too much into spoilers, I think we could have learned a bit more about the motivation behind why the moon crew was led to leave, and witnessed moral dilemmas.
-Some dialogues are a bit shallow.
-The game is very linear, you do not really have any choices other than solving the puzzles. Some moral choices would have been nice.

I think there are some hints in the game on a sequel, and I would definitely buy an play it. I would recommend the developers to focus more on player choice, and add some RPG elements to the game. Perhaps having a main character that talks would help as well.

This game has beenm sitting in my library since I got it from a Fanatical bundle a year or so ago. I just got Deliver us Mars as the freebie of the week from Epic so I figured I'd play this one first. I was not dissapointed. The story drew me in and kept me. The endgame was incredibly frustrating, but when I looked for help online it told me to use a controller and that made things much easier.

To be honest, if these guys made a procedural launch game about the ship launches and trouble with space travel, I'd play the ♥♥♥♥ out of it. It was interesting and fun.

Four Stars

I've just reached the reactor station in the game. I have to say, it's one of the best out of the limited selection of space games available, but that doesn't make it good...

So far the entire game has been a compilation of these exact things:
Fix Something, Something Breaks
Oh ♥♥♥♥ random timer DO SOMETHING
O2 running out find some FAST
Need a code to unlock this door, it's on a note in the next room
Need to power this room, find a power thing and plug it in

I guess the story is nice, but the activities to achieve and unlock the next part of the story are just horrifically repetitive.

An atmospheric and impressive piece of work. The game is now complete and was thoroughly enjoyable.

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Rating
81 ️⭐️⭐⭐️⭐️





**UPDATE**

I have just completed the final chapter and I must say it was worth the wait. It was exciting, emotional, compelling and provided a fitting ending to the story.

I did experience some worrying frame rate drops however which did affect play in action sequences, especially outside. I hope they will address these.

The team have introduced some new mechanics mainly light platforming elements and they have increased the tension and amount of timed scenarios. The platforming elements were my least favourite aspect as sometimes the camera was too slow to catch up, especially when you are being chased!

The puzzles seemed a bit more difficult in the last chapter and felt a little more challenging to complete. There are some genuine exciting moments and the story has a very touching ending. The chapter is certainly not an after thought and felt like the longest and most thrilling chapter of them all.

Deliver Us The Moon 

Une capture d'écran de Deliver Us The Moon

Par : janner66

I would describe this game as an advanced walking simulator with average difficulty puzzles and arcade moments thrown in for good measure. You will spend a lot of your time walking around examining objects, reading documents, watching holographic reenactments and listening to recorded conversations of past events. The story gradually builds and we get to learn what actually happened and why the lunar base suddenly lost all communication.

There are quite a few puzzle elements to the game. Mostly these will involve you trying to find combination codes for locked doors, using your laser cutting gear to access areas or utilizing your ASE, a floating robot ball which can reach lofted areas and travel through tight spaces.

The puzzles weren’t that challenging and I didn’t really have too much difficulty solving them. Some puzzles are timed, due to the fact that you have an air supply that will run out. This is where you will die the most trying to figure out the puzzle within the time constraints. There are canisters of O2 scattered around the area however and picking up one of these will increase your oxygen levels a little. The one annoying thing about this game was that certain canisters and objects were very difficult to pick up unless you situated yourself in the exact location. Canisters in lockers and boxes were particularly troublesome to collect. In a timed and weightless environment this became frustrating at times but it didn’t happen enough to become defeating.

Occasionally you will be thrown into an arcade sequence. This might be quick time reaction sequences or a desperate race to get to a destination before your oxygen levels deplete. You can also drive machinery on the moon to reach other destinations.

The mood and sound effects were incredible. The game succeeded in convincing you that you were on the moon and the story was strategically revealed to create tension.

I was mesmerised by this game and am glad it is now complete for other people to enjoy in its entirety.

A moon colony was set up by the World Space Association to provide power to an Earth barren of resources and blighted by environmental disasters. By the means of a microwave power transmitter (MPT), a fusion reactor generates power and sends it wirelessly to Earth, fueled by helium-3 harvested on the Moon. In the year 2054 the colony lost power and all communication stopped.

The WSA collapsed and with it the Earth lost hope. Out of the ashes of the WSA a group of scientists secretly engineered a way to get back up to the moon building a rocket called Fortuna One.

You are humanity’s last hope. It is your mission to reach the moon and investigate why the colony has gone dark.

What has happened up there?

🕹️
Gameplay involves you investigating what has happened to the colony. Why has the MPT stopped transmitting and why has all communication been lost?

You arrive on the space station where you are thrown into a weightless environment where you need to use your thrusters to maneuver around. You have an oxygen level and need to top this up by collecting cannisters strewn across the station. If your oxygen level reaches zero you will need to start again.

The level design is such that even if you do die, it’s not such a big deal as the levels are quite short and it isn’t any hassle to repeat the process again and learn from your mistakes. Whilst your oxygen is depleting you will need to solve small puzzles to gain access to further levels and continue the investigation.

In fact, the puzzles were reasonably easy to work out. There aren’t that many different mechanics to learn. You’ll either cut a hole through a door using your laser cutter, use your ASE which is a flying robot ball designed to access lofty areas or tight spaces, find hidden passwords in documents to gain access to restricted areas or move around power cells to open different doors. You'll also have to fix a lot of broken machinery throughout the station.

There are occasions where you will play out arcade sequences like quick time movement where you’ll need to press a certain direction on your controller when instructed, or a sequence where you are timed to reach a certain area and will need to collect oxygen cells along the way whilst avoiding debris. The quick time movement sequences are rare and are only there for a bit of titillation between events. The timed sequences are more plentiful and do add drama and tension to the proceedings. They are fun to play and apart from the odd canister being difficult to pick up the levels are designed well.

You can also drive machinery outside on the Moon. The Rover is easy to navigate around and controls well. The scenery looks amazing outside.

I loved the way the space man moved. Even going up and down ladders was a joy to see as so many games get this wrong. Leaping in a weightless environment, spinning around and walking all felt realistic and a pleasure to watch. Even watching him dying looked realistic!

You’ll get notifications through your PDA which informs you of your objectives and records all the documents and clues you have found during your investigation, including hologram reenactments and voice recordings. You can read or listen to these at your leisure.

🎵
The sound is instrumental in creating an amazing sci-fi vibe. Synth and classical tracks play throughout adding drama and tension to the proceedings. A chilling soundtrack accompanies some professional sounding effects including some great voice acting. Wear headphones! It enhances the experience immensely.

📺
Graphics are superb. Everything just looks impressive and how you would imagine it in space. The developers have nailed the atmosphere, and locations on the baron Earth to places on the Moon all look and feel futuristic and desperate.

I would highly recommend this game now it has been completed. I would say it has been one of the most enjoyable games I have played in a while.

The game excels at creating a futuristic and atmospheric experience with incredible soundtracks and effects. You will feel immersed in the story and invested in the characters.

Visit our website, Original Reviews if you want to read more quality reviews, also about games outside of Steam![www.original-reviews.com]

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I absolutely liked this game, so let's get the negative things out of the way:
- the beginning is kind of stupid: an astronaut has to prepare and launch his own rocket ... eh?
- finding 4 digit codes on post-its to open doors is very 90s; a small hacking mini-game would have made much more sense (and fun)
- some of the voice acting is below average
- the (larger) story feels unfinished
- oxygen canisters with 20 seconds worth of air? a space suit with only 3 min of air? It works for the game mechanics, but it's stupid; again, some more effort could have been made to find something that works as well but doesn't defy logic
- some clunky input choices (neither keyboard nor controller felt a 100% right in all situations)

BUT ... non of that matters because the game has tons of atmosphere and, most importantly, it absolutely nails the design of the moon stations and the look of the moon and the feeling of being and walking on the moon. I can't stress enough how wonderful the moon surface looks. The story moves (you) along at just the right pace, there's almost no backtracking and the tension is kept for the ~ 8 hours of playing time.
There are a few action sequences where you are on a timer (and can die); they are not very difficult, but they work so well in the setting that they feel intense nontheless.
It's just a joy to be there and move through this plausible and intelligently designed locations. If you don't need aliens or supernatural elements but enjoy a linear but well told emotionally captivating space story based on more or less believable tech which does not insult your intelligence, then this is a game for you as well. 8/10

Now with the latest release the game is complete. So I did pay it through again and I am still lovin it.
It does have a good story, nice graphics and a very nice score. Was worth the money from Kickstarter.

Ich habe das Spiel zuerst auf der Gamescom gespielt und war begeistert von der Story die dieses Spiel bietet und habe sehnsüchtig auf den Veröffentlichungstermin gewartet. Das Spiele habe ich zusammen mit einem Freund durchgespielt und möchte nun gerne ein Review dazu verfassen.

Deliver Us The Moon ist ein wirklich gutes Spiel. Man muss jedoch zum Anfang hin sagen, das der Fokus hier auch auf der Story liegt und das ist die große Stärke des Spiels. Die Story erzeugt viel Spannung und im Verlauf des Spiels findet man dazu immer mehr heraus, was eigentlich passiert ist. Spielerisch ist es einfach zugänglich und macht auch viel Spaß, man hat zwar keine komplette Openworld doch in den Leveln kann man sich auch gut die Zeit beim herumgucken und entdecken vertreiben. Jeder der sich für Spiele mit einer guten Story interessiert, wird meiner Meinung nach um dieses nicht herumkommen. ABER ACHTUNG: Bevor jetzt einige schreiben, das die Story nicht beendet wird, das STIMMT NICHT!!! Die Entwickler haben bereits in einem Stream angekündigt, das ein KOSTENLOSES DLC erscheinen wird, was die Story weitererzählt. Von diesem Entwicklerteam können sich viele andere Entwickler mal ein Beispiel nehmen, wenn es um DLC und Kontakt zur Community geht.

Die Performance ist meistens sehr gut. Nur in den Outdoorleveln kann es manchmal zu dem ein oder anderen Ruckler kommen, doch das hält sich in Grenzen. Die Grafik sieht auch gut aus und der Soundtrack unterstreicht sehr schön die Level und Spannung . Man muss auch immer bedenken das dieses Spiel von einem kleinen Entwicklerteam kommt und somit die Ressourcen auch begrenzt sind!

Von mir bekommt Deliver Us The Moon einen großen Daumen nach oben und ich bin schon darauf gespannt, wie es weitergeht.

I'm old and I've played a lot of games in my life. I'd say this is one of the most satisfying linear games I've ever played. Truly fantastic writing and game play. The tasks always felt as if it was for a purpose and I played the entire game through without stopping because I just couldn't. Really a spectacular game.

A beautiful game, it was a pleasure to explore.
Good and captivating story with some puzzle elements.
Nice details and visuals also.
Takes around 6 hours to beat.
Next destination MARS! :)

通关盗版后来补票的。好游戏不愁没有人欣赏。这是一款科幻题材为表，人性探讨为里的游戏。人性的黑暗有时比黑暗孤寂的宇宙还要可怕。

Oh. Mein. ♥♥♥♥♥♥♥. Gott.
Hier stimmt einfach alles. Die Story, das Storytelling, worum es hier geht, ist genial. Nie sind einzelne Spielpassagen zu lang, die Gestaltung der Level so, dass man nie den Spaß verliert oder es zu schwer ist um weiter zu kommen. Deliver Us The Moon lässt sich prima an einem Samstag Abend statt dem Blockbusterprogramm im TV durchspielen, vorrausgesetzt natürlich, man hat ein klein wenig länger Zeit.

Ein Meisterwerk!
Gut erzählte, spannende und packende Geschichte mit bedeutsamen Charakteren und einer guten Atmosphäre. Man ist stets motiviert, den Ereignissen auf den Grund zu gehen. Es ist also ein "Story-Entdeckungs"-Spiel. Die Aufgaben auf diesem Weg sind keinesfalls schwer, sondern immer spätestens nach kurzem Umsehen direkt lösbar. Der Spielverlauf ist linear.

Zielgruppe
Nichts für jemanden, der Rätsel-Herausforderungen sucht, sondern für jene, die eine Geschichte entdecken wollen.

Gameplay
Klare Aufgaben/Ziele führen einen durch die lineare (gute) Erzählung. Es gibt zwar keine Karte und keine Wegpunkte, aber in den Umgebungen ist alles gut beschildert und meistens gibt es eh nur einen Weg, der momentan begehbar ist. Die "Rätsel" sind glaubhaft in die Umgebung und die Geschehnisse integriert und wirken nie aufgesetzt. Es wechseln im Spielverlauf Bewegungsarten (keine/geringe/normale Gravitation, mit/ohne Sauerstoff, zu Fuß/im Fahrzeug) ab und gelegentlich sind auch brenzlige Situationen mit Gefahren und etwas Zeitdruck eingebaut. Bei den meisten Aufgaben kommt es auf die korrekte Reihenfolge an, die sich allerdings meist zügig erschließt, wenn man sich erstmal etwas umgesehen hat. Gelegentlich ist auch Timing relevant. Dabei kam bei mir nie Langeweile auf, was einerseits an der Abwechslung der Spielmechaniken und andererseits an der Erzählung lag. Diese wird mittels holografischer Aufzeichnungen, Tonaufnahmen, Textdokumenten, Zwischensequenzen und durch die Umgebung vermittelt und schrittweise aufgedeckt.
Es gibt kein HUD, die Gesundheit ist an der Bildfarbe und -Qualität zu erkennen, der Sauerstoffvorrat (als Countdown) und die Energie der Taschenlampe werden direkt am Raumanzug angezeigt. Die Third-Person-Perspektive ist der Standard, bei der ich die Kameraführung unproblematisch fand. In seltenen, extrem beengten Bereichen oder manchen Bedienhandlungen ist eine Ego-Perspektive durch das Helmvisier aktiv.

Technik
Steuerung und Grafik sind ganz gut, der Hardwarehunger ist gering und Bugs konnte ich nur einmal nach dem Laden eines Savegames feststellen (was allergings ein Neustart des gesamten Levels notwendig machte). Generell kann man nicht selber speichern und immer nur den letzten Kontrollpunkt oder den Kapitelstartpunkt laden. Da die Kapitel etwas größer ausfallen können, kann das ärgerlich sein, wenn der letzte Kontrollpunkt bugt oder man ein Dossier-Objekt verpasst hat und dann mal eben 2 Stunden wiederholen muss... Das wäre besser gegangen.

Lokalisierung
Positiv erwähnenswert finde ich, dass alle Gespräche und Hologramme auf englisch, deutsch und französisch vollvertont sind. Zumindest die deutschen Sprecher machen dabei ihre Arbeit gut und mit "Gronkh" ist auch eine bekannte Stimme dabei. (Die anderen Sprachen habe ich nicht getestet)

Fazit
Trotz Abzügen für die Speicherpolitik und einen einmaligen "Gamebreaker"-Bug ist dieses Spiel für mich wegen der Geschichte und ihrer Erzählart, sowie ihren Charakteren eine klare Kaufempfehlung!
Hoffentlich kommt ein zweiter Teil (Material wäre noch da).

Deliver Us The Moon es una atractiva aventura espacial, quizá un poco corta (dura unas 5-6 horas), pero notable en todos sus aspectos.

En lo jugable es un tanto simple. Hay algo de manejo de vehículos, un poco de plataformas y algún que otro puzle muy sencillo, pero, en esencia, se trata de poco más que un walking simulator. No obstante, los controles responden bastante bien y se siente pulido.

Lo audiovisual, por su parte, cumple sobradamente. Gracias a unas buenas voces, a unos temas de fondo que casan perfectamente ♥♥♥ la temática y a un apartado gráfico muy realista, consigue recrear a las mil maravillas la atmósfera espacial y de misterio que rodea al juego.

En cuanto a la historia, me ha parecido bastante interesante. Cuenta ♥♥♥ una buena trama en la que, más allá del telón de fondo del espacio y la ciencia ficción, se habla del egoísmo del ser humano, de su generosidad, de sus debilidades, etc. Al ser un juego corto no esperes personajes muy profundos ni nada por el estilo, pero la narrativa es atractiva.

En resumen, Deliver Us The Moon es una muy buena opción si te gustan las buenas historias de ciencia ficción y, al mismo tiempo, buscas algo relajado en lo jugable.

✪✯✪✯✪✯✪ ✪✯✪✯✪✯✪

Deliver Us The Moon 

Une capture d'écran de Deliver Us The Moon

Par : MacNeill

Deliver Us The Moon 

Une capture d'écran de Deliver Us The Moon

Par : MacNeill

Deliver Us The Moon 

Une capture d'écran de Deliver Us The Moon

Par : MacNeill

Okay, das Spiel ist gut und hat gute Rätsel. Grundsätzlich empfehle ich es. Aber ich hasse einfach wenn ich unter Zeitdruck stehe! Und das ist hier echt andauernd der Fall! Da hat man meistens keinen Sauerstoff- weil, ja, weil... Warum eigentlich? Warum hat der dumme Raumanzug nur für drei Minuten Luft! Selbst mit ner 1-Liter Luftflasche bei 200 bar (was zum Beispiel der Druck in ner normalen Taucherflasche ist, wobei halt Taucherflaschen wesentlich mehr als nur 1 Liter drin haben...) würde man ca. 15 Minuten lang atmen können! Okay, sei's drum, sollen halt die Astronauten ersticken... Es ist echt nervig wenn man dauernd unter Zeitdruck ist und sich nicht mal richtig umsehen kann. Und nebenbei läuft halt auch sonst immer mal wieder ein Timer ab. Alter...
Also kurz: wem ständiger Zeitdruck nichts ausmacht, der hat seine Freude dran. Ich fands anstonsten auch recht gut.

Как только узнал об игре, в сентябре 19-го года - сразу захотел ее купить, добавил в список желаемого и ждал...И вот, 10 октября, она вышла - скачал, запустил, и первое, что я заметил - это музыка. Она великолепна, только она способна передать настрой это игра, только она способна заставить переживать вас то, что главный герой переживает, когда мы решаете головоломку, а их здесь достаточно, она звучит "задумчиво" будто хочет вас запутать, эдакая музыка для лабиринта минотавра, но, она так же может быть и грустной как осенний вечер.
Графика. Я играл на эпических настройках и графика тут на 7\10
Интерфейс. Могу описать его такой фразой : "ну, че прикольно"
Сюжет. Диалоги 6\10 ( было достаточно филлеров )
Музыка. Ну тут все понятно 10\10
Стоит ли покупать? Да, но эта игра на 1 вечер. Если вы любите шутер, то НЕ стоит её покупать, это спокойная игра для отдыха после работы с небольшим кол-ом головоломок средней сложности. Тут нет стрельбы из лазерной пушки и так далее, просто вы из одной космической базы перемещаетесь на другую.
Игра учит нас не сдаваться и идти до конца, показывая, что из любой ситуации есть выход. Свое мнение написал, игра оправдала себя.

Infravalorado.

Te va a gustar, seas o no fana de los astronautas, el espacio y toda esa sh!t.
Está buena la historia y si bien el juego para ser del año que es (relativamente nuevo) no es una locura gráfica triple A full mega 4k, tiene tremendas escenas que por momentos te hacen sentir dentro de alta peli, por esto mismo la historia te atrapa todavía más. Recomendadisimo para apagar todo, ponerlo al palo de volumen, darle toda la noche y terminar llorando como vos por ella.

Como dicen los maracas de las reviews negativas (literalmente debe ser lo único malo) es un poco corto. En mi caso lo pasé en una sola noche de vicio, pero si sos medio manco o te lo querés tomar más relax/sacar logros, por ahí te lleva un poco más, como sea, es alto jueguito.

Si aún así tenes dudas, compralo en ofertas, no te quiero ver llorando porque te gastaste 2 lucas y te parecio corto.

Walking simulator done right.
Interesting story, nice graphics, nice sound. Finished in 7 hours and wasn't rushing but at least the game isn't padded with pointless parts to increase the length.
I would have liked for more exploration, especially on the surface. Very linear.
Looking forward to the sequel though, hopefully they expand on everything.

Şimdi ne LEVEL'da ne de OGZ'de göt, meme yazmama izin olmadığından ve anında makas yediğimden buraya içimden geldiği gibi kusabilirim. Kürşat'ın yolladığı oyun listesinde var mıydı tam hatırlamıyorum ama Deliver us the Moon'u sanırım kazayla aldım. Çünkü bu ay çıkacak Moon of Madness'i isterken munnlu mummlu tam aklıma gelmediği için yanlışlıkla gene bu ay çıkan Deliver us the Moon'u kaptım. Ama iyi yapmışım çünkü korku oyunu olacak Moon of Madness'in tam zıttı hikaye tabanlı ve dramatik, Interstellar tarzı bi yapımla karşılaştım. Dünya gene yarraa yemiş (adsasd dergide böyle yazdığımı düşünsenize), enerji krizi boğazımıza dayanmış ve ayda bulduğumuz Helyum enerji kaynağı bilinmeyen bir sebepten ötürü artık Dünya'ya akmıyor. Son bir çırpınışla Ay'daki sorunu çözmesi için tek bir atımlık astronot yolluyoruz o da biziz.

Bizim karakter konuşmuyor ama kötü değil.
Yol boyunca bize eşlik edecek Portal'daki robotlara benzeyen yol arkadaşı hoş.
Müzikler kesinlikle çok iyi özellikle oyunun sonunda.
Hikaye çok iyi, hiç beklemediğiniz bir sonla karşılaşıyorsunuz ve drama üstüne drama var. Balık burçları dikkat.
Biz konuşmuyoruz ama bulduğumuz video ve ses kayıtlarında bolca konuşma dinliyoruz. Seslendirenler çok iyi.
Indie yapım olmasına rağmen grafikler gayet iyi.

Hikaye tabanlı, üzücü ve dramatik, güzel grafikli, sesleriyle sizi içine çekecek 5 - 6 saatinizi çalacak bir şey istiyorsanız buyrun, hatta alın ulan! Adamlara destek çıkın harika oyun yapmışlar. Delirtmeyin... 9/10

Отличная история, хороший сюжет, игра держит до конца, пока не пройдешь )
Атмосфера 10\10 из которых больше половины идёт за звуковое оформление.
Титры смотреть до конца.

It is probably an amazing game. The bit I played was fun, but the motion blur makes me feel sick and there isn't a way to turn it off. Maybe one day I'll be back if that changes.

I really enjoyed Deliver Us The Moon, what a wonderful game. Beautiful great soundtrack and voice acting is top notch.

It's like a wonderful mix of Tacoma and Syberia. Some great Sci Fi here.

Super recommend this game.

I just completed Deliver Us The Moon, and I find myself ambivalent with mixed emotions.

While the game does have some novel mechanics and a few good puzzles, the game is mostly a walking simulator. Despite this, the storyline is well written, even if it does completely railroad the player and handhold nearly the whole way. I enjoyed the experience… for the most part.

Where I find myself hesitant is on the value. It took me less than five hours to fully complete the game, and that was with me taking my time and exploring every possible nook and cranny. I managed to get the game on sale, but I don't think I would have been happy paying full price for such a short game.

Do I recommend the game? I think so, yeah, but just barely. I suggest waiting for a sale, maybe $15 or less.

太空漫游版《看火人》给一个大的背景以互动性叙事给你展开。地球已经能源耗尽，月球能源传输突然中断，原因不明，但是一切的一切都发生了翻天覆地的改变。
为了地球上的人民安排我去查明真相并且重新恢复能源启动。
宇宙啊，孤独啊，除了无线电和立体影像没有一个生命体和有机体的存在。看着窗外的地球明明那么近我确回不去。
航天站里的失重感让我生理反应剧烈。第一次玩这种在密闭空间内可以无阻碍360重力方向的感觉。可以说玩这么多游戏航天站第一人称这个重力感应系统是做的相当的吊。让我印象深刻无比。并且细节也满满包括空中的水珠，水杯，画笔。
从游戏性来看
这款游戏丝毫不雅于任何的沉浸式剧情游戏，每一章节都有创新点和独特的玩法，虽然不算太难但是很多的想法都是极好的。第一人称第三人称来回切换，人和机器的切换视野很巧妙的设计。有射击系统，有开车系统，操控机器人系统，操控平台系统，模拟火箭系统。你看这么高级的游戏还有突然而来的QTE系统，这是我没想到的。缺点是有些关卡的设计并不巧妙，再加上视角的转换容易头晕。晕倒一定程度就会产生厌恶感。

剧情上本来想表达三线剧情，但是三线想把一个故事讲得非常明白在游戏中是非常困难得，需要找到大量线索和阅读大量文字对话。如果剧情能够一环扣一环那么肯定是很紧张刺激，但是有点不好的是中间段有部分事件有点散会产生一定得混乱感，一周目的时候可能会犯迷糊。总体剧情中等偏上，可能玩得比较多，剧情很不错，但也不是特别惊艳我的地方。结局还行。

如果要我特别推荐和让我特别着迷的地方，就是这个游戏的画面了。质感的高级感就不说了，，几次震撼的撞击真的是让我眼前一亮，内心大喊了一声卧槽！飞船的破碎星球的，星球的照射，画面的模糊感，再加上氧气的不足和紧张的配乐，无遗是整个游戏最高潮的一个点。画面给我的满足感也有关于立体视觉的感受，受伤时的RGB感觉，能源站热量爆炸的粒子从明到暗从绿到黄的感觉。都是视觉的享受。

音效有好有坏，好的地方在于很多地方的背景音乐超级好听，并且细节之处也有，不好的地方是个人认为使用物品音效太过单调。总体上没有什么违和感。所以算是中等偏上。
总之喜欢沉浸体验的玩家可以一试。

Simple small walking simulator game!

The game looks great.
There are moments in the game when you have no clue what to do.
It happened 3 times to me:
1- start the rocket >> look to the left.
2- find the target >> small yellow box on the big building, not the red one.
3- cart won't come to me >> cart was placed to close to the door.

Besides that it's pretty liniar.
Some vocal interaction and "holograms" there are no NPC.
Would advise to buy it on a sale.

If you're fast you can finish it in aprox 3 hours.
My self the first time playing took me 11 hours.
Like to look around a lot!

Se mettre dans la peau d'un astronaute et partir pour la Lune, voilà ce que promet Deliver Us The Moon. Et c'est une réussite ! Un vrai coup de cœur !

Une histoire engageante, travaillée, qui nous captive du début à la fin. Un jeu qui propose un univers très immersif et nous donne une impression de réalisme. On incarne parfaitement le protagoniste.
A noter que le tout est entièrement doublé en français, ce travail remarquable renforce notre sensation d'immersion. La BO est elle aussi soignée et accompagne parfaitement le jeu.
Un gameplay bien pensé, qui propose des phases d'exploration tranquilles, des moments plus intenses où le temps nous est compté, des instants de narration, et des moments de réflexion avec des énigmes à résoudre. Impossible d'avoir le temps de s'ennuyer.
Jouer à Deliver Us The Moon donne presque l'impression de "vivre" un film, une série, ou encore un roman qui nous absorbe et que l'on n'a pas envie d'arrêter. Je l'ai terminé les larmes aux yeux, c'est un jeu qui ne laisse pas indifférent. Je suis même un peu triste de l'avoir fini après 7 heures de jeu et de quitter son univers. Vivement la suite !

Deliver Us The Moon est une aventure singulière particulièrement immersive. Une histoire captivante qui propulse le joueur sur la Lune. Un superbe voyage qui promet exploration, action et réflexion.

Deliver Us The Moon 

Une capture d'écran de Deliver Us The Moon

Par : Goldelie

Deliver Us The Moon 

Une capture d'écran de Deliver Us The Moon

Par : Goldelie

Deliver Us The Moon 

Une capture d'écran de Deliver Us The Moon

Par : Goldelie

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20XX年，地球上的资源几乎枯竭，为了解决这一危机，全球联合创建WSA（World Space Agency），在月球上运作，并且从月球上获得一种可靠的新能源。
某一天，一场大停电事故发生了，导致能源供应终止，同时失去了月球殖民地的联络，地球再一次陷入危机。
你将充当地球上最后一名宇航员的角色，执行一项生死攸关的任务，调查情况并拯救全人类。


出色的氛围塑造
画面+声效+背景音乐，打造了一个精彩的月球场景。
游戏采用 Unreal 4 引擎打造，使得游戏的画面表现力符合当前年代的品质。
游戏的场景位于外太空月球，以及月球殖民地。尽管游戏全程只有玩家一人，到了月球基地后添加一个悬浮机器人ASE，游戏的气氛并不会让人感到恐怖。
在游戏初期，玩家需要发射火箭登月，此时置身于荒凉的地球表面。虽然只有短短一章，但开发者们也给我们展示了全球气候变化以及资源枯竭的现象，被遗弃的基地，到处乱放的器械，损坏无人维修的仪器，
随后，玩家登上太空转接站，此时处于一种失重的状态，玩家可以透过玻璃看到月球和地球的外貌，以及庞大的太空站外部和月球表面的殖民地。这些构造并不太过于科幻感，给人一种真实的感觉，是存在于世上合理构造的场景。失重状态下，所有的物品都是悬浮在空中，经过他们还会撞开，而且某些地方还有凝成球体的液体，很好的构造出太空环境。
当玩家来到月球基地，这里的电源几乎耗尽，玩家可以看到摆放在地面上为数不多的备用能源，人员失踪后零乱的房间，等等。
随着故事的发展，玩家会走出表面基地，进行长距离跋涉，可以观察一片荒凉的白色泥土，和黑暗无迹的外太空，和我们已经变得灰黄的地球。地球的外表实在可怜，让我打了一下冷战。
所有的这些并不是随意设计的场景，不会让我们感到审美疲劳，到处都在告诉我们置身于真正的外太空里。
最后，游戏的背景音乐值得一赞，颇有一股太空史诗电影的味道。在火箭发射的时候还出现了管风琴乐器，感觉自己就是 星际穿越 里的库珀，背负着地球人的未来前往未知的外太空执行任务。在月球基地里，不同的环境也有不同的音乐，对于环境气氛塑造非常到位，出现事故后节奏的加快，紧凑的旋律使人绷紧神经，安全之后缓和的音乐又使人放松心情，告诉玩家一切安全。
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开发者偷偷的更新了，在各种墙壁、警示牌、指引牌等物体物品可以显示中文了，虽然对流程影响不大，但是可以有助于玩家了解自己的所处环境，以及相关信息。实在是太棒了！！！！
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恰到好处的故事安排以及温和的游戏体验
游戏的故事以地球自然资源枯竭的近未来末世为背景，玩家扮演一名宇航员前往月球殖民地执行任务，探索原因，拯救地球。
游戏的流程不长，线性地图与进展，并不会让人迷路，但是游戏里没有明显的路线指引，有时候很容易让人迷失目标，摸不着头脑。
游戏里并不会出现一点恐怖桥段，放眼整个月球与表面基地，仅仅孤身一人，而且没有持续的无线电通话，大部分流程给人一种孤独感。不过，开发者们巧妙的把一些谜题以及收集要素安排在一定距离间隔的路线上，并不密集，也不松散，较好的减弱这种孤独感，同时也可以让玩家了解游戏故事的背景。
有不少的物品收集，当准心移到调查物体上会发光高亮，并不难发现。很多小线索隐藏在游戏世界各处，有物品介绍，背景故事介绍以及语音文本。通过收集这些物品，玩家可以揭示大停电事故之前所发生的故事以及隐藏的秘密，来揭示月球殖民地的历史，故事并不难去理解，简单直白。
此外，收集品里还有全息投影，几乎在主线道路上以人形以及ASE轮廓高亮在地图上，只有瞎子才会忽略掉这些数据。这些全息投影播放片段交代了月球事故发生前后的背景，在主道路上放置就是为了让玩家更容易去获得该信息。同理，语音文本也在主要道路上，只要经过便可获取文本并立即播放。该类收集物品并不隐蔽，也是主要故事构成之一，算是对单人故事冒险的补充。

游戏里虽然有一三人称的切换，但绝大部分时间都是第三人称居多，在操控仪器和失重环境移动下才使用第一人称。玩家角色穿着一身太空服，行动动作看起来比较缓慢，但有时候会出现一种奇怪的动作现象，不过情况较少，并不影响游戏体验。
在主角获得ASE智能机器人后，开始出现一些解谜要素，利用机器人钻管道，触发电源开关，或者进行加减法，等等。谜题非常简单，只要稍微思考一下就能解开，继续故事的流程。
游戏初期，玩家可以模拟操控火箭发射的相关流程，这是一个非常棒的游戏开头，代入感满满，真的让玩家以为自己是一名宇航员。
游戏中期，玩家需要驾驶载具驶向远处。载具的手感普普通通，不会让人反感。开发者也能也知道载具手感并不容易开发，所以驾驶载具在游戏的总流程里占比非常小。
游戏里几乎没有敌人，只有在唯一一个场景里存在有攻击倾向的叛变机器人。同时，某些地方布置了电力陷阱以及蒸汽陷阱，这些陷阱并不会一击毙命，给了玩家一定的容错率。


通关之后的个人感想
在主角成功的激活了月球殖民地的电源后，credit名单开始出现，故事也告一段落了。
扮演一名宇航员，经过重重困难，忍受着孤身一人执行任务的孤独，以及背负着太空外几十亿人的性命，我的确感受到游戏里有一种无形的压抑感。说这是一个环保游戏也没有错。
通过这个游戏与故事，开发者也想警告玩家，要爱护环境和珍惜环境，在这个世界上地球只有一个。（当然还要做好垃圾分类啦）
同时，游戏也鼓励大家面对困难的时候并不要失去斗志，克服困难，获得胜利。而且，对自己要充满信心，以及希望。不管人们遇到什么样的大问题，总有那么一群人默默的在我们背后付出，大至地震、海啸以及台风，灾难过后，国家都会派出相关人员来进行维护以及改善工作，恢复当地经济与环境，给居民带来希望。他们可不会因此放弃，反而我们并不怎么体谅他们，还诸多要求，甚至恶言以对，键盘攻击。
尽管这些大道理每个人都懂，但付诸行动还是相当困难的。
说了这么多，可能是我自己太过感性了吧，在大结局之后， 我也是默默的掉下了眼泪，意犹未尽。
非常感谢你们给我带来这个游戏和精彩的体验。

Deliver us the moon...

hmm, irgendwie schade zu diesem Fazit kommen zu müssen, immerhin habe ich seit der Ankündigung auf heißen Kohlen gesessen. Nun war es also soweit und ich konnte mit einem Kumpel zusammen das Spiel einmal komplett durchzocken. Wie an meiner Spielzeit zu erkennen, beträgt die Spielzeit für einen Erkunder wie mich, der eher länger für Spiele braucht als andere, lediglich 7 Stunden.

Positiv ist anzumerken, das ich keinerlei technische Probleme während des Durchlaufs hatte. Von Rucklern oder Slowdowns habe ich nichts mitbekommen, wie einige andere wohl. Gespielt wurde mit allem auf Anschlag in 4k, mehr geht also nicht bis der RTX Patch nachgereicht wurde.

Zum Spiel selbst habe ich leider ein eher nüchternes Fazit gezogen. Die Rätsel waren leider nur casual-Kost, die selbst Kinder ohne Probleme gelöst hätten, ohne größeres rumprobieren. In meinen Augen waren diese wohl nur nötig um die Spielzeit ein wenig zu strecken, immerhin sind die knapp 25€ im Shop hier nicht wirklich wenig für ein paar Stunden Ablenkung. Da dies aber natürlich nicht alles ist, das ein Spiel ausmacht, muss ich auch auf die Story ein bisschen eingehen...

Das ist für mich auch der eigentliche Knackpunkt, weshalb ich dem Game am Ende eher eine mäßige Empfehlung aussprechen muss. Wer, wie ich, eine Person ist die in ihrer Freizeit hauptsächlich Science Fiction konsumiert und auf die Stimmigkeit einer Geschichte viel Wert legt, ist hier leider nicht ideal bedient. Die Story hat für mich von Anfang an eine ganze Menge Lücken und Widersprüche, die mich etwa jede halbe Stunde sowas mit einem Kopfschütteln innehalten ließen. Ich habe während des spielens viel mit meinem Kumpel darüber geredet und wir waren uns einig, hier stimmt extrem vieles einfach nicht zusammen.

Sowas verdirbt mir meinen eigentlich guten, technischen Gesamteindruck und da ich eben von diesem eigentlichen Walkingsimulator (die ich gerne mag) auch in allen Spieltechnischen Aspekten eher enttäuscht wurde, gibt es lediglich eine Kaufempfehlung wenn der Preis bei 10-15€ oder darunter angelangt ist. Ein Zeitvertreib der in Ordnung ist aber es gibt durchaus bessere Games, wenn auch optisch vlt etwas weniger hübsch. Schade, das wäre deutlich besser gegangen mit etwas mehr Mühe beim Storytelling...

Знаете, я бы сейчас начал объяснять минусы, плюсы игры. В основном я так и делаю. Разбираю игру по полочкам, стоит ли она своих денег, замечаю только факты, без всяких соплей. Но знаете... Пожалуй в первый раз у такого разборчивого человека как я, случилась ситуация из известного мема "Нет слов, одни эмоции"

Very well designed exploration game with casual puzzles, where you have to save the earth by restoring a power beam on the moon, that suddenly stopped transmitting for an unknown reason. The closer you get in completing your objective, the more you learn about what went wrong on the moon.

The story telling is incredible and the level design is great for such a small team. There are also a few sections in space which are very exciting to play! The second half of the game seems a bit rushed when you need to climb several copy-pasted towers, but the great ending makes up for this. Very recommended!

Adamlarda biraz daha para olsa ''açık-ay'' oyunu yapacaklarmış ki azda olsa becermişler.

Artılar:
+ Müthiş bir atmosfer var oyunda.
+ Yalnızlık teması çok iyi işlenmiş kendimi resmen yalnız hissettim oyunda.
+ Grafikler efsane. Ay yüzeyinde dolaşırken orgazm oluyorsunuz.
+ Gerçekçi bilime yedirmeye çalışmışlar ve olmuş.
+ Oyundaki detaylar muazzam.
+ Sonunda içinde herhangi bir canlı öldürmediğimiz bir oyun...

Eksiler:
- Ana karakterin konuşmaması biraz can sıkıcı.
- Hikayesi aşırı kısa, müzikler eeeeh işte seviyesinde.
- Hareket şeması çok yapay.
- Ara sahneler hologramlardan oluşuyor ve böylesine muhteşem bir hikayenin içine ediyorlar.
- Oyunda RTX ve DLSS teknolojisi var diyorlar ama ben bir fark göremedim.
- Geliştiren ekibin maddi yetersizliği ve amatörlüğü oyunun her yerinde belli oluyor.

Sonuç: Kısa, keyifli, basit bir macera arıyorsanız indirimdeyken kaçırmayın.

先说点游戏之外的。。。。
深夜，睡不着觉的我，翻着游戏库找有什么有意思的游戏，然后被这个名字吸引了。我是一个非常热衷于科幻题材尤其是太空类的科幻游戏的人。对于月球，有着说不清道不明没有原因的浓烈兴趣。
看商店介绍的第一感觉——《月球》！没错，就是那部电影，一个人，一个机器人，一台月球车，也同样是为了能源。只不过电影中的地球没这游戏中那么惨。

接下来说说这个游戏。。。。
这是一个孤独的游戏，没有敌人，没有NPC，有的只是一个叫做ASE的球形机器人以及它所能投影出的一些全息影像。
整体的游戏体验还是非常流畅的，除了极少数情况有一瞬间的掉帧（应该是在加载）。虽然没有中文，但是不影响理解剧情，对话都很简单，相信都能看懂。（剧情越往后深入越有点 阴毛阴谋论的味道）
因为半夜玩，带着耳机，BGM和环境音效非常棒，氧气快要耗尽的倒计时声与越来越快的心跳声仿佛身临其境一般。气闸打开减压后的环境声音也是非常带感。
失重环境下的移动和低重力环境的移动包括载具移动手感都不错，可以很轻松的适应并且控制。
游戏有点解谜元素，但是非常简单，密码什么的都是可以在附近找到明文或者线索的（明文记录密码，安全隐患太大了）
主角在目前（Fortuna阶段）结束之前没有露过脸也没有说过话，直到看完了最后的一个全息影像，我才意识到原来主角就是5年前的 ROLF ……

接下来是一些关于该游戏的吐槽和不解，学识浅陋，还请各位指教
（2032年就能建成moonhub，这科技水平有点高啊，还能解决不了电力问题？
（为什么地球没电了就一定要被海洋和沙漠吞没呢？虽然人类的现代建筑和机器没电了，但是植物和动物不需要电力也可以成长啊。更何况，太阳能也可以啊，虽然转化率低，但是关键设施还是可以维持的吧。
（想知道全靠MPT项目供应整个地球的电量，那这微波强度得有多大？热效应不会把地球烤熟嘛？

期待Tombaugh DLC尽快更新，很想知道剧情接下来会怎么样啊。

Came for the RTX. Stayed for the story

Je tiens à tirer mon chapeau à l'équipe qui a créer ce chef d’œuvre, jeu magnifique graphiquement et le scénario tiens vraiment bien la route, on ne sait jamais ce qu'il peut se passé, tel un thriller. Le point d'orgue est bien évidemment l’expédition en véhicule sur la lune qui est génial, la surface lunaire est de toute beauté.
A essayer, je le conseille fortement ! Ce jeu mérite vraiment plus de lumière......

"불면증 치료제"


그래픽이 진짜 좋고 분위기 연출도 굉장히 잘해놨음 공상과학이나 우주 관련 요소를 좋아하는 사람들은 정말정말! 흥미롭고 재미있게 할 수 있는 게임!


근데 나는 이 게임을 하면서 총 5번을 끊어가면서 했음 진짜 잠이 존나 와서.. 하다가 끄고 잤거든..ㅎ

공상과학 우주배경 게임이라 그런지 너~무 잔잔해! 신경써서 해야될 컨트롤도 많지 않고 대부분의 스토리는 텍스트 or 오디오 파일로 풀고 있고

상호작용되는 오브젝트는 가까이 가서 포인터를 두는게 아니면 오브젝트 강조 표시도 안되서 놓치는 오브젝트도 많고

길찾기 또한 정확히 알려주는 경우가 많지 않아서 헤메기를 반복 할 수 있음

그리고 좁은 시야와 무중력으로 인한 바닥이란 개념이 없어진게 시너지를 일으켜 화면이 돌아가다보니 굉장한 멀미를 유발 할 수 있으므로 3D멀미가 있는 분들은 조심해야됨


공상과학 우주배경 게임을 좋아하는 사람 혹은 글카를 새로 샀고 RTX 키고 그래픽 뽕좀 느끼고 싶은 사람들한테 추천! 그 외는.. 글쎄? 굳이?

I really enjoyed this. A linear exploration type game with some pretty simple problem solving. You uncover the story of what happened whilst trying to restore transmissions and power to Earth. Great theme considering the current world climate. Visually stunning & great OST. It's not super long so I'd suggest to wait for a sale.

I just got the Deliver Us The Moon and Deliver Us Mars bundle on Steam Spring Sale. I played Deliver Us The Moon and...I'm speechless.

To clear things up, I didn't have any expectations. I saw the trailer and some gameplay footage and I said to myself that it looks nice, I should try it. Wow, what an experience it was. I did not see it coming.

The gameplay is very simple, you can walk, jump and interact with different things and devices but it will stick with you. I know, it sounds very simple but trust me, you will like it.

The story gets to you from the beginning, it is very interesting and it develops and it gets better and better as you play through the game and after finishing it, I was left without words. I still have goosebumps as I am writing the review. Congrats to the writers !

The soundtrack is simply AMAZING. The music made the experience more immersive and contributed to the emotions the game made me feel.

The graphics are stunning.

Deliver Us The Moon is one of the most beautiful games I have ever played. The experience was incredible. I recommend this game from the bottom of my heart. It will stick to you for a long time. It will stick with me forever I'd say.

这是一个纯主观的不推荐：是我期待太高了。
我是一名TPRG GM，正在带一个相似的末世月球背景的团，而且刚玩过《星际拓荒》……我发现这游戏的第一眼就买下了。

首先，这游戏的美工、声音制作和背景故事都很棒，衬托出了一个孤寂而肩负责任的太空氛围。解谜部分不甚出彩但也不至于让人卡关。点火程序、气闸门、每个地点场景扇区的细致设计，对话中令人会心一笑的“黯淡蓝点”和“瓶装闪电”，还有随处摆放的科幻小说、杂志，无不透露出制作组的考究和情怀。

正因如此，廉价的剧情把一切都毁了。反派的动机自私得可笑，主角是个走哪塌哪的超人，被父亲伤透了心都没有一丝情感演出——这样的个人英雄主义叙事，放在《地平线零点黎明》那样以动作为卖点的游戏尚可忍受，放在一个注重氛围的剧情向游戏，作为核心故事，是我难以接受的。

说到底也只有六个小时，六个关卡，一个小品体量。或许我抱怨太多了。对了，汉化很拙劣。

另外，我使用DualShock 4手柄游玩，全程没有震动，感觉很可惜。以震动反馈取代音效，能更好地衬托出真空环境，不是吗？

Je fais partie des premiers backers à avoir cru à Deliver Us The Moon.

A vrai dire, ça a même été ma première et dernière fois sur Kickstarter, mais bons, ce n'est qu'un détail ici.

Pour être tout à fait honnête, j'avais été vraiment convaincu par la première démo qu'avaient eu la gentillesse de m'envoyer les développeurs. Elle était très courte mais mettait en scène la séquence de démarrage de la fusée.

Puis, les mois ont passé et une seconde démo, publique celle-là, a été donnée à l'ensemble des backers. Cette seconde démo m'a fait très peur honnêtement. La prise en charge des pads était bancale et le système de jeu m'avait paru très limité.

Le jeu est ensuite tomblé dans l'oubli, si bien que je pensais qu'il allait être annulé.

Puis, un beau jour, je reçois la clé tant attendue.

Sans plus aucune attente particulière, j'ai téléchargé le jeu que j'avais payé à l'époque et je me suis relancé dans une aventure commencée finalement il y a longtemps.

Que dire à propos du jeu? Et bien c'est ce qu'on appelle une bonne surprise. C'est l'avantage de jouer à quelque chose sans hype particulière.

Il y a eu un sérieux bond en avant graphiquement parlant. Tout tourne en épique sur mon matériel somme tout "modeste (GTX 1070, 16Go de RAM) et le jeu est très bien optimisé: aucun ralentissement, cash, bug, ça tourne à 120fps easy.

Bon, ça, c'est pour la partie technique, mais il fallait le dire tant les premières démos étaient gourmandes.

Le jeu n'est pas très long, sauf quand on est mauvais comme moi. J'ai lu que certaines personnes avaient fini le jeu en deux heures. Respect car j'en ai mis une dizaine. Bon en même temps je suis mauvais, ou pas patient dirons-nous.

Car oui, il y a une mécanique qui a failli m'abattre: la gestion de l'oxygene. Ca a l'air bête comme ça, mais ça ajoute une grosse dose de stress. J'ai dû m'y reprendre à plusieurs fois avant de comprendre certaines actions à faire, certains chemins à parcourir. Parce l'oxygène, il ne déconne pas et s'épuise très vite malgré quelques réserves savamment disséminées un peu partout.

Sur le déroulement de l'aventure en lui-même, je dirais que Deliver Us The Moon est un walking simulator. Je ne sais pas si ça va énerver les développeurs, mais dans ma bouche c'est un compliment tant j'adore ce style.

En gros, il n'y aura pas l'ombre d'un combat et vous en apprendrez plus sur les événements via les éléments glanés dans l'environnement (audiologs, notes, etc...). Alors, ce n'est pas la définition du walking simulator ça?

Et bien autant le dire simplement: j'ai adoré du début à la fin!

Il faut dire que les jeux de ce style sont rares (le dernier qui me vient en tête est The Station).

Mais ce n'est pas tout. Les mécaniques de jeu se renouvellent sufisamment pour relancer sans cesse l'intérêt et l'envie de parcourir la lune et les stations spatiales qui y sont reliées. On débloquera rapidement le laser cutter (non, pas celui de Dead Space) et un petit compagnon qui se faufilera utilement partout. Des véhicules sont également de la partie pour nous aider à progresser sur la surface de la lune quand ce ne sont pas des bras mécaniques qui nous permettront de rétablir des sigaux.

Au final, je n'ai pas vu le temps passer alors que mon compteur Steam m'affiche une douzaine d'heures de jeu (pour 10 effectives je pense).

Il faut dire que ce qui fait la force numéro 1 du jeu, c'est son ambiance absolument incroyable. Tout est cohérent et certaines vues sont vertigineuses (quand on passe à côté de sas ou de baies vitrées faisant apparaître l'immensité spatiale).

Le travail sur la bande son est également excellent!! On sent les sons étouffés lorsqu'on foule la lune, on se sent asphyxiés à de nombreux moments. Et les deux musiques chantées (une vers la fin du jeu et l'autre lors du générique final) font mouche et collent parfaitement à l'univers mélancolique mis en place.

Au final, Deliver us the Moon est un jeu qui n'a pas la prétention d'aller jouer dans la cour des AAA, rappellons qu'il s'agit d'un jeu indé qui a accouché dans la douleur. Mais tout ce qu'il fait, il le fait bien, voire même très bien.

Le gameplay est suffisamment varié pour étonner agréablement tous les fans de walking simulator (en effet, quelques puzzles sont également de la partie).

Si vous êtes un tant soit peu sensible au trip "seul dans l'espace" et que vous êtes prêts à vous laisser entraîner dans une aventure originale et finalement rarement vue dans un jeu vidéo, alors Deliver us the moon vaut clairement le coup d'oeil.

Dernière précision, qui n'aura sans doute que très peu de poids dans votre décision finale, mais que je trouve importante vu ce qu'une certaine partie de l'industrie est en train de devenir: Keoken Interactive fait partie de ces développeurs qui font du jeu vidéo par passion, qui ont vraiment à coeur de prendre en compte les retours des joueurs, et ceci à tous les stades de l'aventure. J'ai beau chercher, cela devient de plus en plus rare.

Wow!

This game was amazing and an absolute joy to play-through! An incredibly immersive linear sci-fi experience from start to finish. One hell of a captivating story leaving me hooked until the very end...

Isaac you're one slimy snake. Why?
*shakes head*

Have you ever wondered to yourself how it might feel to save the world?

Deliver Us The Moon will deliver you that experience. From blasting off in your space ship at the beginning, moon-walking on the moons surface, cruising around in a Land Rover and taking a suspenseful monorail ride. Deliver Us the Moon provides an atmosphere like no other. During this adventure, your only companion is a small robot named ASE. Together you will traverse the moon, explore abandoned facilities, gather clues and ultimately uncover the secrets and hidden agendas of those long gone!

Deliver Us The Moon captures the atmosphere of space perfectly. You get a sense of how lonely space can truly be with its exceptional audio and atmospheric soundtrack. Graphically and visually it's a stunning game especially with RTX applied. It develops a beautiful world to explore while remaining accessible. A phenomenal soundtrack to match the tense, eerie and suspenseful moments. A hidden gem of 2019 and criminally underrated in my opinion.

A thoroughly enjoyable experience with the game staying consistently above 150 FPS, no bugs or optimisation issues experienced during my time of playing. I can't fault the game in anyway. If you like space or you're a fan of anything sci-fi, Deliver Us The Moon is worth every penny.

The developers should be really proud, it's an absolute masterpiece!

The game is short (as the tags also state), but it is better to have a short, polished working game rather then a broken long game. I bought this on -10% discount, but the amount of interactivity, content and everything done&added in the game, I think justifies the price entirely. Making games isn't cheap, support good devs :).

Why I recommend this game: I fully recommend this title because the story is fun, catching and intriguing. The game constantly gives you more and more challenges. The main parts of the game, as you can already see from the beginning of the game, is putting you through puzzles, but also giving you action and exciting moments as you progress (I did feel like I was travelling through a horror game at several points in the game, adding to the spice of its excitement without ruining the genre itself). The game also challenges you with certain areas where your succession is based on doing something before a certain time runs out. Reading props and objects around the areas was also an interesting thing.

♥♥♥♥ about this game:
There was some areas where I felt pressured to do something because of the timer and the fact of running out of oxygen. However I always got to read and check everything I wanted before the game went into such state. The game could also have had a bit more variety, because you would do something in the game, and then meet something similar/equal later on, where you have to do the exact same things, just in a different way to achieve it.

Overall I thought it was a great title, and having a partner in games like these is a massive + for me. In future titles if they are made, I hope the game will have people you will interact with to accomplish A or B, where you can see them and interact with them. I enjoy travelling togheter with a companion way more then I enjoy travelling empty spaces alone. If you like spending your afternoon with a game you are able to finish the same day, go for it :-).

深度航空体验，就是有些解密很无聊，难度比较低总感觉浪费时间，如果是整个游戏没有这些无聊的解密，都是做成飞往月球时那种拟真操作就好了，但是瑕不掩瑜，这个游戏我太爱了

I just finished this up and have a couple of things I want to note. I don't agree with what you have provided as the ending to this story. Saying that you will provide a free DLC is bull. You should have marked this as episodic or something of that nature, because then if you never finish the rest of the story (this has been known to happen in the games industry) then people will have known what they were getting into. To call it a game would be to say that there is an ending to the story, which at present there is not.

I will say that because I played Adr1ft first (highly recommended complete game) I was pretty familiar with the controls already. Using CTRL and SPACE as up and down in zero gravity was kind of was kind of wonky, I should have remaped those to Z and C or something.

Lastly, this needs some optimization or something. Most of the game was incredibly bogged down on my GTX 1050 on low graphics settings at 1080p. This is the first game I've experienced this issue on with this machine.

My recommendation comes with the caveat that someone who reads this (or the many others) will realize this is not a complete game, and hopefully get it on sale.

I just finished Deliver Us to the Moon, I stayed up late when I really shouldn't have, it's 2:20am right now and I've got a lot to do tomorrow. But I just couldn't go until I'd finished it. As the credits roll on my other monitor I write this review to highly recommend this game. It's a touching, emotional tale that I will be thinking about for some time.

I can't talk much about the story, because the game is about finding out about what's going on through the props and audio files you find throughout the world. Suffice to say, the story is great, and our hero is, for a faceless man, right up there in my opinion. Game play wise, there's a range of puzzles from simple to clever, and some edge of your seat moments where your eyes are wide and your finger just can't hold down that button hard enough!

Ultimately, I encourage you to buy it, not only because we need developers to go out of their way to develop stories like this, but I have a feeling that you will love it as much as I did.

There is nothing to say. It is an amazing story game. Loved every minute and look forward to the sequel. I refuse to say anything about the game. It is one of those games you have to play to feel it and be there in it. Don't watch or look it up it will ruin the experience. With these types of games you just have to play.

Deliver Us The Moon, a product of Kickstarter, is probably the most epitomic example of game environmental storytelling I've ever seen. Good and bad.

It's a bonanza - we have 'why were you recording?' audiotapes, dramatic hologram depictions of key events (these are contextualised, though), 'press a button to have technology explained to you' exhibits, log entries that detail story beyond what you see, door codes and massive, line-ignoring A4 comments scrawled everywhere. None are bad per se, except perhaps for my pet hate device - the comment on the back of a drawn likeness of a character, asking ' visionary or dictator?'

By which I mean to say, the storytelling commits my cardinal sin of breaching any effort at being verisimilitudinous by constantly taking the not-too-subtle route. Instead of leaving you to work out anything of its world through the environment, it's very keen to explain every nook and cranny with its log book, audio diaries and notes to sometimes absurd degrees.

So it's not Gone Home in my book, but though the environmental storytelling can be grating in that respect, it is consistently of high quality. As I proceeded, particularly on the moon, my initial misgivings became less and less significant due to its overwhelming atmosphere and good pace.

Everything is on point here. It's superbly well acted and you care about the various personal stories it tells. The presentation can be nothing short of amazing. The realisation of the space elevator to the moon is incredible and the various sights and sounds inside the stations made it a very compelling alternative to your 'more fi than sci' spaces in your Dead Spaces, Preys and Bioshocks. The music spectacularly captures the grandeur of space and the lunar surface. I particularly love the credit tracks. Aside from the gorgeous vistas, a lot of detail is given to the animations and cutscenes. What I was initially worried would be a more budget effort felt anything but. There is evidently a lot of expertise and love poured into the game.

One thing that contributed to the budget suspicion initially was its use of third-person. It's something I eventually warmed to when it was reintroduced later on, but I must say that I always found first-person so much more effective. Third-person can expose a clunkiness in animation and movement you'd otherwise not be exposed to and can deprive you of immersion at key points. The game switches for you semi-arbitrarily, but admittedly with a purpose you can more or less reason out throughout. First-person particularly enhances zero gravity and certain other setpieces, and I'd argue could have done so with other sections too. Seeing the idle animations on the moon surface almost makes third-person worth it. Perspective switching is certainly a unique trick the game pulls.

Leaning so heavily on linear exploration, you can imagine it's an experience more on the quiet side, but it has more than its fair share of setpieces that excite. They usually rely a bit too heavily on conveniently resupplying a few-seconds-from-death oxygen meter for dramatic purposes, but they're fittingly tense. There's a QTE section that really has no place here, but thankfully it's a single usage deal. I assume, like a lot of things with the game, that it was especially done to reflect a time-sensitive situation, but I wish they'd tried to achieve the effect another way. The game does love to try its hand at everything!

In terms of its mechanical hand, it's always moving. It has very light puzzle elements, but they're fairly logical and frictionless with little intention of impeding progress for long. I loved using the power tool laser, the Portal-like companion sphere and the moon explorer. None of it feels contrived. They feel like natural tools to have at your disposal and are all massively fun to use. It really helps break up the otherwise predominant object-hunting and reading of the exploration.

It's worth mentioning that I had some technical issues in the form of frame drops at particular points - namely, the lunar surface and various third-person sections. I was worried it might be a persistent problem, but it didn't dominate my experience. Perhaps if I'd shifted various settings down from max I wouldn't have encountered issues at all. I'm too stubborn.

I thought the length very reasonable with a suitable twist to bring some finality to proceedings, but it comes to no surprise to me that some think it stops just as it's getting started. It all makes more sense if you visit the original Kickstarter page and see that it was initially going to be episodic. Free DLC that concludes the story is apparently well into development, so you needn't be as worried about reports of its short length or premature ending as you might be. A big question of how long the expansion will be hangs over this, of course, but I can only report currently how much I like its initial offering. As high quality and of reasonable length as it already stands, anything more is simply a bonus!

Overall, it's a game that perhaps relies too heavily on environmental storytelling tropes, but succeeds in excelling in almost every other department. I'm already eagerly awaiting the DLC conclusion to the story here. If it's significant in its length and comparable in quality, we could be looking at a substantial package that goes way beyond the great experience Deliver Us The Moon already offers. As it stands, it's an expectation-destroying title that expertly executes linear exploration and its depiction of a near future. It really surprised me.

More reviews on our Curator Page

"Deliver Us The Moon" is a pure sci-fi (no fantasy or horror elements) 3D adventure game with a relatively sad but touching story, simple puzzles, and okay-ish graphics and sound.

The actively playable story is barely existent: You are a lonesome astronaut who explores abandoned installations on and above the moon, and you keep fixing broken systems. There is, however, a more engaging story about the fate of the moon colony, which is told through notes and recordings that you can find. That story is interesting, dramatic, touching, and features well-developed characters with believable motivations.

The pacing is very slow, partly due to the slow movement of your character (even your running speed is slower than the walking speed in many other games), and partly because there isn't much content to the story, so it's stretched thin across the duration of a playthrough. It is also completely linear, you cannot make any decisions. While I'm a huge sci-fi fan and usually like any game that gives me an "astronaut" experience, I have to say that I was pretty bored at times.

You'll get a robotic companion after a while, and it feels like the writer wanted to give it some personality and make it memorable, but it only shows that personality in 3-4 cutscenes, so this is mostly a wasted opportunity.

The game does some interesting environmental storytelling with uniquely designed rooms that feel lived-in, but there wasn't enough detail to make exploration feel rewarding to me.

Gameplay consists mostly of slowly walking around, solving very easy puzzles, and finding a few collectibles on the way. There is some variation to the puzzles, but I did not find them particularly engaging. Usually the solution was obvious and it just took way too long to carry items around and actually implement it. Lots of puzzles are repetitions of the same task, such as "find a battery to put in the power socket", "steer your robot through a vent to get to an otherwise inaccessible room" or "use your cutter on metal fastenings so that you can remove a panel", and this grows a bit old after a while.

The developers tried to liven things up with various "challenges" like a stealth section, or areas with hazards that activate at regular intervals. I found those more annoying than engaging due to the character's slow movement and very noticeable inertia - fast, precise movements were pretty much impossible. That said, those tasks were easy enough to manage despite the clunky-feeling controls (which do add to a feeling of realism, you're in a low-gravity environment after all).

You can occasionally find collectibles, but there are too few of them and the environments are too small and linear to make hunting for them an engaging experience.

The graphics are decently crisp and detailed for an indie game, but visually not very interesting due to the focus on depicting a realistic space station/colony setting where the main concern is functionality, not beauty. Grey and white are the dominant "colors" for most of the game. Unfortunately, the game regularly insists on blurring the screen or applying distortion and/or grain filters in certain situations.

The game offers raytraced shadows and reflections, but I think it actually looks better without those. The reflections are unrealistically prominent (perhaps to draw the player's attention to this new feature) and generally make the environment less clear to parse. I repeatedly thought that there was something behind a transparent surface, which turned out to be just a reflection. The lighting and shadows introduced further blurriness into the visuals and the graphics ultimately looked fairly messy.

Sound effects are sparse (which fits the setting), but fit the respective events, and they are technically well-done. The music is mostly slow and atmospheric and adds to the feelings of loneliness and sadness.

Audio logs and occasional messages from ground control are competently voice-acted. Some conversations feel like the lines were recorded separately, without the actors actually being in a conversation, and a better voice direction could have prevented that, but it's not too annoying.

The game offers 4-step quality settings for textures, shadows, post-processing, and raytracing. Anti-aliasing (FXAA and TAA), DLSS, resolution scaling, and a Vsync toggle are also provided. 3 separate audio filters are available, the language can be set separately for text and audio, and subtitles can be toggled on or off. Generally, the settings are not very detailed, but the basics are there.

Unfortunately the keyboard controls are fixed to WASD plus a few other keys. Arrow keys work as an alternative for movement, but then the keys for all other actions are out of reach. Players complained about the lack of rebindable keys immediately after the game's first release in 2018, to which the devs said that they are listening to players and would look into it, but cannot "prioritize" keybindings while working on the free DLC. Then the free DLC came out, time went by, and there were still no keybindings. The developers then repeated that they are listening to players, but said they couldn't prioritize keybindings while working on the raytracing update. The raytracing update came out, time went by, and there were still no keybindings. Then communications ceased. It's 2023 now, and the game not only still has no rebindable keys - the devs actually released the sequel 2 months ago, which _also_ does not support key rebinding for movement keys. At this point, it's becoming very difficult to offer the developers (KeokeN) any more goodwill.

The game autosaves in reasonable intervals, but there is only one save state and you cannot save manually. After completing the game, you have the option to replay any chapter to hunt down missed collectibles or achievements.

This game hovers right on the edge between "thumbs up" and "thumbs down". On one hand, it includes a well-told, complete sci-fi story that mixes decently well-researched scientific concepts (and some fairly implausible ones) with believable human feelings and motivations. On the other hand, it's often just plain boring, and the puzzles aren't particularly engaging either.

What ultimately tipped the verdict into the negative, was the developers' handling of reasonable, frequent player requests such as keybindings. Stringing your players along for years with various excuses as to why you didn't have time to implement them yet, but ultimately never providing them, and then even releasing a completely new game that also doesn't offer that functionality, is truly terrible behavior. While I usually would not make a review depend on a single aspect of a game, this can tip the scales if a game's positive and negative aspects are otherwise in balance.

Довольно интересная головоломка для тех, кто любит побродить по космическим базам в условиях гравитации и поразгадывать несложные задачки. Игра медитативная, можно не спешить с прохождением, хотя есть события на скорость. На прохождение вам потребуется примерно 4 часа.
В целом рекомендую игру как инди-головоломку с небольшим сюжетом.

Прекрасная игра про печальную неизбежность и самоотверженность. Жаль, что я так долго раздумывал покупать ее или нет (2 года).
По сути - это симулятор ходьбы в основном от 3-го лица но иногда и от 1-го. Очень иммерсивный геймплей, который с головой погружает в происходящее на экране (что я очень люблю). Красивая графика, пейзажи Луны завораживают вместе с пониженной гравитацией и отсутствием H2O, конечно. Загадки тоже есть и вполне логичные.
Большое спасибо KeokeN Interactive за отличную игру.

“而我们总会在月亮上见面的，就是小兔子肚子那里”
现在，我在月球等你

太空人我当上了 可是爷爷奶奶还没给我买喜之郎果冻...........

虽然游戏简介中提到了“惊悚”，但是整个过程中基本不含惊悚要素，请放心游玩。
十分优秀的剧情，令人回味深思。
美中不足是部分机翻实在有些出戏，但是瑕不掩瑜。

如果让我打分的话，9/10，

Not bad for $14. Super short but worth what i got it for. definitely not worth the $25 asking price especially for an unfinished story for which you have to wait for DLC to wrap things up. Pretty weird move on there part but loved the game. I would Wait for bigger sale than just $2 off.

¿Has oído alguna vez el dicho: “No es tanto lo que hagas sino cuándo lo hagas”? Se aplica realmente a todo, ya sean etapas de la vida, ver películas, leer determinados libros y, obviamente, jugar determinados videojuegos. Por ejemplo, no es lo mismo jugar Inside ♥♥♥ 15 años que jugarlo ♥♥♥ 30, ya que mientras más maduro se sea y más experiencia en la vida se tenga, más y mejor vas a comprender lo que quería decir Arnt Jensen en esa gran obra.

♥♥♥ Deliver Us The Moon me ha pasado algo similar, pero a la inversa. No es un mal juego, pero creo que el problema principal que tuve ♥♥♥ él fue que acababa de terminar A Space for the Unbound y Detention justo la semana anterior. Si ya has jugado a esos juegos, sabrás que sus argumentos son realmente profundos y muy trabajados, todo lo contrario que Deliver Us The Moon, lamentablemente.

La experiencia a nivel narrativo, y es una aventura narrativa, fue bastante decepcionante por lo simple de su premisa y lo plano de su desarrollo. Aun así, hay determinadas cosas en este juego que están bastante bien y hacen que merezca la pena recomendarlo.

Una de las primeras cosas que me empezó a rechinar nada más comenzar el juego fue su planteamiento argumentativo y, más concretamente, el espacio de tiempo donde se ubicaba. Hay que recordar que es una aventura narrativa, por lo que la narrativa lo sostiene absolutamente todo, por lo que si esto empieza a fallar, la experiencia global también lo hará.

Como los desarrolladores comentan en la página de la tienda, el juego basa su argumento en la desolación de la Tierra por el cambio climático, donde el planeta se convierte en un desierto y los océanos desaparecen en… ¿2030? Que lo sepas, solo te quedan 7 años para disfrutar de las playas de Bolonia, La Concha, Ses Illetes, Valdevaqueros o Matalascañas, así que aprovecha.

Sin embargo, se abre un centro, recalco: uno solo, para salvar el planeta ♥♥♥ base en la Luna y mediante la extracción de Helio-3 poder enviar a la Tierra el compuesto procesado mediante ondas a través de antenas parabólicas gigantes y así poder ofrecer energía al planeta durante 15 años, pero después el envío cesa (claro, haber construido más). Y así llegamos al año 2050, donde nos ponemos en marcha para ir a la Luna en un desesperado intento por saber qué sucedió allá arriba mientras la Tierra agoniza porque claro, el resto de la humanidad es retrasada mental y todas las naciones dejaron que cuatro pelagatos decidieran el destino de la Tierra sin intentar nada. Superlógico. Vale, lo voy a decir: el argumento base es una memez y política, social y científicamente hablando no hay por dónde cogerlo. Pero bueno, dejemos esto a un lado y supongamos que es el 2130 o algo parecido, o simplemente pasemos del tema y juguemos.

Al empezar a jugar, vemos que el juego nos va contando la historia a través de notas escritas o de audio y vídeo-hologramas. En el juego jamás te encontrarás ♥♥♥ nadie, y aunque esto tiene un punto muy positivo a la hora de recrear una atmósfera opresiva que está muy bien conseguida, se vuelve tremendamente tedioso porque basa su jugabilidad en ir recogiendo notas cada dos por tres, leyendo los pensamientos de uno, las peleas entre varios, escuchando conversaciones o viendo vídeos holográficos rememorando momentos del pasado.

En teoría esto puede ser bastante interesante, y bien hecho más aún, ya que se va desgranando la historia poco a poco, ♥♥♥ lo cual es más emocionante. El problema es que mientras más avanzamos por el juego, las notas se vuelven tremendamente aburridas e insustanciales, hasta que llega un momento en el que te da exactamente igual de todo porque ya estás aburrido de ir leyendo notas que no aportan nada (incluso documentos de admisión y registros médicos que no tienen nada que ver ♥♥♥ la historia), y presenciar discusiones que dices para tus adentros: “Me importa una higa”. Entonces, es cuando te das cuenta de que quieres acabar ya el juego y a otra cosa.

Aparte de buscar notas también hay algunos pequeños puzles y ciertas zonas de plataformeo, pero básicamente su jugabilidad se basa en ir andando explorando el entorno e ir recogiendo notas, la mayoría de ellas insustanciales o poco interesantes, todo el tiempo.

Aunque bueno, todo esto dependerá también de a lo que esté acostumbrado a jugar cada uno. Si sueles jugar juegos ♥♥♥ una narrativa profunda, Deliver Us The Moon te parece muy predecible y más simple que un chupete. Si no es el caso, pues igual hasta te sorprende y maravilla su argumento. Depende de la experiencia previa de cada uno realmente.

Si ya has jugado a otras aventuras narrativas como The Red Strings Club, Heavy Rain, To the Moon, Life is Strange, What Remains of Edith Finch, Impostor Factory, Brothers: A Tale of Two Sons, State of Mind o Detroit: Become Human, por nombrar algunas, pues muy probablemente encuentres muy pobre lo que ofrece Deliver Us The Moon a nivel narrativo. Si no es el caso, pues puede que encuentres su argumento interesante y profundo. Quién sabe.

De todos modos, todos los juegos antes mencionados carecen de algo que Deliver Us The Moon recrea a la perfección: el espacio, y realmente ese es el motivo para recomendarlo.

Deliver Us The Moon tiene una recreación y una atmósfera realmente sublime. Casi toda la aventura se desarrolla en la Luna, y cuando sales fuera a dar paseos es realmente una experiencia muy sorprendente. En este aspecto el juego sí cumple sobradamente al ofrecer algo que no muchos juegos han mostrado tan acertadamente.

Esa sensación de estar en gravedad cero, ese sentimiento de soledad ante la inmensidad del espacio, esas montañas lunares bañadas por los rayos del sol… Es simplemente magnífico. Es toda una experiencia, sin duda. Más aún si puedes disfrutarlo ♥♥♥ el RTX activado.

En definitiva, Deliver Us The Moon logra recrear una atmósfera espacial y de soledad de manera realmente magnífica. Sin embargo, su jugabilidad y su argumento no destacan en nada, rayando en más de una ocasión lo aburrido y lo absurdo respectivamente. Es memorable su parte espacial, pero la argumentativa y jugable es francamente olvidable por su simpleza.

Wow, just WOW. This is my first review of a game on Steam. I really enjoyed playing and discovering the story. Not sure I have ever played a game where it really left me holding my breath. The scenes on the moon and in space are spectacular. I found myself just looking around at times to see the view. For those that complain about length of story, don't believe, the length is perfect. This game is a joy and fun to play through.

Кому-то игра - скучная, неоднозначная, средненькая и т.п. Мне - отличная во всех смыслах.
В атмосферу погружает до мозга костей.
Что ни локация - земные пески, космическая станция, лунная поверхность, открытый космос и т.д. - иллюзия полного присутствия. Везде своё, очень подходящее моменту, ненавязчивое звуковое/музыкальное сопровождение.
Отличная русская локализация.
Сухой отзыв какой-то вышел... А ведь хотелось написать эмоционально про щемящее чувство одиночества среди звёзд, про ставшее жизненно необходимым присутствие рядом милого бессловесного робота-помощника-друга, про шикарный финал, после которого выдохнула - не испортили, вышло просто здорово, правильно - ни убавить, ни прибавить. До слёз здорово.
Хорошая игра вышла. Очень.

I've always enjoyed single player story experiences like this one. I came across the game while browsing through steam and after a bit of research I thought I'd give it a go. Firstly pros and ♥♥♥♥:

Pros:
+ The game and the enviroments are beautifully crafted. It actually feels and looks like the moon.
+ Interesting and moving story (more on that later)
+ Maintains a solid 60fps (except when new areas load in)
+ The physics in the game are amazing, the movement systems in different environments feel realistic

♥♥♥♥:
- Abrupt end to the story
- The price is a little too high for 3 hours worth of gameplay
- Repeative mundane tasks to progress through areas

About 3 hours into the game, it abruptly ends cutting the story off in the middle. While there is a free DLC coming that will hopefully flesh out the rest of the story, it was quite annoying to suddenly get an interesting plot twist and then it suddenly presents a credits screen.

Overall, I'd recommend this game if you have some spare cash lying about. I wouldn't go out of your way to pony up the asking price in the games current state.

Edit: Added a few more pros.

The game does a great job bowing at it´s literary masters. You get vibes from Stephenson, Robinson and Reynolds and this is a great thing. The game is beautiful and has heart. A feat that not many games today are able to claim.

However, they should´ve made more clear that this is only a small part of the game that is to be released in episodes. While you get the extra content for free when it´s done, I think this is wrong marketing. Funnily, the playthrough took me 2.6 hours, which goes over the 2 hour limit for refunds.

For 19,99, you can get a cheap bottle of whiskey, an Ian M Banks book and not feel scammed.

The game is pretty good. Some of the puzzles can be challenging, but not impossible. Might require a second play through for all achievements.

Over all, a pretty fun way to pass the time on a rainy Sunday afternoon.

3 heures pour 20 €. Certes. Mais 3 heures d'experiences plus que sympathiques : fusée, espace, lune, tout y est et les experiences que l'on désire sont bien présentes. Je ne peux pas spoiler, mais si vous aimez le narratif, vous serez sans doute conquis par les quelques moments d'action de ce jeu au premier épisode définitivement intéressant.

Alors il y a quelques gros soucis de rythme, de répétition mais aussi de gameplay : des QTE un peu lourds, des allers-retours, des énigmes pas très intelligentes. Pas grave, on en prend plein les yeux et les oreilles !

Maintenant, il va falloir gérer les prochains épisodes et ça va être très dur. Parce que présentement, on a tout fait, tout vu, quoi de neuf à proposer ? Nous verrons bien !

Весьма смазанные впечатления от игры, в ней мне всё показалось на середнячок - геймплей, сюжет, графика, атмосфера, окружение, музыка, головоломки. Я любитель космической тематики и жанра "бродилок" и, казалось бы, игра прям для меня. Но, к сожалению, после себя она не оставила никаких впечатлений и эмоций. Прошёл и забыл.
К слову про RTX - оно тут работает довольно криво (местами отражения и лучи света неправильные и находятся не там, где надо), да и картинку лучше особо не делает. Лучше играть без него, как по мне.
Жаль нельзя оставить нейтральный отзыв, поэтому будет положительный, все-таки какого-то негатива игра не вызвала.

A fantastic game that doesn't overstay its welcome and leaves you wanting more. Deliver Us The Moon does a fantastic job of mashing together creative platforming, challenging puzzles, desperate survival, thrilling adventure, and mystery all into one neat package. The isolation of space paired with the aforementioned mechanics will have you clawing for answers and resolutions.

Beautiful scenery, fantastic animation, and story that will have you hooked. I would definitely recommend buying this game. Full price is only $25 that's less than half a normal purchase. If you can get it on sale go for it. 9/10 will recommend to all my friends.

Well constructed story. Nice graphics. The puzzles are reasonably easy to solve. Only 7-8 hours of gameplay total, but not a bad way to spend those hours.

不要温和地走进那良夜，
老年应当在日暮时燃烧咆哮；
怒斥，怒斥光明的消逝。

Although a little short (took me about 5 hours), a very good game. Very atmospheric, great story and gameplay. Graphics are good. Really enjoyed it.

Overall a fairly good game. The game has a good message, some basic puzzle solving, etc. I liked the setting.

Criticisms:
Lack of rebindable keys is a bit of a sin, considering not everyone uses the same key bindings, has an american keyboard, or even has all of their fingers.

The controls at the end of the game suck hardcore, and breaks one of the biggest rules about game-making: don't take control away from the player. It's frustrating, but can be completed after a few attempts.

This game came with the RTX 2080ti I just bought, so I figured I'd give it a whirl to see what RTX can do. I found the visuals of this game stunning, and the slow purposeful puzzle solving punctuated with a few "oh ♥♥♥♥" moments made for an enjoyable gaming experience. I can certainly say the game is worth playing.

That being said, my only major gripes with this game are 1. The difficulty level leaves something to be desired. I feel like there was room for more challenging puzzles. 2. I finished this game in two sittings, and it left me wanting more. Could have been longer or left an end open for a sequel. 3. The ending. Not spoiling anything but... Seriously?! Maybe I'm just weird, but putting in all that work for an ending like that was kinda disappointing.

♥♥♥♥ aside, I can safely say that I enjoyed this game overall, and definitely recommend picking it up for anyone who likes sci-fi and futuristic scenarios.

И это вторая игра на космическую тематику, которую я хотел бы вам порекомендовать.
Если вам нравится визуализировать человечество в виде воздушного змея, держащегося за тонкую нить жизни во время сильно шторма - игра вам понравится. Здесь она отчасти перекликается с Лунами безумия (Moons of madness).
Тяжело представить бесконечность. Максимум, на что я способен, это измерять бесконечность в пределах своей жизни. Бесконечность - это все отведенные мне дни и больше. Бесконечность и расстояния между нами, измеряемая не мерами длины, но мерой времени.
Для меня космос всегда был синонимом одиночества.

A very refreshing experience. The visuals are beautiful, and the way exposition is delivered to progress the story works.
The movement mechanics may feel a bit wonky, but hey. The game is set on the moon.

Veramente bello.
Anche se non parla italiano, invio un grazie agli sviluppatori per aver tradotto persino i tanti cartelli in-game oltre ai consueti sottotitoli.
Consigliatissimo.

剧情不错，沉浸感较强，解谜难度不高，喜欢这款游戏的话也可以尝试一下observation

屡次卡进bug里，计时关卡的时候我只能眼睁睁地看着倒计时结束，而目标就在我眼前
第一次是在安装6个电池的时候，我被卡在了两排墙体之间
第二次是在快倒塌的电塔上，马上就要到达座椅旁

หากคุณกำลังมองหาเกมที่จะสามารถมอบความรู้สึกของภาพยนตร์แนวอวกาศที่เน้นระทึกๆหน่อย (อารมณ์ Interstella + Gravity) ผมแนะนำเกมนี้มากๆเลยครับ

โดยเนื้อหาในเกมนี้เราจะได้รับบทเป็นผู้กอบกู้โลกโดยการไปยังดวงจันทร์เพื่อเปิดเครื่องจ่ายพลังงานมายังโลกที่กำลังทรุดโทรมจากปัญหาโลกร้อน...

จากภาพรวมแล้วด้วยกราฟฟิกที่สวยสดงดงามจนทำให้เหมือนชมภาพยนตร์อวกาศดีๆซักเรื่อง, เนื้อเรื่องที่ชวนน่าติดตาม, และปริศนาที่มีรูปแบบไม่ค่อยซ้ำกันจึงเป็นเหตุผลที่ไม่ควรพลาดด้วยประการทั้งปวง!

Ve hře se dostáváme do situace, kdy Zemi došly energetické zdroje a je závislá na dodávkách z měsíce, kde byla vybudována speciální stanice. Vše funguje skvěle dokud nedojde k přerušení veškeré komunikace mezi Zemí a Měsícem včetně potřebných dodávek energie.

Na zemi vládne chaos, ale malá jednotka výzkumníků připravuje projekt letu na měsíc. Tady přicházíte na scénu vy, jakožto vybraný astronaut, který se má dostat na měsíc, zjistit, co se vlastně stalo a obnovit přenos energie na planetu Zemi.

Na začátku příběhu vůbec musíte úspěšně se svou raketou odstartovat, a to dříve, než k vám dorazí bouře. Následně se dostáváte na měsíc a musíte se prokousat nespočetnými úseky základny a pomocí logických hádanek uvést vše do provozu schopného stavu.

Na celé základně jste sami. Avšak vaše osamělost je mírněna vyprávěním příběhu pomocí různých nahrávek, hologramů a papírových zpráv, které vás celým průběhem před a po výpadku spojení provedou. Zároveň získáte podporu umělé inteligence ASE – létajícího robotka, který vám pomáhá při řešení různých problémů.

Jednotlivé hádanky, nejsou příliš složité. Většinou se jedná o nalezení kódu pro odemčení dveří, zvládnutí jednoduchých úkonů dříve, než vám dojde kyslík, či hledání různých věcí, které vám pomohou při hledání jiné cesty k cíli. Vašimi jedinými přístroji kromě skafandru jsou baterka a laser.

Hra je nádherně graficky zpracována, a to včetně fyzických jevů měsíce. Nabízí krásné měsíční výhledy, ale zároveň na vás působí i tíha příběhu a různorodost lidského chování. Snad jediným minusem je, že příběh by mohl být o něco delší.

步行模拟，线性任务

玩家扮演原WSA宇航员罗尔夫，从地球出发，到月球执行拯救地球的任务，通过路上收集的各种物品信息、录音、全息影像、小纸片等来补全剧情。

除了不停按路线前进，其他操作内容都是一些不怎么太用动脑的小杂游戏：按顺序按按钮；找电池道具开门；找到密码纸条输密码开门；和可以钻管道的小机器人配合开门；用等离子切割金属扣开门；驾驶全地形月球车；为轨道交通切换轨道；组合供电开关；遥控天线；限时跑跳等等等等。

+地月室外风景壮美，包括人造建筑也很壮观；
+虽然承担游戏性的都是一些简单小操作，但至少其场景多样、种类丰富，不全都是同一种类型，让人不会感到太单调疲劳；
+难度不高，玩起来非常流畅，不会上火。作为一个步行模拟风景欣赏型玩家，对这种不给太大无意义压力，可以专心欣赏内容的做法非常赞赏。

个人来说没有很显著的短板。

编年史：
2030年，全球资源枯竭、环境恶化比人类料想中更早来到，30%地球已经被黄沙覆盖，沙漠由赤道不断向两极蔓延。

艾萨克·约翰森提出通过MPT（微波电力传输）来向地球提供能源。为自救，人类成立全球组织WSA（World Space Agency）按部就班开展MPT建设工作：2032年，哥白尼月球中心在月面的哥白尼环形山完成建设；2035年，皮尔森空间站完成建设，它由一架天地电梯连接至下方的哥白尼月球中心，皮尔森的顶部发射天线直指地球碟形接收天线；2040年，汤博核电站完成建设，它是集氦-3开采设施、聚变反应堆、发电机组、微波发射天线于一体的坑口电站；2041年，MPT网络上线，它源源不断通过中继天线将汤博核电站发出的电无线传输至皮尔森空间站天线，再无线传输回地球，一上线就为20%的人口供应了能源。一切都在向更好的方向转变。

2048年，月面的惠更斯基地发电机故障导致冷冻休眠仓事故，该次事故中仅有3人幸存，分别是事后被解雇的玛利亚·冈萨雷斯，月球理事会成员罗莎·拉弗德，以及莱因霍尔德陨石坑基地员工埃德加·戴维斯。同年，莎拉·贝克到皮尔森就职，后来成为皮尔森空间站总工程师。

2049年，月球理事会成员艾萨克的妻子伊丽莎白在一场沙尘暴中丧生，艾萨克想将两个女儿克莱尔、凯西从他眼中无可救药的地球接到月球生活，大女儿克莱尔不同意，因为妹妹凯西体弱多病，月球不利于她的成长。次年艾萨克通过法院取得了凯西的监护权，不顾克莱尔的反对，将孱弱的凯西接到了月球，此后，艾萨克、克莱尔父女俩再没讲过话。

2052年3月，刚毕业的克莱尔就设计出了优秀的火箭，赢得了WSA竞赛奖杯，但她拒绝WSA去月球工作的邀请。

2053年底，月球理事会成员罗莎请软件工程师出身的莎拉为ASE（月球殖民地所有人都配备的辅助机器人，是个会飞的小球）编写情感模块，方便她照顾凯西。罗莎因为被凯西的想象力打动，所以一直很关注她的成长，凯西的父亲艾萨克忙于汤博核电站的事情一直没时间关心她，罗莎告知艾萨克，凯西生长缓慢，情况很不好，应该考虑送回地球抚养，但艾萨克辩称地球不如月球。

2054年8月~9月，皮尔森空间站总工程师莎拉·贝克和机械式罗尔夫·罗伯特松正忙碌于猎户座的建设（皮尔森的一个区域），莎拉申请物资运输的要求屡次被月球理事会成员威廉·麦克阿瑟拒绝，她感到很蹊跷，麦克阿瑟解释说是因为某个不方便透露的新项目占用了运输资源，无法给他们分配运力。

2054年9月19日，玛利亚一直在探寻2048年事件的真相，她将她的ASE委托给莎拉、罗尔夫维修，但ASE只有在现场才能还原场景（游戏中全的景影像资料），所以无能为力。

艾萨克通过计算，发现月球储备的氦-3资源不够为全人类提供能源，而且他越发觉得地球是个荒凉死地，与麦克阿瑟一起密谋了向外计划（Outward），想要放弃地球，建造3艘方舟飞船，拉上WSA的月球殖民者们当逃亡派。他们常年将一些未注册的氦-3偷偷运出汤博，为方舟飞船积攒燃料，虽然被人注意到了，但大家都没想到服务地球的理事会会做出背叛地球的事情。艾萨克曾向麦克阿瑟提议，公开MPT真实情况，让人们自己选择是否加入向外计划，但麦克阿瑟认为，无休止的公众讨论和派别的分裂只会让计划功亏一篑，必须裹挟所有人一起。向外计划执行的日子选在2054年9月23日，这一天发生了震惊世界的大停电事件。

按照麦克阿瑟和艾萨克的计划，当天他们将谎称反应堆故障，首先包围并制服汤博核电站的员工（产生了一些伤亡），让他们将氦-3搬运上西线两辆单轨列车，再让员工们回宿舍携带一点必需品行李，乘东线单轨列车前往哥白尼月球中心；西线两辆单轨列车分别前往莱因霍尔德基地和哥白尼1号前哨站，押送其人员和氦-3一同前往哥白尼月球中心会合。谁曾想，莱因霍尔德基地的埃德加多年来调查2048年惠更斯事件，发现理事会的罗莎是罪魁祸首，他还一直关注着理事会的行动，麦克阿瑟和艾萨克的阴谋也被他察觉，在他的阻挠下，本站的小队未能成功完成任务，截下了一批氦-3。

麦克阿瑟向聚集在哥白尼月球中心的员工们发表演讲，鼓动他们选择人类光明的未来，而不是转身回返已经垂死的地球。演讲结束后他切断了MPT网络，地球上的人类再一次失去自己赖以生存的能源，史称大停电事件。断网发生后4分钟，不同意向地球断电的罗莎被麦克阿瑟强制绑走，带去方舟。

断网后7分钟，艾萨克录制了最后一条消息，虽然克莱尔可能永远也收不到。他解释自己所做是为了凯西，他说他虽然许多年没有再同克莱尔说话，但是自己爱着她。

由于有一部分氦-3被拦截，燃料不足以支撑3艘方舟飞船，麦克阿瑟下令将一些体弱多病的人和冷冻仓一起移到第三艘船上去。随后他们驾驶其中两艘方舟永远离开了。凯西体弱多病，被安置在冷冻仓中，艾萨克跟着她一起留了下来，他要想办法凑齐燃料，和凯西一起离开。

视线转回皮尔森空间站，当大停电发生时，莎拉和罗尔夫正在用他们紧巴巴的一点材料建造猎户座，停电发生时，气舱自动关闭，舱外的罗尔夫差点没能回舱，是莎拉千钧一发之际让她的ASE亚历克斯飞去用身体卡住气舱门将他救了回来。

由于地球失去能源供应，已经无力派出飞船进行停电调查，莎拉和罗尔夫讨论可能的MPT离线原因，并在9月25日从皮尔森空间站下降至哥白尼月球中心进行调查。皮尔森警告由于空间站氧气有限，他们只有40分钟完成任务，必须在限时内回到电梯，然后随空间站人员一起撤离回地球。莎拉和罗尔夫下到月球中心后发现此处已经人去楼空，更奇怪的是，23日时此处竟然有大量汤博员工停留，莎拉决定去居住区一探究竟，而罗尔夫则继续尝试登录并恢复MPT网络。最后的时刻，莎拉在准备离开居住区时意外被一个安全限制超载的ASE（即可以通过高电压发起攻击的小机器人）关上舱门追杀，她请求罗尔夫的救援帮忙开门，但时间将至，罗尔夫无力协助，他返回电梯，随皮尔森空间站的员工们一起撤离到地球。

莎拉被击中，后从昏迷中醒来，已经失去了和所有人的通信。她决心继续前往汤博调查MPT离线原因。

2054年9月27日，莎拉来到哥白尼1号前哨，发现此处单轨列车车站入口被人为降下，她改驾一辆旧月球车继续前进。9月29日，她发现地面人员已经乘飞船叛逃，非常气愤和绝望，MPT没有人员维护将无以为继。好消息是核电站还在以10%功率运行，仍有希望。9月30日她在汤博碰到了艾萨克，艾萨克告诉她，麦克阿瑟锁住了反应堆主机，无法维修，无法连接系统，软件工程师出身的莎拉决心一试。在反应堆燃料烧完前的最后关头（没看懂为什么烧完了会损坏设施），她凭借对ASE逆向工程的经验，想到麦克阿瑟很可能在ASE设置了后门，于是屏蔽了相关代码（她使用ASE连接系统），成功破解了安全限制，进行停堆。艾萨克解释，由于MPT离线了很久，一直没有大负载，储能系统已经超载，如不释放也会毁坏设施，最后他及时将能量通过天线传输了出去，同时强大的能量也使天线被冲击歪了。接下来的任务是兵分两路，莎拉去寻找氦-3燃料，重新启堆，将MPT再次上线，艾萨克去检查冷却系统是否正常。

莎拉沮丧地去找艾萨克汇报自己未能找到氦-3储备，谁知撞到艾萨克正将一手推车氦-3往单轨列车上运，心虚的艾萨克解释，他需要救自己的女儿，荒凉的地球已经没有希望了。莎拉坚持要救地球，艾萨克拿刀捅伤莎拉，想赶紧摆脱她。莎拉让ASE启动单轨列车，在艾萨克敢去召回列车的当口，拼尽全力将仅剩的氦-3锁进房间中，并破坏了门锁。艾萨克见方舟发射无望，内疚的他只好抱起失血过多昏迷的莎拉，来到汤博中原本凯西的冷冻仓，将她安置进去。

2055年，大停电事件后一年，WSA早已崩溃。玛利亚·冈萨雷斯笼络WSA残部，还有一心想救父亲、妹妹的克莱尔，开始了福尔图娜一号计划——重回月球，调查大停电事件原因，重启MPT。

2059年9月14日，克莱尔设计的金牛座5号火箭万事俱备，福尔图娜一号计划眼看就可以执行，然而沙尘暴将至，火箭面临损毁风险，玛利亚要求人员在明后天前必须从费先科夫航天中心撤离。最终有两个人坚决留了下来，不愿意放弃这次机会。在地面提供支持的，是克莱尔，出发前往月球的，是莎拉的老搭档机械师罗尔夫。

玩家操作罗尔夫，一路过关斩将，来到汤博核电站，将莎拉拼命保存下来的氦-3加注进反应堆，拖着重伤的身体完成了天线对准，用残存的意识以坚定的意志力为地球重启了能源供应。最后罗尔夫欣慰地发现莎拉仍在冷冻仓中活着，他坐在冷冻仓外，和莎拉的ASE亚历克斯一同守候着。

多年后，克莱尔通过韦斯蒂亚三号计划来到月球，找到了他们。

有一些剧情不合理的地方以及没有交代的情况，但是也没什么好深究的了，说一些比较有意思的：
查了下比较粗的月球地图，哥白尼环形山、莱因霍尔德陨石坑这两处是真实存在的月面地形，同时游戏中的东线和西线表明其位置相对关系也是和实际月球一致的。游戏中月球地名汤博和惠更斯我没有查到。惠更斯不用多介绍了，著名的数学家、光学家、天文学家、物理学家；汤博是发现冥王星的美国天文学家。

费先科夫航天中心，有一位参与创建苏联天体物理学研究所的著名天文学家叫这个名字。

费先科夫航天中心的卫星纪念碑上的卫星是人类发射的第一颗卫星，苏联于1957.10.4在拜科努尔航天中心发射的斯普特尼克1号。

游戏中的逃亡派和三体怪像的，逃亡派领袖，特勤局出身麦克阿瑟，这名字起的，呵！

It is an interesting title. I don't consider it a game. It is neither a visual story. It is a visual-gamelike-experience.
The story is linear, your choices do not matter. All the puzzles have solutions given to you on a plate (which is suprisingly fun because you can focus on the story and won't spend much time thinking in this game). But the story is really GOOD and I do not regret buying the game.
The gameplay feels like a technical demo: so much wasted potential. The developers should really make a sequel. I would love to interact with a moon, stations, devices, buildings and systems more.
Thanks to a great story and visually pleasing locations you don't need a gameplay. Sit, relax and enjoy.

Confesso que estava a espera de uma simples história linear e previsível, mas afinal fui muito surpreendido.
Não sei se por ser um amante do espaço e de ciência, ou por ter assistido ao anúncio do primeiro turista lunar a poucos dias. Não sei qual o motivo mas me arrepiei todo em vários momentos do jogo.
Um bom enrredo.
Acção bem variada.
Imagem de cortar a respiração.
"Meu deus como a lua é bela" exclamei... o jogo te faz mesmo viajar a uma ficção não muito distante do nosso real futuro.
Mais que aprovado. Nota 10.

总体来说是个不错的游戏，解密难度不高，剧情的演出方式也别出心裁，让人眼前一亮。另外，景色也是相当的可以，喜欢太空那种浩瀚以及星空之美的玩家值得体验，不过除了最后主角牺牲的悲壮，剧情部分实在是迷惑+血压拉满。接下来是吐槽，涉及剧透请酌情观看。
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首先是地球方面，月球那边出了这么大的事情官方居然不派人调查一下，弄到最后居然是整整五年后一个所谓的小组自己派人上去？整个地球没人可派了吗？一个火箭都造不出来的吗？没有应急预案吗？这么心大的吗？出了事就搁那晾着？拜托，是能源哎，命根子，上点心吧。等主角爬上飞船的驾驶舱往旁边一瞅，好家伙原来有俩座位，看到这我就想笑，硬是要造出主角孤身一人的情况呗？你就是说官方派出一支调查队但中途出了意外就剩主角一人都比这合理的多。迫害主角×1
然后是以麦克阿瑟为代表的月球方面，迷惑程度比起地球方面有过之而不及。首先，为啥要跑路啊？就因为那个博士算出月球上的氦3不够人类霍霍？这种情况下不应该先通知地球方面然后商讨解决对策吗？怎么就觉得地球没救了？然后就泥给路打油了？看到这我直接黑人问号脸.jpg。再说，你们就对自己的航天技术这么自信？地球都没搞定的星际旅行技术到你们这个小小的月球殖民地就直接造出三艘方舟带人run了？且不论材料哪来的，就不怕中途出啥事让你们这一帮自诩的希望火种全部嗝屁？莎拉还说这是麦克阿瑟的自私，nonono这不是自私，这是智障。然后走了就走了，也不和地球方面说一下情况，让他们派人来接管月球基地也行啊，能源不够用总比没得用好啊。。。。。还就那个损人而不利己。真是坏的彻底呢麦克阿瑟酱（笑）对了，说不定人家麦克阿瑟猜到了地球不可能就放着月球基地不管所以就省去了通知这个环节，这波麦克阿瑟在第五层。（但他没猜到地球官方还就没动静，什么卧龙凤雏）
其他的剧情也有许多东西没有讲，能看出制作组想讲一个大故事，但奈何故事还是太碎片化。还有游戏机制方面，主角的太空服一次只能存三分钟的氧气也是让人无语的很。最后看到主角在莎拉的休眠舱前挣扎的时候我是真的心疼他，真想把休眠舱里的莎拉揪出来让主角躺进去。但毕竟生存的机会只有这一个，强如一人重启月球殖民地的主角也只能在那个代表生还希望但已经有人的休眠舱前坐着停止呼吸————我找到你了，但还是永远无法与你相见。

I think this game is worth playing, but it shouldn't be "very positive". So far it's just OK. The story hasn't really pulled me in. She scenery is cool looking. The game play is a little clunky. I thought it would be a walking simulator, but it actually has a lot of timed, sudden death puzzles.

The big thing that surprised me though, is that the plot is just really nonsensical. It seems to be a game about the power grid, ecological problems, and space exploration made by people that know nothing about power generation, ecology science, or space science. They set up the entire world on a single power grid, using just a single power station, which they placed on the moon. What could possibly go wrong? Also the entire world got desertified somehow, and for some reason experiences constant dust storms.

Sounds tough right? How could humanity possibly recover from that? Well it turns out that in the middle of a global collapse of all agriculture and electricity, a plucky group of volunteers throws together an entire Apollo program in their spare time, and somehow managed to keep it secret. Your mission is to fly to the power station on the moon and get it back working again. Despite spending years on this project though, I guess nobody could be bothered to come help you launch, so you have to do the work of the entire ground crew all by yourself. Maybe there was a really good football game on TV?

No key bindings settings available. Can't play left handed.

Sehr Kurz, also ich würde das Spiel nicht mir für 25 EUR holen. Es hat nur 5 Stunden Story mehr kann man danach auch nicht machen. Ich hoffe es kommen noch viele DLC´s.

I know the developers wanted to make this challenging but...
The O2 part is broken, 3.5 min of O2 and refill gives you 10sec! what kind of BS tech is this?

오랫만에 정말 스토리에 몰입하게 됬습니다.

약 5시간정도면 엔딩 볼 수 있으므로 부담도 적으니 평가를 보는분들도 해보시길 추천합니다.

진행하면서 적절히 머리를 써야되는 부분도 있어서 꽤 흥미롭게 진행했습니다.

엔딩보고 평가 작성중이라 아직도 여운이 많이 남네요. 추천 추천.

Simply not enough content to qualify as a "game". No real ending, not enough interaction with your surroundings, repetitive tasks, too short. Looks like the stopped working on it halfways. I regret spending the money.

剧情还是很吸引人的，有种看大片的感觉，很震撼。说是2030年地球能源枯竭，月球有种H3的能源可以通过电磁波发射给地球，好好地运转了25年就突然歇菜了，地球由于能力的问题，主动放弃了救援，但是有一小波人没有放弃，几年后又重新开始发射火箭，想要找到当年的线索，并且冀望能够恢复能源。我很喜欢这个题材，要是拍成电影，也会很不错吧。

游戏操作方面，可以让我们真实感受到一个宇航员的飞行经历，从太空发射基地发射火箭到空间站真实的失重体验，那种感觉真的很难受，有种无法呼吸的感觉，尤其是空间站里因失重会变得没有方向感，身体是旋转的，还要去解决各种谜题，难度真的不小。我是卡在了安装能量柱，只成功安装了一个，另一个找到了，但是无法安装，来来回回十几次，实在坚持不下去了。

游戏画质很漂亮，谜题有难有易，对于喜欢解谜类游戏的朋友还是不错的选择。如果想体验一下太空飞行员的，也很不错的。价格吗，觉得还可以吧，稍微有点贵，但是我只玩到了空间站，后续还有多少剧情我也不太清楚，如果内容够多，72块也可以接受。

运行配置方面，我的1050Ti确实有点卡顿，但是在我启动外置风扇后，立刻流畅如丝。

一个通关小提示：
在地球发射火箭升空需要关闭燃油阀门，其中一个梯子断掉，需要乘坐电梯到楼下，把梯子推到电梯上，然后乘坐电梯回到顶层，用梯子爬到阀门平台后关掉阀门，就可以发射升空了。

一个小推荐：
塔窝游戏加速器，智能加速上万款Steam游戏，有效解决Steam网游加速问题，购买就送Steam激活码，￥30/月卡、￥88/季卡、￥153/半年卡、￥283/年卡、￥599/永久卡。
官网地址：tawojsq.com

Not great. The puzzles are quite basic, even the hard ones never really make the player feel like they achieved something. major parts of the story are set up but left entirely unresolved. The game veers sharply between different camera-modes seemingly on the whim of whoever designed a particular section, sometimes locking to first-person even in cut-scenes and others playing in third person and splashing sweeping cinematic angles. The camerawork appears to be an attempt to show off the majesty of the lunar surface, but the shift coincides with the story spinning off in multiple directions and never really recovering so it feels like glitz thrown in to obfuscate the lacking direction.

It's not very good in general, and in terms of creepy space-station shenanigans you're better served by Tacoma or Observation. Probably cheaper too, given that this landed me at 4 hours for the 23 eur pricetag, and that was with all but two or three lore items collected.

|***| Análise completa de quem jogou até o fim |***|

Jogado com Steam controller

+ Gráficos e efeitos sonoros de qualidade;
+ Trama bem escrita e bem conduzida;
- História curta e sem replay;
- Desafio quase inexistente


=======|||||||=======
ANÁLISE

Deliver Us The Moon conta a história de um(a) insólito(a) cosmonauta que precisa embarcar em uma missão para Lua para tentar salvar a humanidade da extinção. Belo roteiro para um filme com Tom Cruise, pena que ele teria dificuldade em dar aquela corridinha marota com gravidade zero.

Essa análise é uma decisão difícil porque ao mesmo tempo que DUTM se sai bem na parte técnica com ótimos gráficos, dublagem e efeitos sonoros, além de entregar uma história bem escrita e bem conduzida, o jogo peca no produto final. No fim, fica aquele gostinho de que faltou algum tempero nessa salada.

Vamos lá. DUTM é um walking simulator, isso precisa ficar claro. A dificuldade é bem básica, consistindo apenas em resolver puzzles aqui e acolá; não existem inimigos para matar ou se esconder; a estrutura é linear do tipo vá do ponto A para o ponto B, agora vá para o ponto C, retorne para o ponto B, vá para o ponto D, etc.

Basicamente, qualquer walking simulator é isso aí, com pequenas diferenças entre uns e outros, salvo raras exceções. No caso de DUTM o diferencial são os momentos com gravidade zero.

Nesse ponto você precisa se perguntar: você gosta de jogos nesse formato que prezam mais pelo enredo do que pela experiência de jogo? Se não for a sua praia, caia fora.

Eu tenho um relação particular com esse tipo de jogo, às vezes estou no clima, às vezes não e se a história não me prender caio fora. Por vezes vou até o final e me decepciono como foi o caso de The Vanishing of Ethan Carter e Draugen (leia minha análise aqui). Já em What Remains of Edit Flinch eu tive uma experiência que além de entregar um história peculiar de forma fantástica, entregou um gameplay diversificado que consegue sair da mesmice comum em walking simulators (leia minha análise aqui).

DUTM está entre Draugen e WRoEF e eu vou deixar meu joinha porque fica nítido que os desenvolvedores tiveram esmero na produção. Faltaram recursos pra ir além.

Deliver Us The Moon é um bom walking simulator, que entrega uma história sci-fi madura, sem precisar apelar para fantasias cósmicas sobrenaturais. Se estiver em promoção e gostar de jogos com foco na narrativa, além de não se importar da experiência se esgotar em menos de 8 horas, eu recomendo. Fora isso, melhor ler um livro do Asimov.

>_ Screenshots capturadas durante a jogatina
>_ Para ver minhas análises, siga o curador Megatrônico!

>_ Também contribuo para o grupo de curadores do Gamerista, não deixe de sguir também!


=======|||||||=======
STEAM CONTROLLER

Como não existia setups na comunidade, criei um setup chamado Megatrônico on the Moon. Configuração simples, já que os controles do jogo são bem simples. Os diferenciais são controle por mouse no pad direito, giroscópio ao pressionar RB e pad esquerdo usado como ferramenta para rolagem dos textos no jogo.

Спасибо Вам, KeokeN Interactive!
Спасибо за драматичный сюжет!
Спасибо, что дали возможность немного продлить жизнь земле будущего!
Спасибо за тонкое соприкосновение с Dead Space!
Спасибо за потрясающую экскурсию по луне!
Спасибо за трогательную музыку!
Спасибо за Ваше творение!
Рекомендуется к прохождению ночью, не пренебрегайте громкостью звука и одиночеством.
10 погибающих с верой в человечество космонавтов из 10.

Ce jeu est magnifique!
Les énigmes ne sont pas trop difficiles, les graphismes sont beaux et l'ambiance très immersive.
Je me suis régalé à jouer à ce jeu.
Seul petit bémol : la durée de vie. Le jeu se termine plutôt rapidement et j'aurai volontiers poussé l'aventure encore quelques heures.... J'espère vraiment un opus 2 ou un DLC...

Imagine a game that makes you feel like you are playing through the movies Interstellar and Gravity and then, lands you on the surface of moon with rovers

The RTX features only adds up to an already impressive game. Even though the story is full of tropes, the setting and the action is something worth playing this game for. I was literally running around Moon's surface out of sheer joy for about 2 hours, thats how good the level design is.

Thanks to Steam Labs for suggesting this game. 10/10

+Замечательное звуковое сопровождение.
+Невероятные пейзажи на которые ты смотришь и забываешь напрочь о кислороде.
+Сюжет. (простенький, но держит) Classic
+Заставляет задуматься: "А что же будет в будущем?".
+Quick Time Event, какие никакие, но они есть, иногда даже оживляло игру.

-Управление, слишком резкое и порой ты хочешь себя убить.
-Заметные нелогичные моменты, где ты задаешься вопрос: "А собственно, какого хрена?!"
-Головоломки, супер очевидные (в стиле "Отодвинь лестницу, чтобы пройти")

Красивая, атмосферная, очень сильно затронула концовка - 8/10

Un petit bijou de narration et de mise en scène. C'est le qualificatif principal qui, à chaud, me vient à l'esprit pour parler de ce jeu. Une belle claque à laquelle je ne m'attendais pas qui mélange allègrement histoire intriguante, gameplay intelligent ( qui se renouvelle ) , DA et ambiance qui raviront les fans de SF, graphismes et effets de lumière qui rivalisent , sans rougir, avec des productions au budget plus conséquent et , enfin, un sound design et une musique toujours juste, sans fioriture, parfois douce et enveloppante et parfois épique et haletante. Le jeu est court et a l'intelligence de s'arrêter, comme tout bon conteur, au moment où il a fini de nous raconter son histoire. Un bon moment passé en sa compagnie. 17/20

Finished the game in ~5 hours, couldn't bother to go back for the things I missed.

I don't think this game is terrible, it just made me very very annoyed.
Everything in this game is stupid.
Everything is designed in a way that only makes sense because its a game, all of the facilities lack logical designs and any form of safety consideration. I understand why the devs would design the facilities like this but there is no reason why the people in the game would build like this.

The entire game you are railroaded though each place sometimes opening a few extra rooms to explore but most of the doors stay closed. I guess there was no reason to make the entire base but it was quite often hard to tell which doors I could enter, which I could unlock and which would forever stay closed.

For some reason there is an oxygen timer, this never mattered you will always have enough and the only thing it does is beep annoyingly while you go back to one of the 20ish oxygen-canisters you will find in the same room. Unless the game wants to do a dramatic and makes you follow a line of oxygen-upps.

spoilers ahead:
//
The main conflict centres around the moon suddenly stopped sending power to earth, this cripples the entire planet and no one knows why.
You play an astronaut that is part of a now shut down space program and the first chapter revolves around another "character" talking exposition at you accompanied by the game throwing more exposition at you though intel-logs. Turns out that when the power went out earth couldn't send a team to investigate (because they have no power) and shut down all the space stuff (because they have no power) so you are going to go and investigate on your own (cant bring a friend because no power?) in your own spaceship (because you have power???). Also this is now on a time-limit because a storm is going to destroy the rocket in 5(∞) minutes. The best part of the game was launching the rocket. When you reach the moon station you have to do some floating around (and something explodes without reason) until you can take the lift down to the surface. Turns out everyone left. Someone decided it was better to leave earth to die and to go to a new planet, to make this happen he sabotage the energy-thingies and forces everyone to follow his plan. Two people are left behind on the surface, an astronaut that was sent from the spacestation and an insane (scientist?). They save the reactor from exploding only for the scientist to do a betrayal and try to steal the last powerjuice so that he can also leave to the new whatever everyone else left to (why he waited he could've just left in the time it took to repair the reactor?). He also stabs the astronaut (shes fine). What you now need to do is realign the power-laser-transmitter and turn on the reactor. Because the batteries Is full you need to first do the realignment or things will be damaged. So you turn on the reactor (did you think you can change your fate?) and the power-laser-transmitter overloads and gives you a zap. you go and realign the thingy and then die(oops)
//
It does look good tho and the setting is cool when its not stupid.